1/10/06
Edition
Aisle Seat New Year's
Edition
2006 Opens With a Trip To
THE TWILIGHT ZONE
plus:THE 40 YEAR OLD VIRGIN,
jackson's KONG Diaries, and More!
Image’s “Definitive” Twilight Zone
box-sets rank as some of my favorite DVD releases of the last few
years, so what better way to start off 2006 than with the 5th and
(sadly) final box set that compiles the last 36 episodes from Rod
Serling’s classic anthology series.
After a fourth season that found the series expanded to an hour length
with mixed results, CBS and the show’s producers cut “The
Twilight Zone” back to its original half-hour format. The results
were nowhere near as groundbreaking or unforgettable as some of the
series’ seminal moments from its first few years, yet there are a
handful of gems sprinkled throughout the fifth and final year for the
Zone (1963-64).
Serling’s “In Praise Of Pip” opens the fifth season
with one of its finest half-hours, starring Jack Klugman as a
distraught father haunted by the loss of his son in Vietnam, and Billy
Mumy as the apparition of his son who appears to offer him another
chance. Also among the fifth season shows are a handful of
Serling-penned episodes including “Uncle Simon” (directed
by Don Siegel), “A Kind of Stopwatch,” “The 7th Is
Made Up Of Phantoms” (starring James Coburn), “A Short
Drink From a Certain Fountain,” “The Mask,”
“Sounds and Silences” (directed by Richard Donner),
“The Last Night of a Jockey” (with Mickey Rooney),
“The Fear,” “The Brain Center at
Whipple’s,” “The Long Morrow,” “I Am The
Night–Color Me Black,” “Probe 7–Over and
Out,” “The Jeopardy Room,” “Mr. Garrity and the
Graves,” and “The Old Man In The Cave”; another
Siegel episode, “The Self-Improvement of Salvadore Ross”;
Earl Hamner, Jr.’s “Stopover In a Quiet Town,”
“Ring-a-Ding Girl,” “You Drive,” “Black
Leather Jackets,” and “The Bewitchin’ Pool”
(with Mary Badham, though most of her voiced was dubbed by June Foray);
the Bernard Herrmann-scored “Living Doll,” starring Telly
Savalas, and “Ninety Years Without Slumbering,” also scored
by the great composer; the Jackie Cooper episode “Ceasar and
Me” (the only original Zone to be directed by a woman, in this
case Adele T. Strassfield); Richard Matheson’s “Spur of the
Moment,” “Steel” (with Lee Marvin), “Night
Call,” and “Nightmare at 20,000 Feet”, the latter
also helmed by Richard Donner, as well a pair of other Donner episodes,
“From Agnes–With Love” and “Come Wander With
Me”; the Martin M. Goldsmith stories “What’s In The
Box?” and “The Encounter” (a pretentious but
nevertheless intriguing tale co-starring George Takei); John
Tomerlin’s “Number Twelve Looks Just Like You”; Jerry
Sohl’s “Queen of the Nile”; and lastly, French
filmmaker Robert Enrico’s “An Occurrence At Owl Creek
Bridge,” a Cannes winner that Serling imported as one of the
series’ final episodes.
Though many fifth season shows lack the freshness and energy of the
early Zone episodes, the positives outweigh the stories that, at their
worst, are completely disposable. Donner’s “Nightmare At
20,000 Feet” is not just one of the best Season 5 episodes but
one of the finest from the series’ entire run; tensely directed,
perfectly scripted by Richard Matheson and with a superb performance
from William Shatner (whose nervous tension is palpable, ranking this
role with his finest work), the episode was later adapted (but blown
out of proportion) in the ill-fated “Twilight Zone: The
Movie” starring John Lithgow in 1983. “Living Doll”
is likewise a perfectly-pitched piece with a creepy Bernard Herrmann
score, while “Number Twelve Looks Just Like You” offers a
intriguing variation on a theme Serling originally explored in the
seminal “Eye of the Beholder.” “Steel” and
“Spur of the Moment,” meanwhile, are interesting tales also
spun by the prolific Richard Matheson.
