Aisle Seat Fantasy Edition CLASH OF THE TITANS, NEVERENDING STORY
on Blu-Ray Plus:
THE WRAITH Special Edition
Sweeping, romantic and decidedly old-fashioned, Warner Home Video
brings the great Ray Harryhausen’s cinematic swan song, CLASH OF THE TITANS
(***½, 118 mins., 1981, PG), to Blu-Ray next week in a
superb high-definition transfer that ought to enchant both fans and
younger viewers unfamiliar with its magical sense of derring-do.
Released in a busy summer packed with more technologically advanced
fantasies like “Raiders of the Lost Ark” and “Superman II,”
Harryhausen, producer Charles H. Schneer and director Desmond Davis’
“Titans” nevertheless held its own at the box-office, becoming a
favorite among genre aficionados and particularly younger viewers. As I
can attest, having been not quite 7 when the movie was released, “Clash
of the Titans” was a film I watched endlessly growing up; even though I
was raised on “Star Wars,” I never found the stop-motion special
effects outdated or anything less than “special,” even if the picture,
ultimately, marked the end of an era for its style of genre
storytelling.
It’s not always easy to go back to one of your childhood favorites, as
once in a while you can come away disappointed, but I can honestly say
“Clash of the Titans” more than holds its own when compared to today’s
more serious and technologically advanced -- but far less fun --
blockbusters. This was a film clearly aimed at family audiences,
managing to satisfy the young and young at heart, as they say, with its
fairy-tale aspects and thrilling set-pieces, which again, hold up quite
well.
Part of the reason why the film remains enchanting is in the conviction
of its story and filmmaking. Beverly Cross’ tale of the heroic Perseus
(Harry Hamlin), fighting to save a princess (the quite fetching Judi
Bowker) from the likes of the vile Calibos, the terrifying Medusa and
giant Kraken -- all the while being the pawn in a chess game amongst
the Gods, including father Zeus (Laurence Olivier) – enables
Harryhausen to craft a succession of brilliantly realized creatures, as
well as engage the audience in an entertaining and episodic quest
through Greek mythology. While much has been made over the years about
the picture’s so-called “plastic” performances, the assembled cast was
certainly atypical for one of Harryhausen’s productions. From Olivier
to Maggie Smith, Claire Bloom, Ursula Andress and Sian Phillips, the
performances are serious and mannered but suit the material splendidly,
while Burgess Meredith’s sage presence equally aids in the adventure,
the veteran actor essaying a playwright who thinks Perseus’ quest might
make for an exciting story. Hamlin and Bowker, meanwhile, are also just
fine, particularly when you match them up with the completely cardboard
leads of Saturday matinee adventures from years gone by.
It also helps that Laurence Rosenthal’s score is so utterly gorgeous
that it seems to age like a fine wine. Lyrical, heartfelt and stirring,
Rosenthal’s music carries the entire picture, culminating in a finale
every bit as delectable now as it was then. Rosenthal might have been
the third man in following the likes of John Barry (whose name adorns
the credits of the one-sheet poster still in the Blu-Ray’s Digibook
packaging) and John Williams, but it’s hard to imagine any other score
working as effectively as Rosenthal’s now-classic outing does.
In lieu of Louis
Leterrier’s upcoming remake, Warner has dusted off “Clash of the
Titans” and released it on Blu-Ray in a hardbound Digibook package.
After a disappointing DVD release several years ago -- marked by a
horribly compressed, tinny-sounding stereo soundtrack -- Warner has
made amends with a satisfying high-definition mastering that’s only
hindered by variances inherent in its source material.
Viewers unfamiliar with the movie may likely be surprised at how varied
its elements appear, but as most fans of the picture will attest, there
are limits with what you can do with remastering “Clash of the Titans”
given the amount of optical effects (blue screen, matte paintings,
etc.) it contains. There are times when it's jarring to go from a
basically pristine shot to one that's riddled with grain -- but it's
typically because there's a process shot or some kind of optical effect
involved.
