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Aisle Seat Holiday Special Warner's BLADE RUNNER Box Is a Classic! Plus: DRAGON WARS and RESIDENT EVIL III
For
DVD releases in 2007, Warner Home Video, director Ridley Scott and disc
producer Charles de Lauzirika have truly saved the best for last. The
long-awaited, all-encompassing box-set of BLADE RUNNER (****, 117 mins., 1982, R)
that fans have been dreaming of has finally been released, and no
matter what your persuasion is -- regular DVD, HD-DVD or Blu-Ray -- the
set ranks as one of the medium’s most sweeping achievements.
Saddled,
however, with contractual and legal obstacles, it’s taken
literally years for Warner and Lauzirika to have access to all the
tools they needed in order to produce the definitive presentation of
Scott’s groundbreaking 1982 sci-fi classic -- a movie initially
shunned by audiences during its theatrical release in the crowded
summer of ‘82, but one that has obviously endured and become of
the most influential films ever produced.
Even though the so-called “Director’s Cut” was first
issued in 1992, that version wasn’t a formal edit of the film
prepared by the director. The opportunity for Scott to make necessary
adjustments for his new “Final Cut” may not have been the
biggest obstacle in this set’s creation, but the hurdles that
needed to be cleared in order to release all the other, myriad versions of
the film took an understandably enormous amount of time. The original
theatrical cut, the international unrated version (which comprised the
beloved Criterion laserdisc release), and the legendary workprint
(screened in regional releases in the early ‘90s, prior to the
“Director’s Cut” release) are all, as any
“Blade Runner” fan would tell you, integral to the
“Blade Runner” experience, and instead of going halfway
with just a “Final Cut” Special Edition, Scott, Lauzirika
and his staff opted to wait until the opportunity afforded itself to
literally release them all.
That decision was prudent and worth every internet rant and message
board thread that speculated when the DVD would be coming out.
Warner’s new DVD release of “Blade Runner” is the
most comprehensive package of its kind ever released: the four and
five-disc box-sets offer an incredible wealth of material and, most
importantly, every relevant version of the film produced.
Speaking of the film, it goes without saying that “Blade
Runner” holds up today as one of the most enthralling
science-fiction films ever made: a symphony of sight and sound with a
narrative that doesn’t -- in any version, really -- entirely
connect, but for its purposes doesn’t have to. Scott, special
effects supervisor Douglas Trumbull, cinematographer Jordan Cronenweth,
the sets of Lawrence G. Paull and art director David Snyder
(conceptually designed by Syd Mead among others), and the music of
Vangelis transport you into a future world that’s foreign yet
familiar, decrepit in parts but majestic in others: a Los Angeles of
2019 where a group of android “replicants” seek answers to
their built-in manufactured “expiration” dates, sending
burned-out “Blade Runner” cop Rick Deckard (Harrison Ford)
to hunt them down and terminate them.
Ever since the film’s 1982 release, fans have debated -- and
argued -- over the merits of each version of “Blade
Runner.” The film’s theatrical and “International
Cut” variants included a voice-over by Ford that had been
incorporated, to varying degrees, in the script since its conception,
along with a “happy ending” (more of an “optimistic
epilogue” in my mind than a radically different conclusion than
its counterparts) comprised mostly of outtake aerial footage from
“The Shining.” The 1992 “Director’s Cut”
eliminated the voice-over and cut the ending down to its original form,
while simultaneously suggesting more heavily that Rick Deckard
wasn’t just human -- he was a replicant as well! This
controversial theory has been a source of debate for decades, even
amongst the film’s writers and Harrison Ford himself, who
resisted Scott’s implication that its protagonist may not be
human (in fact, co-writer Hampton Fancher still doesn’t take the
idea seriously, finding it completely absurd and against the intentions
of Philip K. Dick’s original novel).
I’ve always felt that, while the suggestion that Deckard is a
replicant is intriguing, the film’s story doesn’t work when
viewed from that angle: it opens up a can of worms that logistically
makes less sense than its other interpretation, along with robbing the
film of its central emotional arc -- that a tired, dispirited human
who’s lost his soul regains it, ultimately, through his
interaction with artificial life-forms who are, in some ways, more
“human” than he is.
For those unfamiliar with the movie, as well as fans interested in the
box-set, here’s a breakdown of the different versions included in
the new DVD and high-definition versions of “Blade Runner”:
-The Final Cut:
this brand-new, remastered version of “Blade Runner”
presents Ridley Scott’s final, intended Director’s Cut,
with some very, very minor tweaking -- a couple of digitally enhanced
alterations (including a reworked shot of the dove flying off, out of
Roy Batty’s arms at the end), a couple of alternate lines, and a
superior “Unicorn” sequence more in line with Scott’s
original vision than the would-be 1992 “Director’s
Cut” release. Only die-hard “Blade Runner” fans will
notice these differences, however, as this cut essentially plays out as
being mostly identical to the 1992 release, keeping Deckard’s
possible replicant identity a key ingredient.