Of course, while there are a few clunkers here (Serling acknowledged
how burned out he was by the end), Twilight Zone fans will nevertheless
want to add this beautifully produced collection to their libraries. As
with their previous box sets, Image has included fantastic, new
digitally remastered transfers superior to any prior release of the
series on video, with strong monophonic soundtracks complimenting the
audio end. Several isolated score tracks are again present, though with
the majority of episodes comprised of stock music, that feature is less
frequent this time out (in addition to the two Herrmann scores, there
are also two contributions from Rene Garriguenc, four scores by Van
Cleave, and one each from Lucien Moraweck, Jeff Alexander and Tommy
Morgan, respectively, among the fifth season soundtracks. Only 10 of
the 36 episode scores are isolated here, but thankfully the two
Herrmann offerings are among those).
Episodes from the Twilight Zone radio series are once again on-hand, as
are a number of commentary tracks (including Mickey Rooney, June Foray,
Bill Mumy, Martin Landau, Mariette Hartley and others) and video
interviews, with Richard Matheson and Earl Hamner, Jr. among them. More
excerpts from Serling’s Sherwood Oaks Experimental College
lectures are included, along with home movies from frequent Zone
contributor George Clayton Johnson, highlights from a Museum of
Television and Radio seminar, an additional interview with Serling, an
Alfred Hitchcock promo, storyboards and a photo gallery. To round it
off, Image has included the superb 2000 “American Masters”
documentary on Serling’s life, which offers a full examination of
the genius behind one of television’s all-time classic series.
Unquestionably recommended!
New From Universal
THE 40 YEAR OLD VIRGIN (***, 2005). 129 mins., Not
Rated, Universal. DVD FEATURES: Commentary; Deleted Scenes;
Featurettes; 1.85 Widescreen, 5.1 Dolby Digital sound.
Raucous box-office hit stars Steve Carrell as an electronics store
employee who has never “gone all the way.” With his
co-workers stunned by the breaking news, Carrell is quickly set up with
a bevy of potential candidates to end his virginity, but instead falls
for a divorced mom (Catherine Keener) who runs an eBay-selling service
across the street.
Director Judd Apatow co-wrote this silly but surprisingly sweet tale
(with star Carrell) of an affable guy with a few quirks who navigates
through a succession of “crazy” people before meeting
someone with hang-ups of her own -- sex just not being one of them. The
movie manages to work in the requisite raunchy laughs with a strong
amount of character development for this sort of thing, plus numerous
observations that had me in stitches (such as the Circuit City/Best
Buy-esque store broadcasting an endless stream of Michael McDonald
concert videos). The picture is a little long and isn’t
especially cinematic -- at times it almost looks like an R-rated movie
of the week -- but the comedy and performances (especially from Carrell
and Keener) make the ultimately appealing story a crowd-pleaser
that’s hard to resist.
Universal’s DVD offers an extended version of the film running
nearly 130 minutes. I thought the theatrical version was overlong, and
while some of the 17 additional minutes shown here are amusing, the new
footage doesn’t do anything other than add to that initial
reaction I had. Thus, if you’re new to the movie, I’d
recommend viewing the Theatrical Version instead. The 1.85 transfer and
5.1 Dolby Digital soundtrack are both fine, but “The 40 Year Old
Virgin” isn’t the kind of film that’s going to give
your home theater a workout, since it was shot on a low budget and
didn’t look all that “cinematic” on the big screen.
Supplements include more deleted scenes, commentaries featuring Apatow
and Carrell, Making Of featurettes (with some amusing improv sprinkled
in), and a gag reel. Recommended!
SERENITY (***, 2005, 119 mins., PG-13; Universal):
Joss Whedon’s “Firefly” leapt to the big screen in
this entertaining enough adventure that will please fans of the series
more than newcomers to the material. Whedon doesn’t spend much
time re-establishing the characters onboard the ship Serenity, here
caring for the 17-year-old psychic sister of the crew’s doctor,
who’s being relentlessly pursued by the evil galactic government
regime. Still, “Serenity” offers some terrific effects, a
neat mix of humor and action, and amiable performances from the
original “Firefly” cast, making it worthwhile for sci-fi
buffs (and especially for viewers of the series). Universal’s
smashing DVD includes a flawless 2.35 transfer, 5.1 Dolby Digital
soundtrack, Whedon commentary, deleted scenes, Making Of material
(profiling the material’s journey from series to film) and other
goodies.