That said, “Clash” exhibits a distinctly film-like appearance, complete
with varying degrees of grain. It would’ve been easy for Warner to go
the “digital noise reduction” route here and try to smooth over the
movie’s rough edges by applying lots of DNR, but thankfully they’ve
avoided that temptation and produced as clear and vibrant an HD
rendering as “Clash of the Titans” allows. Colors are strong and there
are details present that none of the movie’s prior, uneven video
releases rendered.
On the audio side, the DTS Master Audio presentation isn’t overpowering
-- offering a simple 2.0 stereo mix -- while the supplemental package
is a disappointment, leaving off the trailer, and including just a
12-minute videotaped interview with Harryhausen from the initial DVD
release as well as a few extra snippets with the F/X pioneer. (The
Digibook package also includes a mini-photo booklet of the “Titans”
remake plus a discount movie voucher for the remake -- but not valid
until a week after the film’s opening day!).
That said, this is nevertheless as exciting and satisfying an edition
of “Clash of the Titans” as one could expect to see on Blu-Ray, and
hopefully its remake will approximate the genuine sense of adventure
and fantasy its predecessor boasts in abundance.
Meanwhile, two movies about youthful protagonists who seek solace in
their own respective fantasy worlds -- in order to deal with the
pressures of growing up -- have also debuted on Blu-Ray with varying
degrees of success.
Spike Jonze’s fairly audacious adaptation of the beloved Maurice Sendak
children’s book WHERE
THE WILD THINGS ARE (**, 101 mins., 2009, PG; Warner) is a hard
movie to criticize because the picture’s heart is clearly in the right
place. Its tale of a troubled boy (Max Records) who visits a fantasy
island world populated by big, furry creatures (voiced by the likes of
James Gandolfini among others) after getting picked on by his peers and
yelled at by his own mom (Catherine Keener) is an emotionally wrenching
picture that’s also vividly filmed: Jonze, cinematographer Lance Acord
and production designer K.K. Barrett have fashioned an arresting
looking film that offers a mix of evocative backgrounds and real world
surroundings.
The picture’s problem, and it’s a substantial one, is that the one-note
script by Jonze and Dave Eggers is neither magical nor heartwarming. In
fleshing out Sendak’s story, the duo embellish the author’s concept by
having the island’s monstrous inhabitants bicker, throw tantrums, cry
and bicker again. Instead of a fantastical tale with metaphors to the
boy’s situation, the movie instead offers a thinly-veiled contrast to
Records’ adolescence, and grows tedious with the constant whimpering
and arguments amongst the monsters. Kids ought to be bored or scared
(or a mix of both) by their interplay, while it’s hard to envision
adults being particularly compelled by it all. (That said, some viewers
and critics loved it, so it all comes down to personal taste).
It’s certainly a game attempt at crafting a unique and haunting film
about a child dealing with conflicting feelings and emotions but “Where
The Wild Things Are,” unfortunately, falls well short of its lofty
ambitions.
Warner’s Blu-Ray presentation is excellent: the VC-1 encoded 1080p
transfer offers nicely textured visuals with abundant clarity, while an
active DTS Master Audio soundtrack features an overly eclectic mix of
alt-rock songs and pensive Carter Burwell score. The Blu-Ray package
also includes a combo DVD/digital copy disc and extras including the
new CGI/live-action short “Higglety Piggletty Pop!” (with voices by
Meryl Sreep and Forest Whitaker), plus the HBO First Look special and a
series of short Making Of vignettes touching upon the film’s production
including the music and special effects.
Director Wolfgang Petersen’s 1984 fantasy THE NEVERENDING
STORY (***, 94 mins., PG; Warner), meanwhile, offers a striking
study in contrasts, even though its central concept is a bit similar.
In this adaptation of Michael Ende’s international bestseller, Barret
Oliver plays a young boy with a recently widowed father (Gerald
McRaney) who flees from a group of bullies on the way to school. After
running into a bookshop presided over by cranky Thomas Hill (“Newhart,”
“V: The Final Battle”), Oliver grabs a mysterious tome named “The
Neverending Story” and proceeds to read it after ditching a math test.
Inside, he finds himself wrapped up both figuratively and literally in
the fantasy world of the novel, wherein a young warrior named Atreyu
(Noah Hathaway from “Battlestar Galactica’ and “Troll”) tries to save
the kingdom of Fantasia from “The Nothing,” a dark force that threatens
the land.
