Making the CONNECTION in HD Fox Rolls Out Classics on Blu-ray Plus: Paul Newman Film Series on DVD
Blu-Ray owners who happen to be movie buffs have been hungering for
content so far in 2009. This month Fox does their best to placate them,
dipping into their back catalog for several excellent high-definition
titles that give viewers hungry for something other than mediocre
catalog titles quality content that also takes advantage of the
benefits only Blu-Ray can provide. Here’s a look:
THE FRENCH CONNECTION (****, 104 mins., 1971, R; Fox) THE FRENCH CONNECTION II (**½, 119 mins., 1975, R; Fox)
Fox's two-disc Blu-Ray edition of “The French Connection"
represents a new rendering of William Friedkin's gritty 1971 classic,
starring
Gene Hackman as "Popeye" Doyle and Roy Scheider as Buddy Russo -- a
pair of New York City cops who take down an international drug cartel
in a film inspired by Robin Moore's book (itself based on the real-life
exploits of cops Sonny Grosso and Eddie Egan).
Most movie buffs recall the film for Friedkin's dynamite car chase --
one of the greatest of all-time, if not THE greatest -- but the rest of
the movie is every bit as potent. Friedkin's documentary-like approach,
the realistic performances and atmospheric use of NYC locations
courtesy of Owen Roizman's cinematography all helped to make "The
French Connection" a multi-Oscar winner that was revolutionary in its
day and remains a landmark in the crime-thriller genre.
Fox's Blu-Ray set sports a new AVC encoded transfer that has already
caused much controversy with viewers. While the image is crisp and
shows a healthy amount of film grain, Friedkin has performed a visual
"revision" here similar to what Francis Ford Coppola did on "Bram
Stoker's Dracula," and that's tinker with the print's colors and
contrast. I had to dig out my old "French" DVD to do a comparison, but
the results are obvious if you compare the two versions: the new
Blu-Ray transfer is a bit more washed-out and boasts heightened
contrast, much to the detriment of the original, more natural looking
cinematography. While the DTS Master Audio sound is excellent, this
revisionist transfer may not be to the liking of most of the picture's
fans (Friedkin explains these alterations in a featurette on Disc 2).
The double-disc BD set also offers hours of extras, highlighted by two
previously-released documentaries: "The Poughkeepsie Shuffle" was
produced by Mark Kermode for the BBC in 2000, and like his "Exorcist"
documentary, it's an engaging, compulsively watchable program
spotlighted by interviews with the filmmakers. Not to be outdone, Fox
produced their own special for the Fox Movie Channel, "Making the
Connection," that is every bit as fascinating, sporting newer
conversations with the real-life participants and the filmmakers. Both
programs run under an hour and provide essential viewing for fans.
Twenty minutes of deleted scenes, culled from very rough surviving
prints, are also included, along with a pair of commentary tracks: one
by the director (always willing to share an anecdote), the other with
Scheider and Hackman alternating in separately recorded interviews.
Still galleries and trailers round out the supplements culled from
prior DVDs, while new extras abound: an interview with composer Don
Ellis, a segment with Friedkin and the real Sonny Grosso, a look at the
cinematography and a more recent interview with Gene Hackman are all
on-hand plus a Blu-Ray exclusive trivia track and an isolated score
track (in 5.1 Dolby Digital) of Ellis’ music, highlighting many
cues that weren’t retained in the finished picture.
Aside from the controversial new transfer, this is an otherwise sparkling package that (mostly) does justice to the 1971
Oscar-winner for Best Picture, director, actor, script and editing.
To compliment the original film comes, naturally, a Blu-Ray edition of
its sequel: 1975's THE FRENCH CONNECTION II, which finds Popeye Doyle
heading to Marseilles to bust up Fernando Rey’s narcotics ring.
John Frankenheimer helmed this gritty and overlong follow-up that
starts off well and ends terrifically, but sags during an interminable
sequence where Doyle becomes addicted to heroin after being abducted by
Rey’s gang. Hackman might be terrific here but the movie grinds
to a halt during these sequences and never quite recovers.
Fox’s AVC encoded transfer of “French Connection II”
is, at least aesthetically, an appreciable improvement over its
predecessor since the source materials are in healthier shape. The DTS
Master Audio sound is fine as well, while extras include a commentary
with Gene Hackman and producer Robert Rosen, an older commentary from
Frankenheimer, still galleries, an interview with Hackman, a new
featurette “Frankenheimer: In Focus,” and both an isolated
score track (this time in full DTS Master Audio) and numerous trailers
in a myriad of languages.
