2/28/06
Edition
Another Disney
masterwork!
LADY AND THE TRAMP receives the
deluxe treatment!
Plus: the latest asian
horror and fox catalog titles
Just a short column this week as I recover from both a bad cold and the
trauma of sitting through NBC’s hideous coverage of the Torino
(Turin?) Winter Olympics.
Disney’s latest limited-time-only “Platinum Edition”
celebrates one of the studio’s all-time classics: LADY AND THE TRAMP
(****, 76 mins., 1955). I could write for page upon page about
how I grew up with the film, how it has been one of my lifelong
favorite animated movies, and particularly how well the movie has stood
the test of time -- suffice to say, most of you have seen it, or are
aware of “Lady and the Tramp,” and there’s not much I
can add that hasn’t already been stated about the picture.
It’s a classic and deserves a place in any reputable DVD library.
The latter sentiment particularly holds true now that Disney has given
their 1955 viewer favorite a thorough DVD remastering. The studio
previously issued “Lady” in a no-frills, single-disc DVD
back in the relatively early days of the format, offering the
movie’s full Cinemascope aspect ratio but nothing in the way of
extras.
Disney’s “Platinum” release sports s a restored
picture and remixed soundtrack, with the 2.55 transfer ranking as
nothing short of breathtaking, and at the very least a major upgrade on
both the previous DVD and laserdisc issues. A full-screen, pan-and-scan
version does its best to keep up with the action, but with
“Lady” being the first animated feature to be filmed in the
anamorphic Cinemascope process, it goes without saying that the
original aspect ratio is essential to fully appreciate the efforts of
the Disney animators. As with many of their previous animated DVDs,
Disney has included a newly remixed 5.1 “Enhanced Home Theater
Mix,” which is quite satisfying and has more of a presence than
the “traditional” 3.0 Dolby Stereo mix (also included
here), which is acceptable but demonstrates the limitations of a mid
‘50s stereophonic recording.
The set’s second disc houses the DVD’s supplements, which
aren’t as exhaustive as those found on the “Platinum”
editions of, for example, “Snow White” and “Beauty
and the Beast,” but nevertheless will appeal greatly to fans.
“Lady’s Pedigree: The Making of ‘Lady and the
Tramp’” offers a basic, interesting overview of the movie,
its conception as being one of Walt’s pet (no pun intended)
projects, the work of composer Oliver Wallace and songwriters Peggy Lee
and Sonny Burke, and lasting legacy as part of the Disney canon. The
documentary is split into several segments and totals just under an
hour, while more vintage footage is on-hand in generous excerpts from
Walt’s original Disneyland TV series. Additional deleted scenes,
galleries and storyboards from an aborted 1943 version of “Lady
and the Tramp” give Disney die-hards a fascinating look at other
concepts and abandoned scenes, while former music
producer-turned-crooner Steve Tyrell mugs his way through a fairly
embarrassing music video performance of “Bella Notte” (shot
to coincide with the release of his Disney album, unsurprisingly).
Additional interactive and DVD-ROM games aimed primarily at the little
ones rounds out this colorful, splendid package that obviously warrants
a “Highly Recommended!” tag for all animation and Disney
aficionados.
New From Tartan
If “The Ring” and its innumerable
variants/remakes/sequels/rip-offs have made you fatigued from sights of
female spectral spirits with long-dark hair haunting the world of the
living, then you might want to check out Su-chang Kong’s Korean
import R-POINT
(**½, 2004, 107 mins., R; Tartan Video).
This 2004 release is billed by Tartan as
Korea’s highest-grossing horror flick of its year, and it’s
not difficult to see why: this is a stylish and occasionally spooky
film -- set in 1972 Vietnam -- about a South Korean battalion that
hears a distress signal from a patrol that went missing months before.
A squadron is sent to investigate, and promptly hears creepy voices,
witnesses ghostly soldiers and other mysterious goings-on in the steamy
jungles they search.
“R-Point” is a movie that translates easily to the West:
its scenes of comradery between the soldiers, somewhat unhinged
protagonist, and commentary on the hollowness and sorrow of war will
instantly make a viewer recall countless American war films like
“Platoon,” obviously here with a supernatural twist. The
picture works best in its first hour, establishing the story and deftly
utilizing both the sound design (effectively rendered in Tartan’s
pungent 5.1 DTS soundtrack) and Hyung-Jing Suk’s cinematography
to set an engagingly uncomfortable mood.
Regrettably, the movie’s final third and pay-off are a major
disappointment, marked by a confusing, bloody climax and muddled story
line. It seems as if the filmmakers knew exactly what kind of movie
they wanted to make with “R-Point” but couldn’t come
up with a compelling or satisfying plot. Mostly style and little
substance, “R-Point” is an intriguing but ultimately
unsatisfying horror effort that Asian fans may want to check out
regardless due to its effective build up.
Tartan Video’s DVD offers an excellent 16:9 transfer with highly
effective 5.1 DTS and Dolby Digital soundtracks in its native language,
with optional English and Spanish subtitles. Extras include a full
subtitled commentary, and about 40 minutes of “Making Of”
featurettes that inexplicably lack English subtitles. Trailers for
other Tartan releases and “R-Point” complete the disc.
New From Fox
LOVE ME TENDER
(***, 1956, 89 mins., Fox): Elvis made his movie debut in this
Civil War-era western. As brother to Richard Egan (off fighting
the war for the Confederacy), Elvis marries Egan’s girl Debra
Paget after believing he’s dead, only to find out Egan is still
very much alive, and returning home with a Union Army payroll that he
and the other “Reno” brothers (James Drury and William
Campbell) have stolen in the hopes of handing it over to the South. Any
movie where Elvis and “The Squire of Gothos” play siblings
is worth a view, and this well-crafted Cinemascope production is a
vehicle atypical of Elvis’ later fluff outings, with The King
performing a pair of songs only somewhat obtrusively thrust into the
story. Fox’s 50th Anniversary DVD offers a robust 2.35 widescreen
transfer with 2.0 Dolby Digital surround and a superb commentary from
Elvis historian Jerry Schilling. Three new featurettes examine the
movie’s production while a photo gallery rounds out the
dual-layer release.
THE GOSPEL ROAD
(**½, 1973, 83 mins., G, Fox): The release of “Walk
The Line” on DVD (which will hopefully be covered here next week)
was unquestionably the reason for Fox to dust off this rarely-screened
Johnny Cash pet project from the early ‘70s: a telling of the
Christ story with Cash serving as narrator and providing music
alongside wife June Carter Cash and Kris Kristofferson. Shot on
location and funded by Cash, this well-intentioned but odd and not
especially cinematic tale offers a blond Jesus (director Robert
Elfstrom) and a fairly forgettable assortment of songs. Nevertheless,
Cash fans will want to check out Fox’s first-ever DVD edition of
the “The Gospel Road,” in a good-looking 16:9 transfer with
2.0 Dolby Stereo sound, a still gallery and radio spots.
THE VISITATION
(103 mins., 2005, PG-13; Namesake/Fox): Edward Furlong, Martin
Donovan, Kelly Lynch and Randy Travis headline this modest adaptation
of Frank Peretti’s bestseller -- a religious-themed thriller
about a stranger with healing powers who turns out to be a false
prophet. Independently-produced, Peretti’s cautionary tale
doesn’t wear its Christian overtones on its sleeve, but its
effectiveness is curtailed by mediocre production values and routine
direction. Fox’s DVD offers both 1.78 (16:9 enhanced) and
full-screen transfers with 5.1 Dolby digital sound.
NEXT
TIME: Criterions for early March, WALK THE LINE and
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