Spectacular visuals and creature design, as well as a variety of
colorful characters, made “The Neverending Story” a favorite among
young viewers in the ‘80s, even though the film was only a moderate
success at the box-office. The story doesn’t quite enchant on the same
level as other, beloved fantasy films of its era, yet Klaus Doldinger’s
score (augmented in the English language version by a chart-topping
Giorgio Moroder theme song) and the artistic design of this German
production certainly retain their appeal over 25 years since its
original release (and the less said, the better about its subsequent
sequels).
Warner’s Blu-Ray edition of “The Neverending Story” offers nothing
extra, not even a trailer, but the VC-1 encoded 1080p transfer is
simply magnificent: crisp detail with no apparent noise-reduction and
deep, gorgeous blacks alternate with vivid colors to create a truly
film-like appearance. This is an appreciable upgrade from the Dutch
Blu-Ray disc visually, while DTS Master sound is quite active during
the sequences it’s called upon. Until we get a bona-fide Special
Edition one day (with the added sequences for its German release
version), the Blu will likely be regarded as the definitive release of
the picture. Recommended!
Warner Double
Feature Discs
Those of us desiring more in the way of catalog content on Blu-Ray
ought to be thrilled with Warner Home Video’s inaugural line of Double
Feature Blu-Ray discs, which couple two movies onto a single dual-layer
BD platter with VC-1 encoded 1080p transfers and several audio options.
The studio sent me a pair of titles to look at: a Harrison Ford double
bill featuring the goofy Roman Polanski thriller FRANTIC (**½,
120 mins., 1987, R) plus the slick Alan J. Pakula adaptation of
Scott Turow’s best-seller PRESUMED INNOCENT
(**½, 127 mins., 1990, R); and a Sandra Bullock combo of
the entertaining MISS CONGENIALITY
(***, 110 mins., 2000, PG-13) with its lame sequel MISS CONGENIALITY 2
(**, 115 mins., 2005, PG-13).
All four movies look terrific, and while there aren’t any extras, the
high-def presentations and lossless audio options (Dolby TrueHD on the
Bullock films; 2.0 DTS Master stereo sound on the Ford pictures) make
the discs a major value at under $20 retail.
Other Warner double-bills include GRUMPY
OLD MEN/GRUMPIER OLD MEN, DIRTY HARRY/MAGNUM FORCE, ANALYZE
THIS/ANALYZE THAT, and best of all for Chevy Chase fans, a
twin-bill of SPIES LIKE US and FUNNY
FARM. The latter disc, though, has not been widely released in
the U.S.; I imported a copy from Amazon Canada and both movies look
great (especially considering that neither have seen a widescreen
release, not even on DVD!), but while there’s been talk this set was
supposed to be a Best Buy exclusive for the time being, most consumers
have yet to find it in-stores as well.
For Blu-Ray owning movie lovers, being able to score two
high-definition titles on a single disc for under $20 is a terrific
proposition -- here’s hoping the Double Features sell well and Warner
brings us more in the near future. Also New on Blu-Ray and DVD
2012 Blu-Ray
(**½, 158 mins., 2009, PG-13; Sony): That fun-loving
optimist, Roland Emmerich, is back with yet another “Trash the Planet”
disaster movie. Thankfully his latest box-office hit “2012" is a lot
more entertaining than Emmerich’s comparatively more pretentious
exercise in global warming hysteria, “The Day After Tomorrow,” with
scientist John Cusack and others finding out, the hard way, that the
Mayans’ prediction of 2012 global apocalypse is more than just fodder
for lame Discovery Channel specials.
“2012" wastes little time in getting to “the goods”: namely, loads of
elaborate special effects showing worldwide catastrophes as waves
devour mountains, assorted landmarks, and a less-than-first-rate cast.
Rest assured this isn’t one of Irwin Allen’s all-star disaster
spectacles, so don’t expect to have fun watching superstars like
Richard Chamberlain and Gene Hackman throwing themselves into a fiery
pit of lava. Instead, outside of a check-cashing Cusack, we have
Chiwetel Ejiofor and a host of B-listers including Amanda Peet, Thandie
Newton, Oliver Platt and Danny Glover, who’s less than convincing as
the President of the United States (the money clearly went into the
technical production and not the actors).