THE PASSION OF THE CHRIST (****, 126 mins. [120 mins. “Recut” version], 2004, R; Fox):
Without dissecting the movie's religious and historical elements (which
I assume will either compel or disinterest you, dependent on your own
beliefs), Mel Gibson’s worldwide 2004 box-office hit is a film of
enormous power simply from a filmmaking standpoint.
Gibson's vivid cinematic portrayal of the final hours of Jesus was
tossed around every cable talk show and editorial column to no end
after its original release five years ago, receiving polarized
reactions from pundits on all ends of the religious and cultural
spectrum. Charges of anti-Semitism, excessive violence, and a lack of
spiritualism were leveled at the movie, and it seems that many critics
approached the movie not reviewing the film so much, but rather how
Gibson's beliefs and the picture's politics match up with their own
views.
All I know is that, for me, "The Passion" is one of the most powerful
and artistic pieces of filmmaking of the last decade. Neither as
unrelentingly grim or excessively violent as some have made it out to
be -- nor lacking in the spiritual elements some have claimed it is --
Gibson's beautifully, painfully rendered movie is so compelling you
can't take your eyes off the screen.
Caleb Deschanel's vivid cinematography, John Debney's evocative music,
and Gibson's conviction behind the lens collaborate to make an inspired
work, while performances by Jim Caviziel as Jesus, Maia Morgenstern as
Mary and a fine supporting cast (including Monica Bellucci as Mary
Magdalene) support Gibson's carefully articulated evocation of the
Stations of the Cross. This is a movie that looks like it would have
cost well over $100 million by usual Hollywood standards, but was
stunningly made for a fraction of that cost (a reported $30 million).
As a film, "The Passion" remains one of the most remarkable pictures
I've seen in a long while. Any movie that challenges its audience and
encourages conversation at a time when so few films do is more than
worth a viewing, and its superlative cinematic presentation only adds
to its impact.
Fox previously issued “The Passion of the Christ” in a
barebones, but good-looking, 2004 DVD with DTS audio. Their later,
double-disc “Definitive Edition,” while offering extras and
both the original version of the movie and its toned-down (by six
minutes) “Recut” version, dropped the DTS track and boasted
a transfer widely acknowledged as inferior to the original DVD.
The studio’s Blu-Ray version, then, easily represents the most
satisfying presentation of “The Passion” on video to date:
the AVC encoded transfer finally gives home viewers a true
approximation of the scope of Deschanel’s cinematography, far
more than either of the prior DVD editions, and the result is
impressive indeed. Colors, details, and the overall composition of the
movie are heightened in every respect by the Blu-Ray transfer. The DTS
Master Audio sound likewise packs more of a punch than its
predecessors, while extras from the “Definitive Edition”
include insightful commentary tracks from Gibson and numerous
theologians, and (on a second, standard-def disc) other deleted scenes,
a photo gallery, two documentaries and other supplements.
Both the original theatrical cut and its shortened “Recut”
version are also present on the 50GB dual-layer BD platter.
RAGING BULL (****, 129 mins., 1980, R; MGM/Fox):
Martin Scorsese’s now-classic portrait of boxer Jake La Motta (an
Oscar-winning performance by Robert DeNiro) hits Blu-Ray in a vivid,
beautiful AVC-encoded transfer that breathtakingly captures the potent
images of the director and cinematographer Michael Chapman, without
glossing over the movie’s crispness (again, little
noise-reduction is seemingly on-hand here). The DTS Master Audio sound
is likewise impressive when called upon, while numerous extras --
culled from the most recent, double-disc DVD edition of the picture --
include commentaries by Martin Scorsese and editor Thelma Schoonmaker
(from the original laserdisc edition), plus assorted cast and crew
members, and screenwriters Paul Schrader and Mardik Martin, plus La
Motta himself; a four-part Making Of, totaling nearly 90 minutes;
vintage La Motta newreel footage, and another, 30-minute “The
Bronx Bull” behind-the-scenes featurette. Highly recommended!
DONNIE DARKO: THE DIRECTOR’S CUT (**, 132 mins., 2004, R; Fox):
Some cult movie fans have turned Richard Kelly’s indie fave into
a full-blown phenomenon, though my viewing of the
“Director’s Cut” of “Donnie Darko” only
confirmed my hesitation towards Kelly’s original theatrical
version: namely, what’s the deal? This intentionally weird jigsaw
puzzle of a film -- complete with ‘80s tunes, pop culture
references and a giant rabbit -- gives you so little to go on that
it’s not even up to sub-Lynchian standards, though some critics
have already proclaimed it a masterpiece so judge for yourself.