KING KONG:
PETER JACKSON’S PRODUCTION DIARIES (2005, aprx. 3 hours;
Universal): In case you didn’t get enough
“Kong” from Peter Jackson’s movie over the holidays
(and, personally speaking, I more than had my fill), there’s
always Universal’s impressively-packaged double-disc box set of
supplements. Packaged in a ersatz leather traveling case with a
mini-clipboard holding both discs and a full-color booklet, this set
goes behind the scenes without divulging much of the film’s story
(as it was released prior to the movie’s release), profiling
Jackson hard at work on his latest magnum opus. As with the
“Frighteners” supplements, Jackson comes across as a
likeable guy and divulges numerous tidbits on the creation of the film
and its effects. Many of these extras were previously
“published” online, though film music fans will note the
loss of one such segment that spotlighted Howard Shore working on his
soon-to-be rejected score. Packaged with several art reproductions and
individually numbered to boot, this is a sweet package in terms of its
looks but a bit over-priced in terms of content. “Kong”
fans may want to check it out regardless, especially since it may
become a collectible some time down the road.
BATTLESTAR
GALACTICA SEASON 2.0. (2005, 7 hours; Universal): Strong
writing, capable performances and loads of dramatic tension permeate
this second season of the Sci-Fi Channel revamp. Here, the Cylons and
their sexy robotic representative Tricia Hefler again try to wipe out
the remnants of humanity from the solar system, with Edward James Olmos
and Mary McDonnell trying to hold the crew of the Galactica together
long enough to reach Earth. Producer Ronald D. Moore continues to
fashion serious stories with excellent effects and equally superb
performances, though some of the material here is more adult in nature
than one might anticipate. Universal’s three-disc box set
contains 10 episodes from the show’s second season in 16:9
transfers with 5.1 Dolby Digital sound, plus deleted scenes and podcast
extracts for supplements. Highly recommended!
New From Buena Vista
VENOM (**,
2005). 85 mins., R, Miramax/Buena Vista. DVD FEATURES: Cast Auditions;
Making Of featurettes; Storyboards; 2.35 Widescreen, 5.1 Dolby Digital
sound.
Director Jim Gillespie nabbed a taste of success with
“I Know What You Did Last Summer” but had the misfortune of
helming two subsequent projects that were essentially bypassed by their
studios: the ill-fated (and under-rated) Sylvester Stallone thriller
“D-Tox” was sold off by Universal and went straight to
video in the U.S. (under the hideous title “Eye See You”),
while the would-be horror franchise origin “Venom” was
dumped by Miramax as part of their Weinstein fire-sale last September.
Making matters worse, this Louisiana swamp romp came out just days
after Hurricane Katrina ravaged the Southwest, leading to hostile
critical notices that seemed to be harsher than they needed to be.
Truth be told, “Venom” is a stylishly-shot and efficient
teen horror flick, no worse than most of the genre junk being cranked
out these days (at least it’s better than the “Jeepers
Creepers” movies). Gillespie and producer Kevin Williamson
(“Dawson’s Creek”) had hoped to launch a new genre
villain with this picture -- a town outcast who turns into an
unstoppable monster after a baker’s dozen crate of snakes with
evil spirits invades his body via a local voodoo ritual.
Alas, their efforts were squashed by bad timing and a bland script,
credited to video game scribes Flint Dille and John Zuir Platten, who
originated this story as a game (dubbed “Backwater”) that
has yet to see the light of day. Save for attractive Agnes Bruckner,
the kids are interchangeable parts who serve only to get picked off
one-by-one by the Voodoo Man, and there’s little dramatic
development since the movie hits its end credits by the 80 minute mark.
Still, “Venom” offers solid special effects and atmospheric
Bayou locales, well-shot by Steve Mason and directed by Gillespie, who
seems to deserve better than helming material like this. That being
said, genre addicts could still do a lot worse than to check it out.