The film’s plot, written by Emmerich and composer/co-producer Harald
Kloser, is utterly ridiculous and the film’s characters likewise
disposable, but this is just a “special effects movie” through and
through. And, on that level, and in Blu-Ray high-def, “2012" gets the
job done, especially if you’re an undemanding fan of the genre.
Personally, though, I’ll be sticking to “The Swarm” -- Michael Caine’s
hysterical line readings beat CGI’d global destruction for me any day.
Sony’s single disc Blu-Ray offers a reference-quality, dazzling HD
transfer with potent, active DTS Master Audio sound. Extras are sparse,
offering just a commentary from Emmerich, an alternate ending,
picture-in-picture content and BD-Live enabled MovieIQ features; more
extras are apparently offered in 2 and 3-disc versions with the usual
digital copy add-ons. THE WRAITH DVD
(***, 93 mins., 1986, PG-13; Lionsgate): Engaging slice of ‘80s
B-movie hokum about a group of Arizona teens including a sadistic
racing gang leader (Nick Cassavetes) who end up being schooled by a
mysterious stranger (Charlie Sheen) they all have vague recollections
of, and who drives a smokin’ hot black Dodge Interceptor with
supernatural-like powers.
Mike Marvin’s eccentric little movie -- which shares more than a few
conceptual similarities with the later Brandon Lee-Alex Proyas cult hit
“The Crow” -- also might sound like a dense dramatic yarn, but it’s
oddly played like any number of ‘80s youth pictures, backed by sunny
Reed Smoot cinematography and an upbeat, rockin’ soundtrack populated
with tunes from Robert Palmer, Billy Idol and Bonnie Tyler among
others. The picture sports some well-choreographed car chases, an
interesting plot (written by Marvin) that leaves key questions
unanswered, Randy Quaid as a frustrated cop, Clint Howard as an
unhinged gang member, and a particularly fetching Sherilyn Fenn in mid
‘80s attire. “The Wraith” might be a minor and uneven work, but it’s
quite a bit entertaining if you can approach it with the right mindset.
Lionsgate’s long-overdue DVD of “The Wraith” is a bona-fide Special
Edition, sporting a pleasing 16:9 (1.85) transfer with 2.0 stereo sound
and a number of extras. Marvin’s commentary is the most enlightening
supplement in the bunch, deftly detailing the low-budget film’s
troubled shoot, along with an on-camera interview with Marvin, a talk
with Clint Howard, the trailer, and a segment on the “Infamous Turbo
Interceptor Vehicle.”
DANTE’S INFERNO
Blu-Ray (88 mins., 2010; Anchor Bay): Not exactly an adaptation
of Alighieri’s original “Divine Comedy,” this animated horror-adventure
is a tie-in with the recently-released EA video game “Dante’s Inferno.”
The game -- and film -- follows Dante, here portrayed as a valiant, but
tormented, knight who tries to save his beloved Beatrice from the
clutches of Lucifer by venturing into hell and taking on both personal
demons and literal monsters. Film Roman utilized the talents of several
different animators in putting together this moderately interesting
work with splendid HD visuals, all of which look captivating in Anchor
Bay’s 1080p widescreen transfer. 5.1 Dolby Digital sound is also
on-hand plus a trailer for the game and mock-up animatics. New Studio Ghibli DVDs
Japanese animator Hayao Miyazaki’s latest effort, the gentle fairy tale
PONYO (***, 103
mins., 2008, G; Disney), arrives on Blu-Ray next week in a
Special Edition combo-pack also sporting a standard-definition DVD of
the picture.
This variation on Andersen’s “The Little Mermaid,” co-produced by
Kathleen Kennedy, Frank Marshall and John Lasseter, boasts the movie’s
original Japanese language track (in 5.1 Dolby Digital) plus an
English-dubbed version (in DTS Master Audio sound) with a script
authored by Melissa Mathison and voices provided by Cate Blanchett,
Matt Damon, Tina Fey, Liam Neeson and Lily Tomlin among others. With
beautiful animation and another terrific score by Joe Hisaishi, “Ponyo”
offers more Miyazaki magic, though this time the film is particularly
geared towards young viewers, as evidenced by its G rating and somewhat
broadly drawn, and not always well-defined, characters.