Fox’s two-disc Blu-Ray edition includes both the longer version
of the film (which fleshes out the story more than the theatrical
version) as well as the original cut, plus commentaries from Kelly and
Kevin Smith, Kelly and star Jake Gyllenhaal, and yet a third track with
assorted cast and crew members, plus on a second standard-def disc, a
production diary, additional featurettes and the Director’s Cut
trailer. The AVC encoded transfer may be acceptable but it’s far
from spectacular, suggesting that the film’s cinematography and
murky look don’t take all that well to the benefits of HD, while
the limp DTS Master Audio sound only sporadically makes you take notice
of its presence. For “Darko” addicts only.
THE BOONDOCK SAINTS (**½, 1999, 110 mins., R; Fox):
Writer-director Troy Duffy might have created quite a bad rep for
himself with his antics behind the scenes of “The Boondock
Saints,” his 1999 debut feature, but it seems Duffy may have the
last laugh: this tale of Bostonian crime and retribution has indeed
become something of a cult favorite since its initial release, with a
sequel slated for release later this year. Fox’s Blu-Ray disc
includes a good-looking AVC encoded transfer of Duffy’s
Director’s Cut (a couple of minutes longer than the released
version) with plenty of extras from prior DVD editions -- commentary
from Duffy, star Billy Connolly, deleted scenes, outtakes and a
printable script make for a decent but not overwhelming supplemental
package. Recommended viewing for aficionados of “action-crime
noir,” with Duffy one-upping Tarantino in the violence and energy
department at times. Paul Newman Film Series on DVD
Five titles newly released from the Warner catalog celebrate the legacy
of Paul Newman, each offering a unique view of the legendary star
either in front of, or behind, the camera.
THE SILVER CHALICE (1954, 135 mins.)
introduced Newman to the world in a Biblical saga not exactly revered
along the lines of “The Robe” and other, better movies of
its day. That said, director Victor Saville’s epic includes a
terrific cast (Jack Palance, Virginia Mayo, Lorne Greene, E.G. Marshall
and a blonde Natalie Wood) and a fine Franz Waxman score, with
Warner’s DVD offering an excellent 16:9 (2.35) transfer with a
pleasing, remixed 5.1 Dolby Digital audio track.
Another early Newman title, THE HELEN MORGAN STORY (1957, 118 mins.)
has also been dusted off by Warner, starring Newman as a mobster whose
on-again, off-again relationship with talented singer Helen Morgan (Ann
Blyth in her final film) ultimately leads her down a path of despair
and tragedy. Fine musical numbers punctuate this Michael
Curtiz-directed affair, with Warner’s transfer looking
exceptionally crisp in 16:9 (2.35) black-and-white widescreen and
punctuated by acceptable mono sound.
THE OUTRAGE (96 mins., 1964),
Martin Ritt’s westernization of “Rashomon,” stars
Newman as a gunslinger accused of raping a frontier woman (Claire
Bloom) with Laurence Harvey, Edward G. Robinson, Howard Da Silva and
William Shatner tagging along for support in an underrated, interesting
curio from the mid ‘60s. Once again Warner serves up a fine 16:9
(2.35) transfer with mono sound. Newman stepped behind the camera to direct wife Joanne Woodward in the terrific RACHEL, RACHEL (1968, 101 mins.), a
tale of a Connecticut schoolteacher trying to break free from her
repressed existence in a quiet New England town. Stewart Stern adapted
a Margaret Laurence book for this nicely understated, low-key drama
filled with fine performances and a superb sense of time and place --
an excellent directorial debut for Newman that’s backed by an
equally fine Jerome Moross score. Warner’s DVD looks terrific in
16:9 (1.85) widescreen and mono sound, while the original trailer and a
promo footage reel (without dialogue) are also on-hand.
Last and undeniably least among the titles is the forgettable Irwin Allen vehicle WHEN TIME RAN OUT... (1980, 109 mins., PG),
also making its debut on DVD. Newman’s presence in this utterly
phoned-in tale of a South Pacific island and a volcano about to blow
was sort of fitting, as he helped launched the genre in “The
Towering Inferno” and was on-hand here to bid it adieu, with
fellow victims including Jacqueline Bisset, William Holden, Edward
Albert, Red Buttons, Alex Karras, Burgess Meredith, Ernest Borgnine, a
particularly luscious Barbara Carrera and, in one of my favorite
credits, “James Franciscus as Bob Spangler”! Even Lalo
Schifrin’s score can do little to save the pre-fab hyjinks.
