4/11/06
Edition
A Comprehensive Welles DVD Premiere!
Criterion's MR. ARKADIN ranks as one
of 2006's finest
Plus:
NARNIA, Fox, Paramount & Buena Vista Wrap-up
One of the many pleasures associated with reviewing a Criterion
Collection title always been that one can appreciate their presentation
and supplemental materials, even if the film they accompany isn’t
in tune with your personal tastes.
This week is an ideal example, because I’ve never been an admirer
of Orson Welles’ MR. ARKADIN (aka
CONFIDENTIAL REPORT), the auteur’s highly troubled 1955
production about a reclusive billionaire (shades of Kane) who hires an
American smuggler (Robert Arden) to investigate his past. While the
movie shows signs of Welles’ trademark cinematic style, the movie
was severely compromised by budgetary issues, a myriad of actors from
around the globe (some of whom are atrociously dubbed), and worst of
all, legal problems involving ownership and editorial control.
Subsequently, Welles never completed the movie, and while there are
over a handful of different cuts around the globe, none of them are
fully representative of the director’s vision.
Criterion’s superlative three-disc DVD box set, THE COMPLETE MR.
ARKADIN, embraces the movie’s shortcomings, praises its
positive attributes, and most of all, preserves Welles’ initial
intentions as best they can be. Working from an impressive new
restoration by Stefan Drossler and Claude Bertemes that includes all
footage from the various versions, the “Comprehensive
Version” (105 minutes) debuts here on DVD alongside the
“Corinth” print (reportedly the earliest English version of
the movie, running 99 minutes) as well as the Warner Bros.-released
“Confidential Report” (98 minutes), which Francois Thomas
notes has the most cohesive soundtrack of all three versions, being the
best representation of composer Paul Misraki’s original music
(which Thomas says Misraki composed without having read the script or
viewed the movie at all).
All three versions include a different chronology of the movie’s
frantic narrative elements, making for must-viewing for Welles
aficionados and film students. In fact, Criterion’s package lends
itself easily to study, with a marvelous booklet covering the
picture’s turbulent production; commentary by Welles scholars
Jonathan Rosenbaum and James Naremore; an interview with Simon Callow
that includes an audio conversation with Robert Arden; alternate scenes
and rushes (including scenes shot for the Spanish version with a
different actress in one of the lead roles); a stills gallery; three
half-hour episodes of “The Lives of Harry Lime,” a radio
program on which the movie is based, also including an interview with
producer Harry Alan Towers; and a new documentary, “On the
Comprehensive Version,” offering comments from Bertemes and
Drossler, along with Welles confident, director Peter Bogdanovich.
The transfers on the three versions vary depending on the elements
being utilized, but suffice to say this is the one presentation of
“Mr. Arkadin” that comes the closest to what Welles’
initial conception. As Stefan Drossler notes in the booklet, despite
there being several different versions of the movie out there,
“there is no final state -- only butchered versions with confused
editing.”
Criterion’s new cut does, however, best approximate what the
filmmaker intended, and together with the enlightening, fascinating
supplemental content, gives more clues to the puzzle that is “Mr.
Arkadin” than any prior version of the movie. In fact, the whole
package fulfills the inherent potential of the digital medium to
instruct as well as entertain, and ranks as the year’s finest DVD
presentation to date...whether Welles’ cinematic stew is your cup
or tea or not.
Recently Released on DVD
THE
CHRONICLES OF NARNIA: The Lion, The Witch and The Wardrobe
(***½, 2005). 135 mins., PG, Disney. DVD SPECIAL FEATURES:
2-Disc Special Edition includes Commentary Tracks; Documentary
Materials; Bloopers; 16:9 (2.35) Widescreen, 5.1 DTS and Dolby Digital
sound.
Spectacular adaptation of the C.S. Lewis children’s classic hits
all the right dramatic beats, thanks to surprising direction by Andrew
Adamson that perfectly balances the fantasy’s more spectacular
moments with surprisingly sensitive and quiet passages.