Disney’s Blu-Ray presentation is gorgeous, though, with extensive
extras chronicling the film’s production and a history of Studio
Ghibli, plus a storyboard presentation of the film and an introduction
from the producers. The standard DVD rounds out the package.
Also new from Disney are a trio of Studio Ghibli Special Editions for
Miyazaki’s early films KIKI’S DELIVERY
SERVICE (***, 105 mins., 1985), MY NEIGHBOR TOTORO (***½, 86
mins., 1988), and CASTLE IN THE SKY (***, 125 mins., 1986). All
three DVDs are newly packaged double-disc sets with brand-new “World of
Studio Ghibli” documentaries, storyboard presentations of the
respective films, introductions from John Lasseter (carried over, I
believe, from prior DVD incarnations), remastered 5.1 soundtracks and
16:9 (1.85) transfers. Also New on DVD and
Blu-Ray
FLASH FORWARD
Season 1 DVD (430 mins., 2009; Buena Vista): David S. Goyer was
one
of the creators of this recent ABC series, which the network hoped
would become the next “Lost” – i.e. a serialized “puzzle” of a show
centered around a somewhat-supernatural premise (here, a worldwide
blackout that causes all of humankind to lose consciousness for three
minutes). Unfortunately, after a strong debut, “Flash Forward” started
meandering on to nowheresville, failing to keep its momentum going and
losing not just its core audience but Goyer as well (he was to be
replaced with another showrunner while the series went on hiatus).
Hopefully the series will regain its footing once it returns in March
or else “Flash Forward” will be flashing ahead to its own demise
quickly. ABC has released its first batch of the series’ “autumn
episodes” on DVD in a Season 1, Part 1 set, which sports excellent 16:9
(1.78) widescreen transfers, 5.1 soundtracks, and two behind-the-scenes
featurettes.
EVERYBODY’S
FINE DVD (**, 100 mins., 2009, PG-13; Buena Vista): Mediocre,
maudlin road-trip drama failed to muster much in the way of box-office
returns last Christmas, when it was (understandably) buried under an
avalanche of other films. In this remake of an Italian film, “Stanno
Tutti Bene,” Robert DeNiro plays a widower who goes on a cross-country
trek to reconnect with his estranged kids, including Drew Barrymore,
Kate Beckinsale and Sam Rockwell. It’s fairly difficult to accept this
group of “movie stars” as DeNiro’s off-spring, but the real problem is
Kirk Jones’ depressing story, which allows DeNiro to give a solid,
ultimately thankless performance in a movie where almost nobody is
fine. Buena Vista’s DVD serves up a strong 16:9 (2.35) transfer with
5.1 Dolby Digital sound, deleted/extended scenes and a “Making Of” Paul
McCartney’s tune “(I Want To) Come Home.” OLD DOGS
Blu-Ray/DVD Combo (*½, 88 mins., 2009, PG; Disney): Sorry
attempt to rekindle the box-office success of “Wild Hogs,” the John
Travolta-Tim Allen-Martin Lawrence comedy, brings back a particularly
tired Travolta, who joins with best friend/fellow workaholic Robin
Williams to take care of seven-year-old twins. Non-amusing, would-be
comedic shenanigans ensue, not the least of which includes Seth Green
crooning to a simian. Director Walt Becker helmed “Wild Hogs” and it’s
obvious the studio hoped this family comedy would reap big dollars, but
it failed so miserably Disney quickly squelched plans for “Wild Hogs
2.” I suppose, if nothing else, we can be thankful for “Old Dogs” in
that regard. Disney brings “Old Dogs” to video in a 3-disc combo pack
next week with a Blu-Ray platter sporting an AVC encoded 1080p
transfer, DTS Master Audio sound, a Bryan Adams music video and
featurette (exclusive to the Blu package), plus deleted scenes,
bloopers, and commentary. There’s also a DVD in the package sporting
the same extras, as well as a digital copy for portable media players.