Where “The Final Cut” has a big advantage on every disc
release (whether it’s DVD or the HD-DVD/Blu Ray versions) is in
its transfer and sound: the remastered, cleaned up image is spectacular
at every turn, while the remixed 5.1 Dolby Digital sound is fully
enveloping, opening up Vangelis’ marvelous score in a way no
prior audio mix ever has. Supplements include commentaries by Ridley
Scott; another track with writers Hampton Fancher and David Peoples,
producer Michael Deeley and production executive Katherine Haber; and
another track with Syd Mead, Lawrence G. Paull, David Snyder, Douglas
Trumbull and fellow F/X artists Richard Yuricich and David Dryer.
-The Original Theatrical Cut:
the movie’s original released version is presented in a newly
restored transfer with 5.1 Dolby Digital audio. It presents the movie
as it was initially issued in June of 1982, complete with the longer,
“happier” ending and voice-over -- which still, to this
viewer, is a needed component of the picture and Deckard’s role
in the story. Ford’s performance seems to have been fashioned out
of an understanding that there would, indeed, be voice-over narration
placed over various sequences, and while not all of it is effective or
necessary (and Ford hated recording it), it ultimately aids the picture
more than detracts from it.
-International Cut:
essentially the theatrical version with several seconds of more graphic
violence, this version is also included in a newly restored transfer
with 5.1 Dolby Digital audio. Fans will recognize this version as being
the cut included in Criterion’s laserdisc release, which for many
years was the only way to see the film in widescreen format, as it was
originally intended.
-Director’s Cut (1992):
after the workprint version was screened in several Los Angeles
theaters in the early ‘90s, Warner Bros. sought to issue a
national release of Ridley Scott’s intended version of
“Blade Runner.” Working without Scott’s involvement,
they dumped the voice-over, abbreviated the ending, and added a less
effective “unicorn” sequence intended, in Scott’s
mind, to imply that Deckard was a replicant. This version has been the
only edit of the movie issued on DVD prior to the new box-set, yet its
inclusion here (again in remastered widescreen and 5.1 sound) is mainly
for prosperity, since Scott’s new “Final Cut” is
essentially the same package with a better transfer and a few minor,
but satisfying, improvements.
All three of the above versions are included on the same DVD or
high-def platter (via seamless branching) with short introductions from
Ridley Scott.
-The Workprint:
the early assembly of “Blade Runner” with sections of
unused Vangelis score and lots of temp music, this legendary,
unfinished version of the film was screened in L.A. during the early
‘90s and basically launched a campaign for a formal
Director’s Cut. Its inclusion in the 5-disc limited
“briefcase” version (standard DVD) and 5-disc HD-DVD and
Blu-Ray Collector’s sets will come as a revelation for
“Blade Runner” fans, as it preserves an early and alternate
conception of the film with numerous differences from its later
counterparts -- including, most notably, an alternate “love
theme” from Vangelis during Deckard and Rachael (Sean
Young)’s intimate sequence. It’s included here, warts and
all, in a surprisingly sharp (considering its condition) remastered
transfer and 5.1 audio, along with a commentary track from Paul M.
Sammon, author of “Future Noir,” the definitive book on the
production of the film.
For extras, the “Blade Runner” set offers a treasure trove
of production stories, fascinating anecdotes, amazing outtakes and
other materials that will keep fans’ eyes glued to their sets for
hours on end.
“Dangerous Days: Making ‘Blade Runner’” is the
set’s big documentary, a sprawling, three-hour look at the
film’s production offering interviews with basically everyone
except Vangelis. Harrison Ford, Sean Young, Edward James Olmos, Daryl
Hannah, Hampton Fancher, David Snyder...the list goes on, and Lauzirika
leaves no stone unturned in his chronicle of the troubled production,
whether it’s the friction between Scott and producers Bud Yorkin
and Jerry Perenchio (who are both interviewed here), between the cast
and Scott, between the writers and Scott...it’s a meaty,
thrilling ride that touches upon all the oft-reported issues and
conflicts that were a part of the film’s turbulent shoot. The
documentary is presented in 16:9 standard-definition widescreen on the
second disc of all platforms.
The set’s fourth disc, “Enhancement Archive,” presents even more fascinating extras.