Certainly the remarkable performances of the four youngsters (Georgie
Henley, Skandar Keynes, William Moseley and Anna Popplewell) who
portray the Pevensie children go a long way in making this adventure
one that adults can enjoy as much as children. Lewis’s beloved
story follows the siblings as they’re whisked away, out of WWII
London, to the countryside where they improbably find a fantasy world
in the closet of an old professor (Jim Broadbent). There, an evil queen
(Tilda Swinton) battles for control of Narnia with the sensitive, sage
lion king Aslan (voiced by Liam Neeson), who believes that the Pevensie
children are the fulfillment of an ages-old prophecy meant to restore
goodness to the land.
When the movie was released last December, much was predictably made of
the Christian allegory Lewis included in his original text, and
it’s gratifying to see it retained in a day and age when
religious elements of any faith (outside of a negative connotation) are
usually eliminated from mainstream Hollywood product. Nevertheless, the
overtones are either there for further discussion or one can overlook
them entirely, since the film does an excellent job keeping said
aspects as an integral part of the story, neither playing them up nor
taking away from their significance.
What impressed me the most about “Narnia” wasn’t its
epic battle scenes (of which there are a good amount in the final
half-hour) but rather how beautifully Adamson sets the story up. Young
Lucy’s first arrival in Narnia is enchantingly handled in an
old-fashioned manner -- no thunderous music, no ADD-accented,
MTV-styled editing, and no CGI monsters flying into every corner of the
frame. Instead, Adamson lets the moment play out poignantly, and
delicately, the snow falling gently from the sky, letting the moment
breathe and capturing Lewis’ prose splendidly. Similarly quiet,
introspective moments occur at times, with the movie actually taking
the time to develop its characters in a deliberate but effective way
far removed from most of today’s over-styled and hyper-edited
entertainment.
“Narnia,” then, is a delight, a wondrous adventure with
impressive cinematography and production design (kudos to director of
photography Donald M. McAlpine and designer Roger Ford), enchanting
characters and a compelling story that viewers of all ages should
delight to. Only the nondescript score by Harry Gregson-Williams fails
to match the level of quality “The Lion, The Witch and the
Wardrobe” has going for it on most every level.
Disney’s two-disc Special Edition DVD offers commentary from
Adamson, Mark Johnson and Roger Ford (over the phone!) in addition to a
secondary track with Adamson and the young stars of the movie.
Bloopers, trailers, two conceptual art postcards, and a full second
disc of behind-the-scenes materials give both kids and older viewers
plenty of enlightening facts about the production, though the set is as
notable for what it doesn’t include (deleted scenes? trailers?)
as for what it does. In regards to the cut sequences, one can see an
Extended Version rolling around at the same time “Prince
Caspian” roars into theaters in 2007. Bank on it!
New From Paramount
STAR TREK Fan
Collective: Time Travel (2006 Compilation, 1967-2001; 644 minutes).
Full-Screen, 5.1 Dolby Digital and 2.0 Surround; Text Commentaries.
Paramount’s latest compilation of fan-ballot winning episodes
from the “Star Trek” series offers a total of 11 episodes
culled from the Original Series (“Tomorrow Is Yesterday”
and “The City on The Edge of Forever”), The Next Generation
(“Yesterday’s Enterprise,” “Cause And
Effect,” “Time’s Arrow” parts one and two, and
“All Good Things”), Deep Space Nine (“Trials And
Tribble-ations”) and Voyager (“Year of Hell” parts
one and two and “Endgame”).
As with Paramount’s previous “Borg” compilation, the
episodes represent a strong cross-section of shows from the respective
series, though it’s disappointing to see one show
(“Endgame”) having been repeated from the
“Borg” set...couldn’t a different episode, even an
inferior one, been included to cover the redundancy? (Sadly, there will
be more of the same in the upcoming “Q” set, which will
include a second appearance of “All Good Things”).