Dimension’s DVD, out on the 17th, offers a strong 2.35 transfer
with 5.1 Dolby Digital sound. The unremarkable but competent score by
James L. Venable is one of those “Themes by John Debney”
deals (which we haven’t seen a whole lot of recently). Special
features are limited to cast audition tapes, a Making Of featurette
that details the movie’s origins as a video game, and storyboard
comparisons.
GOOD MORNING
VIETNAM: Special Edition (***, 1987, 121 mins., R, Touchstone/Buena
Vista): New Special Edition of the 1987 box-office hit stars
Robin Williams as free-wheeling radio D.J. Adrian Cronauer, who spices
up the lives of American soldiers in Vietnam by producing an outspoken,
often hilarious radio show. Barry Levinson’s film was
well-received and a big financial success, though the movie
hasn’t weathered the years as well as one might anticipate:
Williams’ shtick has grown somewhat tired by now, and though
he’s in top form here, one pays more attention now to writer
Mitch Markowitz’s somewhat under-developed script. The film works
well enough with Williams behind the mic, but loses a few steps once it
tries to be meaningful and important. Buena Vista’s DVD includes
a new “Production Diary” of featurettes that detail the
production, as well as raw outtake footage of Williams’
monologues, which his fans should appreciate. A pair of trailers and a
new 16:9 enhanced transfer (plus a 5.1 Dolby Digital soundtrack) make
this an affordable, recommended pick-up for fans.
DEAD POETS
SOCIETY: Special Edition (**½, 1989, 129 mins., PG,
Touchstone/Buena Vista): I’ve never been a big fan of
Peter Weir’s tale of life in a New England boarding school circa
1959, but that still didn’t stop the Robin Williams Express from
grossing nearly $100 million in theaters back in the summer of
‘89. Williams’ performance as an English teacher who
encourages his students (including Robert Sean Leonard and Ethan Hawke)
to think for themselves turns tragic and pretentious in its final
third, but John Seales’ cinematography and the supporting
performances still manage to keep you watching. Fans of the film may be
disappointed that Buena Vista’s new Special Edition DOESN’T
include the longer version of the film released on laserdisc (and still
occasionally broadcast on TV), or even those extra scenes included in a
supplement, but there are still some new features to be found: a new
Making Of interviews Weir, Hawke, Leonard and others; raw takes from
the production are shown; additional featurettes profile sound designer
Alan Splet and photographer John Seale; a commentary features Weir,
Seale, and writer Tom Schulman; and the theatrical trailer rounds out
the disc. The 1.85 transfer and 5.1 Dolby Digital soundtrack are both
superb.
THE GREAT RAID (***, 131 mins., Not Rated; Miramax/Buena
Vista): John Dahl’s oft-delayed WWII epic is an exciting
tale of an American battalion sent behind enemy lines to liberate
hundreds of P.O.W.s in a Japanese camp in Cabanatuan. Benjamin Bratt,
James Franco and Connie Nielsen give memorable performances in this
taut, effective real-life story with an excellent score by Trevor
Rabin, here abandoning his electronic approach for a fuller-blooded
orchestral work. Miramax’s double-disc set makes for a terrific
Special Edition: Dahl re-edited the movie for his Director’s Cut,
and contributes a commentary along with producer Marty Katz and others.
Additional extras include extended deleted scenes (some of which were
apparently contained in the theatrical release cut), a Making Of
featurette, multiple documentaries, outtakes, and historical
information on the second disc. The 2.40 Widescreen transfer and 5.1
Dolby Digital sound are both tremendous. Recommended!
UNDERCLASSMAN
(*½, 2005, 93 mins., PG-13; Miramax/Buena Vista):
Laughless, labored vehicle for young star Nick Cannon sat on the
Miramax vaults for months before being thrown into theaters last fall
(see “Venom” above). Cannon (who apparently came up with
the idea for the movie as well) plays a young cop who’s assigned
to go undercover as a student at a private school in order to track
down a killer -- and you can basically take it from there. Desperate
action scenes and low-brow comedy fill up 93 minutes that you’re
better off spending someplace else. Miramax’s DVD offers a 2.35
widescreen transfer with both 5.1 and 2.0 Dolby Digital soundtracks,
deleted scenes, commentary, cast auditions, and a Making Of featurette.