Nearly an hour’s worth of deleted scenes are on-hand, beginning
with an evocative alternate opening credit sequence, discarded F/X
shots, legendary scenes with Deckard and his “Blade Runner”
counterpart Holden (cut entirely from all five versions of the movie),
a regrettably discarded moment between Graf (Edward James Olmos) and
Bryant (M. Emmet Walsh), and many sequences of excised voice-over
narration that illustrated how much narration was originally intended
for the film. These sequences, presented in 16:9 standard-def
widescreen from the best surviving elements, are simply breathtaking
for “Blade Runner” fans -- like watching another,
previously unseen glimpse into the film’s universe.
Ten more featurettes (from an examination of Deckard’s identity
to a look at the movie’s fan culture and poster art) join three
vintage featurettes, including a convention reel, behind-the-scenes
outtakes, and an “On the Set” segment that will again prove
to be enthralling for die-hard fans. Also fascinating are screen tests
of Sean Young and actresses who didn’t make the cut, including
Stacey Nelkin (who was later cast as “Mary,” the sixth
Replicant that was cut for budgetary reasons prior to shooting) and
Nina Axelrod.
The movie’s seldom-screened (and quite awful) trailers are also
present, having utilized the Ink Spots’ “If I Didn’t
Care” and a narrator who doesn’t even sound remotely close
to Harrtison Ford! The advertising is nevertheless fascinating to see,
as it completely fails to properly sell the film and what it’s
actually about.
Enormous kudos for this magnificent set go out especially to Charles de
Lauzirika, who previously produced the supplements for the “Alien
Quadrilogy” box-set, a release that remains one of the most
satisfying DVDs ever produced. Needless to say, Lauzirika has added to
his mantle here with a DVD release that may never be surpassed for its
richness, wealth of information and content.
“Blade Runner” is one of my favorite films of all-time and
the new box-set, likewise, is one of the finest DVDs ever produced. We
couldn’t have asked for a better way to cap the year in home
video with a more spectacular release than this one. New on Blu-Ray
Paul W.S. Anderson’s nutty adaptation of the Capcom zombie video
game franchise continues with “Resident Evil: Extinction,”
a dumb but moderately enjoyable lark with sufficient action and special
effects to please most sci-fi/horror enthusiasts.
Milla Jovovich is back once again as Alice, the one-woman-army now
battling zombies in a desert setting where the last remnants of
humanity are holed up. The dastardly Umbrella Corporation, meanwhile,
is looking for her blood while our heroes gather at a compound trying
to stay alive. Joining Milla in her battles this time out are Ali
Larter’s Claire Redfield, Oded Fehr and Mike Epps from the last
installment, and Ashanti, all of whom take down scores of zombies under
the stylish enough visual flair of veteran director Russell Mulcahy
(“Highlander”).
“Resident Evil: Extinction” certainly isn’t anything
groundbreaking but it’s fun for what it is: a no-brain,
good-looking action flick with a couple of attractive female leads and
enough F/X to satisfy its intended audience.
Sony’s Blu-Ray edition, out next week, includes an excellent
1080p, AVC-encoded high-definition transfer with Dolby TrueHD audio.
The movie looks and sounds spectacular, while sufficient extras include
a commentary with Mulcahy, Anderson and producer Jeremy Bolt; a series
of featurettes (“Beyond Raccoon City”); deleted scenes; a
trailer for the upcoming “Resident Evil” CGI home-video
movie; and a picture-in-picture Blu-Ray experience with additional
anecdotes, interviews and production materials.
Also new on Blu-Ray is the original 2002 “Resident Evil,”
written and directed by Anderson himself and offering nearly all of the
extras from its prior Special Edition DVD, including an alternate
ending, two different commentary tracks, 12 featurettes and a music
video. The 1080p transfer and Dolby TrueHD soundtrack are both
exceptional, making for a robust presentation for all “Resident
Evil” fans (who should note “Resident Evil:
Apocalypse” is already available on Blu-Ray, albeit in a
disappointing, movie-only release).
DRAGON WARS: Blu-Ray (**½, 2007, 90 mins., PG-13; Sony): Outlandish
but fast-paced, entertaining South Korean-produced monster epic with a
mostly-American cast, including Jason Behr (“Roswell”),
Amanda Brooks, Robert Forster and Elizabeth Pena, who do battle against
an invasion of giant dragons in this $70-million spectacle which
basically went right to video in the U.S. For kids and monster fans,
“D-Wars” offers ample spectacle, a silly plot and loads of
old-fashioned monster fun, beautifully captured on DVD and Blu-Ray disc
by Sony, where the movie sports a sterling 1080p transfer with Dolby
TrueHD audio, a Making Of featurette, and storyboard and animatic
galleries. Even Steve Jablonsky’s score is surprisingly pleasant
and effective, making for an engaging B-movie all around. NEXT
TIME: ZODIAC: THE DIRECTOR'S CUT arrives on DVD as we kick off 2008! Until
then, don't
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any emails to our email address. Merry Christmas & Happy New Year everyone!
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