That said, this is still a satisfying stand-alone release for Trek fans
trying to save their budgets (and shelf space) from collecting all the
various series sets, and Paramount has included three new text
commentaries from Denise and Michael Okuda on “Tomorrow Is
Yesterday,” “Yesterday’s Enterprise” and
“Little Green Men.” Transfers are all in crisp full-screen
with 5.1/2.0 Dolby Surround, identical to their presentations on the
respective series box sets.
MISSION
IMPOSSIBLE: Special Edition (**½, 1996) 110 mins., PG-13,
Paramount. DVD SPECIAL FEATURES: New featurettes; Trailers; TV spots;
16:9 (2.35) Widescreen, 5.1 Dolby Digital sound.
It’s been ten years (has it really been that long?) since the
release of Tom Cruise’s first “Mission: Impossible”
adventure, and time has been kind in retrospect to this outing, which
received primarily mixed reviews upon its initial release.
True, female lead Emmanuelle Beart looked great but thankfully
refrained from pursuing American work after her failed effort here
(director Brian DePalma apparently cut the love scene with her and
Cruise), and the movie’s script by David Koepp and Robert Towne
isn’t entirely cohesive. Nevertheless, there are plenty of
individual set-pieces (including the rousing tunnel climax), excellent
scope cinematography by Stephen H. Burum, and a superb Danny Elfman
score to warrant a fresh viewing, and the supporting performances of
slimy Henry Czerny (whatever happened to him?) and Jean Reno give the
movie some juice...in fact, it’s been so long that I completely
forgot about Cruise’s brief reunion with his
“Outsiders” pal Emilio Estevez at the start! It may not
have the self-indulgent (but more stylish) look John Woo brought to the
guilty-pleasure “Mission Impossible 2,” but the original
“M:I” has weathered the years better than you might have
thought.
Paramount’s new Special Edition DVD is sadly a disappointment,
comprised of two trailers, a ticket to the upcoming M:I3, and
newly-edited, brief featurettes primarily culled from EPK materials
from the time of M:I and M:I2's release, featuring only a fluffy look
behind the scenes. There are even not one but two Tom Cruise clip
montages recounting his career, as well as his MTV Awards
“Lifetime Achievement” acceptance speech from a year
ago...but nothing in the way of deleted scenes or meaningful
supplemental content. The 16:9 transfer and 5.1 Dolby Digital sound may
be an improvement on the studio’s previous DVD effort, but as I
don’t have a copy I can’t weigh in on that aspect.
Fox April Report Card:
Box Sets & More
LAUREL AND
HARDY COLLECTION (Fox): Fox’s new DVD box set offers three
of the comedic duo’s ‘40s starring efforts for the studio,
each with fresh supplemental content. 1941's “Great Guns,”
1943's “Jitterbugs” and 1944's “The Big Noise”
all include remastered transfers and commentary from expert Randy
Skretevdt, along with vintage Movietone News reels, trailers, and a new
documentary, “The Revenge of the Sons of the Desert,”
contained in “The Big Noise.” Needless to say this package
is a must for all Laurel and Hardy fans, with the promise of more
L&H Fox DVDs to follow should the package sell to expectations.
ROBERT ALTMAN
COLLECTION (Fox): Three Robert Altman efforts from his
up-and-down post-“Nashville” phase hit DVD for the first
time: 1978's ensemble satire “A Wedding,” the 1979 romantic
comedy “A Perfect Couple,” and the bizarre, unsatisfying
1979 sci-fi drama “Quintet,” which are joined here by
another release of “M*A*S*H” in this four-film anthology
box from Fox. Three new Making Of featurettes accompany the pictures,
all presented in 16:9 transfers with 2.0 Dolby Stereo sound. “A
Perfect Couple” turns out to be the most satisfying release of
the trio, with warm performances by Paul Dooley and Marta Helfin, with
“A Wedding” best left for Altman devotees and the less
said, the better about the Paul Newman turkey “Quintet,”
with a story line as cold as the picture’s frosty, post-Ice Age
setting.