GREEK: Chapter
Four DVD (522 mins., 2008-09; ABC/Buena Vista): One of the best
kept secrets on TV, this winning ABC Family series continues to hold up
after several years on the tube. “Chapter Four” assembles 12 recent
episodes of “Greek,” with the ZBZ girls putting up with nefarious
Frannie one last time, and a new rushee (teen heartthrob Jesse
McCartney) being torn between several houses on the Cyprus-Rhodes
campus. Amiable performances, funny dialogue and just a dash of drama
make “Greek” one of the most reliable shows on the small screen – now,
if only more folks would tune in... Buena Vista’s DVD set offers 16:9
transfers, 5.1 soundtracks, bloopers, commentaries and
behind-the-scenes extras.
HANNAH MONTANA:
MILEY SAYS GOODBYE? DVD (135 mins., 2009; Disney): Miley Cyrus
and her TV alter-ego, Hannah Montana, make a big decision in this
pivotal third-season finale of the popular Disney Channel series,
making its debut on DVD before premiering on cable. Disney’s DVD
includes the final six episodes from “Hannah Montana”’s Season 3 in
full-screen transfers with 2.0 stereo sound, an alternate ending and
other assorted bonus features.
THE PRIVATE
LIVES OF PIPPA LEE DVD and Blu-Ray (**½, 98 mins., 2008, R;
Screen Media): Robin Wright and Blake Lively both essay director
Rebecca Miller’s heroine -- a bored housewife with a much-older husband
(Alan Arkin) who seeks to branch out of the retirement community
they’re living in. Wright gives a strong performance and she’s
complimented splendidly by Lively, who effectively portrays the younger
“wild child” of Pippa Lee’s past. The movie is disjointed and doesn’t
quite reach a satisfying conclusion but a tremendous supporting cast
(Monica Bellucci, Maria Bello, Julianne Moore, Winona Ryder, Shirley
Knight and Keanu Reeves) and the conviction of its lead performances
make the film worthwhile viewing. Screen Media has brought “The Private
Lives of Pippa Lee” to both DVD and Blu-Ray, both presentations
offering commentary with Wright and Miller, interviews, widescreen
transfers (1080p Blu, 16:9 DVD) and 5.1 audio (DTS Master on Blu, Dolby
Digital on DVD).
ALICE Blu-Ray
(184 mins., 2009; Lionsgate): Nick Willing, who wrote and
directed the surprisingly agreeable Sci-Fi Channel mini-series “Tin
Man,” stages another contemporary “reimagining” of a classic fairy tale
with this modern spin on “Alice in Wonderland.” The three-hour
production, starring Caterine Scorsone as a twentysomething Alice and
Matt Frewer, Tim Curry, Harry Dean Stanton and Kathy Bates in assorted
supporting roles, offers more offbeat characters and doesn’t work
nearly as well as “Tin Man,” but genre fans might find it compelling
just the same. Lionsgate’s Blu-Ray disc serves up a strong 1080p
transfer with DTS Master Audio sound.
NURSE JACKIE
Season 1 DVD and Blu-Ray (333 mins., 2009; Lionsgate): Caustic
Showtime series with “Sopranos” vet Edie Falco as a nurse on the edge
in a New York City hospital is a bit hard to swallow, but those who
warm up to the sometimes outlandish material will appreciate
Lionsgate’s matching DVD (16:9, 5.1) and Blu-Ray (1080p, DTS Master
Audio) presentations, each with cast/crew commentaries and several
behind-the-scenes featurettes.
CAPITALISM: A
LOVE STORY DVD and Blu-Ray (127 mins., 2009, R; Anchor Bay):
Michael Moore’s latest “documentary” is a treatise on the ills of
capitalism and corporate greed, but his politics are transparent to a
degree where it was impossible for me to take his rambling, overlong
127-minute effort seriously. Not my cup of tea, but if you’re a devotee
of the director, you’re sure to find ample amusement in the filmmaker’s
latest opus, which Anchor Bay brings to DVD and Blu-Ray in excellent
transfers (1080p on BD, 16:9 on DVD) with 5.1 Dolby Digital sound
(TrueHD on Blu), ample bonus content and a digital copy on the Blu-Ray
side.
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