What’s worse, Warner has released the movie on DVD not in its
121-minute theatrical version, or its 143-minute expanded cut -- but
rather a cut-down 109 minute edit, which doesn’t help what little
character development there is. Fortunately the 16:9 (2.35) transfer
helps to restore the film’s original Panavision dimensions, yet
the mono sound is weak and no extras are on-hand. Also New on DVD
STREET FIGHTER: EXTREME EDITION DVD & Blu-Ray (**½, 102 mins., 1994, PG-13; Universal):
Silly, frenetic but fun adaptation of the Capcom video game series --
about to be relaunched this month with both a new game and a fresh
feature film starring “Smallville”’s Kristin Kreuk --
pits Jean-Claude Van Damme and his team of martial arts commandos
against vile general Raul Julia. Julia sadly looks frail in his final
screen appearance, but veteran action writer Steven E. DeSouza’s
film is otherwise enjoyably over-the-top, cartoonish fun, from its
bright, vivid colors and costumes down to the comic-book action.
Visually, Universal’s new transfer of “Street
Fighter” is a bit of a disappointment, appearing soft and a bit
grainier than anticipated on Blu-Ray. The Blu-Ray version’s DTS
Master Audio sound provides a decent kick, though, while standard DVD
fans will be satisfied by the “Extreme Edition”’s
16:9 (2.35) transfer and 5.1 audio, both of which appear to be upgrades
on the old, Collector’s Edition DVD release. Speaking of which,
all the extras from that early-format DVD release have been retained
here on both platforms, from deSouza’s commentary to outtakes, a
pair of deleted scenes, production archives, a promotional-flavored
Making Of and several trailers for the upcoming “Street Fighter
IV” video game.
JEAN-CLAUDE VAN DAMME 4-PACK (Universal):
The recent release of “JCVD” has lead Universal to issue
this handy DVD four-pack sporting a retrospective of prior Van Damme
actioners: the merely-okay 1990 effort “Lionheart,” 1993's
John Woo-directed “Hard Target,” plus the highly
entertaining 1995 Peter Hyams thriller “Sudden Death”
(intended for the mainstream, i.e. “Die Hard in a Hockey
Rink”), and the leisurely Van Damme-directed 1996 effort
“The Quest,” co-starring Roger Moore. Although
“Lionheart” is presented here only in 1.33 full-screen, the
good news for Van Damme addicts is that “Sudden Death”
makes its DVD debut in 16:9 (2.35) widescreen, instantly improving upon
the 1.33 cropped presentations fans have had to make do with for years.
The 5.1 Dolby Digital soundtracks are excellent across the board, and
the $15 price tag (in most outlets) makes it an appealing compilation
for action fans seeking some major Van Dammage (sorry folks, I try and
work that in any time I can!).
FLASH OF GENIUS (**½, 119 mins., 2008, PG-13; Universal): Greg
Kinnear gives an earnest performance in this leisurely paced tale,
based on a true story, about a Detroit family man and professor who
invented the intermittent windshield wiper -- only to have the design
stolen out from under him by Ford, resulting in a decades-long battle
where personal recognition became more of an issue than monetary
compensation. Director Marc Abraham’s movie is absorbing and
compelling, mainly because its central topic is, yet the film
isn’t especially well-written, offering little for co-stars
Lauren Graham and Dermot Mulroney to do except try and offer
understanding to Kinnear’s protagonist. “Flash of
Genius” was a flop at the box-office, but hopefully its prospects
will be brighter on DVD, where Universal has issued the movie in a fine
16:9 transfer with 5.1 audio, commentary from the director and deleted
scenes. DEAD LIKE ME: Complete Series & Movie (9 Discs, 2003-07; MGM/Fox):
More than just a variation on HBO's "Six Feet Under," this agreeably
offbeat Showtime series followed the adventures of Ellen Muth's George
-- a would-be temp who ends up becoming a grim reaper after she's
improbably killed by a falling toilet seat from the Mir Space Station!
Her tenure in the after-life results in run-ins with fellow reapers
(including Jasmine Guy, Rebecca Gayhart, and boss Mandy Patinkin) and
stories that run the gamut from comedic to bittersweet, the latter
involving the family that George has left behind. Though not a massive
ratings hit, “Dead Like Me” nevertheless chronicled
George’s adventures across two full seasons and the follow-up
movie “Life After Death,” which is just now hitting DVD
after some time on the shelf.