AMERICAN DAD:
Volume One (2005, 13 Episodes, 284 mins., Fox): Seth MacFarlane
produced this companion piece to his popular animated series
“Family Guy,” but the results are a bit spottier in this
tale of a CIA agent with a funky (and Griffin-esque) family and rocky
home life. While the series has the same off-the-wall humor and obscure
pop references as “Family Guy,” the writing simply
isn’t as consistent, with some hilarious moments followed at
times by long stretches where yucks are few and far between. Even the
characters feel like the Griffin family “remixed,” though
there are a few choice moments here and there that will make
“American Dad” at least worth a rental. Fox’s
excellent three-disc set offers full-screen transfers, 5.1 Dolby
Digital sound, numerous featurettes and commentary tracks.
THE BOB
NEWHART SHOW: The Complete Third Season (1974-75, 24 Episodes, 610
mins., Fox): Dr. Robert Hartley again takes on a succession of
patients and analyzes his own life in this stellar third-season of the
classic “Bob Newhart Show.” Fox’s DVD offers three
episode commentary tracks with Newhart (joined on two shows by co-star
Peter Bonerz) and a new Making Of featurette, making this the best of
the TBNS DVD sets the studio has released to date. Now, if we could
only get them to start releasing Bob’s ‘80s series on DVD...
REMINGTON
STEELE: Season Three (1984-85, 22 Episodes, 1071 mins., Fox):
The palpable chemistry between sleuthing couple Stephanie Zimbalist and
Pierce Brosnan reaches its apex in the highly entertaining third season
of “Remington Steele.” Fox’s DVD includes three
commentary tracks involving co-creator Michael Gleason, Zimbalist and
co-star Doris Roberts plus two new Making Of featurettes, satisfying
full-screen transfers and Dolby Stereo sound.
IN LIVING
COLOR: The Complete Season Five (1993-94, 26 Episodes, 209 mins., Fox):
Fifth and final go-around for the Keenan Ivory Wayans-created series
comes to DVD in a three-disc box set from Fox, including all 26
episodes from the show’s final year with Jim Carrey, Jamie Foxx,
David Alan Grier and company putting the final touches on a solid
five-season run for the sketch comedy series.
REBA:
Complete Season Three (2003-04, 22 Episodes, 496 mins., Fox):
I’m not going to pretend that I’m a regular viewer of
“Reba,” which flies under the radar on the WB network (soon
to be “CW”) and has for the better part of the last five
years. Suffice to say that fans ought to enjoy this three-disc
assortment of the sitcom’s third season, offering five commentary
tracks by the cast and crew and a pair of behind-the-scenes featurettes.
WOMAN THOU
ART LOOSED (2004, 101 mins., Not Rated, Fox): Extended edition
of the acclaimed religious film starring Bishop Jakes, who here helps a
troubled young woman (Kimberly Elise) regain her spiritual and personal
footing in life. Fox’s DVD includes extended clips of Jakes
sermonizing, two featurettes, 1.66 (non-anamorphic) widescreen and 2.0
Dolby Surround stereo. Another religious-themed pic just in time for
Easter is THE
HIDING PLACE (1975, 146 mins., PG, Fox), starring Julie Harris
in the true story of Corrie ten Boom, whose family helped Jews survive
through WWII. This genuinely moving and well-made picture was a
theatrical release from Billy Graham’s World Wide Pictures and
comes strongly recommended. Fox’s DVD includes a 1.78 (16:9)
widescreen transfer and 2.0 Dolby Stereo.
MERCENARY FOR
HIRE (2005, 91 mins., R, Fox): Steven Seagal stars in this
rip-off of “The Transporter” from Millennium Films. Better
than some of Steve’s lesser, more recent direct-to-video efforts
(“The Patriot” immediately comes to mind on that front) but
there’s little else of note here other than 91 minutes of
C-grade, direct-to-video fare for undiscriminating action fans.