SECUESTRO
EXPRESS (**½, 87 mins., R; Miramax/Buena Vista): Mia
Maestro (from “Alias”) plays a young woman in Caracas
who’s abducted with her fiancee and held for ransom by three
thieves demanding of a king’s ransom from her father (Ruben
Blades). Jonathan Jakubowicz’s film is an interesting Latin
variation on familiar material, but ultimately doesn’t have
enough style to compensate for its somewhat thinly-drawn characters.
Miramax’s DVD offers a 1.85 widescreen transfer with 2.0 Dolby
Digital sound, English subtitles, deleted scenes, an English commentary
with Jakubowicz and a secondary Spanish commentary with the director
and cast members, plus trailers, Making Of featurettes, and a music
video.
Family Finds
WALT
DISNEY’S TIMELESS TALES Volume Three (2006 compilation, 65
minutes, Buena Vista): Disney compilation of classic animated
shorts makes for an inexpensive, perfectly acceptable DVD for
youngsters and casual Disney fans. Included in this third volume of the
“Timeless Tales” are “Little Hiawatha,”
“Ben and Me” (recently issued in one of Disney’s
Treasure tins), “Casey at the Bat,” “Morris the
Midget Moose,” “The Wise Little Hen” and “The
Golden Touch.” The full-screen transfers and Dolby Digital
soundtracks are fine, and a collectible mini-storybook of “Casey
at the Bat” is also included for the little ones.
THE VERY
HUNGRY CATERPILLAR AND OTHER STORIES (2006 Compilation, 32 minutes,
Buena Vista): Popular children’s author Eric Carle’s
most famous stories are adapted in this Scholastic/Disney DVD, bundling
together low-key animated renditions of “The Very Hungry
Caterpillar,” “Papa, Please Get The Moon For Me,”
“The Very Quiet Cricket,” “The Mixed-Up
Chameleon,” and “I See a Song.” Aimed at kids five
and under, these tales are entertaining and convey a basic
understanding of counting, speaking, music, independence, and a thirst
for knowledge ideal for its intended audience. The full-screen transfer
and Dolby Digital soundtrack are both colorful and crisp.
STANLEY’S
DINOSAUR ROUND-UP (2006 Compilation, 70 minutes, Buena Vista):
Ever-popular Disney Channel hero returns to DVD in this engaging
production for young viewers. Here, Stanley journeys to his
uncle’s dude ranch, where dinosaurs roam free and Stanley learns
a few lessons about the region and his encounters in the environment.
Colorful animation makes this a fun adventure for young kids, with a
few interactive games and a 5.1 Dolby Digital soundtrack rounding out
the presentation.
DISNEY
SINGALONG SONGS (2006 Compilations; Four Volumes, 28-34 minutes each,
Buena Vista): The latest Disney “Singalong Song”
offer more interactive musical amusement for kids: “101
Dalmatians, Pongo & Perdita” features pooch-oriented ditties
from “Hokey Puppy” to “Take Me Out To The
Ballgame”; “Peter Pan, You Can Fly” concentrates on
Disney songs from “Mary Poppins” to “Dumbo”;
“The Bare Necessities, The Jungle Book” includes more
classic Mouse tracks from a myriad of films; and “I Love To
Laugh, Supercalifragilisticexpialidocious” spotlights more
humorous standards from Walt’s universe, culled from animated
shorts and films alike. The 5.1 Dolby Digital soundtracks and
full-screen transfers are uniformly fine and should give its intended
youthful audience plenty of repeated entertainment.
TOY STORY 2:
Special Edition (***½, 1999, 95 mins., G, Buena Vista):
Special Edition re-packaging of the Pixar/Disney box-office smash
includes a new digital transfer (directly captured from its source) and
an interactive game, plus a reprise of the contents from the previous
“Toy Story Toy Box” supplemental section (Making Of
materials, deleted scenes, commentary and more). If you don’t
have the “Toy Box” or do have a large enough TV to
appreciate the upgraded transfer, this is a bargain-priced release well
worth your hard-earned dollar.
NEXT TIME: Peckinpah
Westerns, SANTA'S SLAY, and More! Don't
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This column is dedicated to Lou
Rawls...R.I.P. (1935-2006).
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