MGM’s nine-disc DVD box-set offers the complete run of
“Dead Like Me” in excellent 16:9 (1.78) transfers and 5.1
soundtracks. The season one portions also include 30 minutes of deleted
scenes, commentary tracks, and a featurette on the score. The latter
includes comments from both composer Stewart Copeland and executive
producer John Masius. Extras for Season 2 offer 10 minutes of deleted
scenes, a photo gallery and two featurettes, while “Life After
Death” includes a featurette and commentary from Muth and
director Stephen Herek.
THE PINK PANTHER (***½, 115 mins., 1964; MGM/Fox): While
it’s depressing to see Steve Martin flailing around in the
critically reviled “Pink Panther 2" (thankfully audiences
didn’t bite this time either, as the sequel has tanked at the
box-office), “Pink Panther” fans still have much to
celebrate, including yet another DVD edition of Blake Edwards’
original 1964 hit. Offering commentary from Blake Edwards (previously
available only in one of the various box-set collections of the film)
and a number of featurettes -- some new, others recycled from the prior
releases -- the DVD also boasts a crisp 16:9 (2.35) transfer and 5.1
Dolby Digital soundtrack. A nice package, but if you’ve already
traveled down this road before, there’s not much new on-hand here.
THE PINK PANTHER CLASSIC CARTOON COLLECTION (MGM/Fox):
Not to be confused with MGM’s earlier Pink “Classic Cartoon
Collection,” this nine-disc set offers mostly recycled content
from that release: five discs comprised of the original Pink Panther
shorts, produced throughout the ‘60s and ‘70s, as well as
discs focusing on spin-offs “The Ant and the Aardvark” and
“The Inspector.” What’s new here are the second batch
of episodes from “The Inspector,” comprising one disc, and
another DePatie-Freleng favorite, “Roland and Ratfink” --
discs which have yet to be issued separately (at least, there’s
been no word of a standalone release). Fans, then, will have to weigh
this set’s inferior packaging with its expanded content, and how
necessary the second volume of “The Inspector” and
“Ratfink” are to their DVD collections. Transfers and sound
are all top-notch.
IN THE ELECTRIC MIST (**, 102 mins., 2008, R; Image):
Disappointing, flat adaptation of James Lee Burke’s novel finds
detective Dave Robicheaux (Tommy Lee Jones) investigating a Bayou
mobster (John Goodman) in this second failed adaptation of
Burke’s Robicheaux novels. Phil Joanou struck out with the
commercially unsuccessful “Heaven’s Prisoners” back
in the mid ‘90s (which starred Alec Baldwin as Robicheaux), and
this time it’s Bertrand Tavernier’s time to sputter in a
cold, mechanical police procedural co-starring Mary Steenburgen and
Peter Sarsgaard. Image’s Blu-Ray transfer is, at least, quite
good, as is the DTS Master Audio sound, sporting a
better-than-the-material-deserves score by Marco Beltrami. (Available
March 3rd)
THE BIRD WITH THE CRYSTAL PLUMAGE (***, 96 mins., 1970; Blue Underground):
The cult label’s latest Blu-Ray offering is a highly satisfying
HD presentation of Dario Argento’s 1970 directorial debut.
Credited as the film that launched the Italian “giallo”
genre, this taut, crisply directed tale focuses on an American writer
(Tony Musante) in Rome who witnesses a vicious attack on a woman in a
crackerjack opening set-piece. Musante is then drawn into a web of
murder and suspicion, first from the police who are suspicious of his
story, and later from a mysterious individual who makes disturbing
calls to his house. Memorably shot by Vittorio Storaro and scored by
Ennio Morricone, this first Argento film is one of his more memorable,
with the director employing numerous visual flourishes that later
trademarked classics like “Suspiria.”
Blue Underground’s 1080p transfer is an appreciable upgrade on
their DVD edition of “Plumage,” with heightened resolution
and stronger colors befitting Argento’s vision. Both DTS Master
and Dolby TrueHD audio offerings are onboard, while extras culled from
the prior DVD include commentary with historians Alan Jones and Kim
Newman, interviews with Storaro, Argento, Morricone and actress Eva
Renzi, plus the trailers and TV spots. Recommended! NEXT
TIME: EAST OF EDEN debuts on DVD! Until
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