Fox’s DVD offers both full-screen and 16:9 (1.85) transfers with
5.1 Dolby Digital sound and a Making Of featurette.
BRATZ: GENIE
MAGIC (2006, 72 mins., Fox): The heroines from the
apparently-popular kids series run into a teenage genie before all
kinds of chaos ensues in this feature-length spin-off of the
children’s program. Colorful animation ought to please its
intended audience, with Fox’s DVD including a full-screen
transfer and a bonus episode (“Pet Show”) from the series.
Also New From Buena
Vista
CLASSIC CARTOON
FAVORITES, Best Pals [Volumes 10-12] (55-57 mins. Each, Disney): New
single-disc cartoon releases from Disney celebrate supporting series
favorites Minnie in Volume 10 (offering the shorts “First
Aiders,” “Bath Day,” “Pluto and the
Gopher,” “Figaro and Frankie,” “Mickey’s
Rival,” “The Nifty Nenties,” “Pluto’s
Sweater” and “Mickey’s Delayed Date”), Daisy
Duck in Volume 11 (“Mr. Duck Steps Out,” “Cured
Duck,” Donald’s Double Trouble,” “Sleepy Time
Donald,” “Crazy Over Daisy,” “Donald’s
Dream Voice,” “Donald’s Crime” and
“Donald’s Diary”), and Pluto in Volume 12
(“Pluto’s Housewarming,” “Pluto and the
Armadillo,” “Cat Nap Pluto,” “Pluto’s
Party,” “Pluto, Junior,” “Pluto’s
Fledgling,” “Plutopia,” and “Pueblo
Pluto”). Each disc offers an hour’s worth of vintage Disney
animation for young viewers, and as with previous “Classic
Cartoon Favorites” releases is touted as being available for a
limited time only.
POOH’S
GRAND ADVENTURE: The Search For Christopher Robin (***, 1997, 76 mins.,
G, Disney): Excellent 1997 made-for-video Disney release hits
DVD for the first time, as Pooh and the gang hunt for Christopher
Robin, who our pals believe to be kidnapped (he’s actually in
school!). Poignant and a bit slow but nevertheless one of the better
Pooh tales, which would lead into a series of feature follow-ups both
on the big-screen and produced directly for the home video market.
Disney’s DVD includes a 1.66 (16:9) transfer that looks ideal in
addition to a 5.1 Dolby Digital soundtrack and the Oscar-winning
classic short “Winnie the Pooh and the Blustery Day” as a
bonus.
LITTLE HOUSE
ON THE PRAIRIE (2004, 255 mins., Disney): Solid adaptation of
Laura Ingalls Wilder’s autobiographical books attempts to adhere
more closely to its source than the revered Michael Landon series from
the ‘70s, though even here, several changes were made from its
source. That said, this good-looking TV mini-series ought to provide
ample entertainment for family audiences, with strong production
values, solid performances from Cameron Bancroft and Erin Cottrell, and
nice cinematography by Robin Loewen. John Cameron’s score is a
bit much at times, but otherwise this “Little House” is
highly satisfying. Disney’s DVD offers a straight 16:9 transfer
with 5.1 Dolby Digital sound and no supplemental features.
AN UNFINISHED
LIFE (***, 2005, 108 mins., PG-13; Miramax/Buena Vista):
Little-seen, long-delayed drama from director Lasse Hallstrom (who
encountered similar trouble with his last effort, “The Shipping
News”) stars Robert Redford as a quiet Wyoming man who has to
confront his past when his daughter-in-law (Jennifer Lopez), whom he
blames for the death of his son, returns to his ranch with her child in
tow. Morgan Freeman, Josh Lucas, and Damian Lewis offer strong support
to this low-key and well-acted tale, effectively handled by Hallstrom.
The Miramax/Buena Vista DVD includes commentary, a Making Of
featurette, stills gallery, and a look at the training of Bart the
Bear, who makes his (sadly) final screen appearance in “An
Unfinished Life.”
THE GREATEST
GAME EVER PLAYED (***, 2005, 121 mins., PG; Disney): Appealing,
if slow-moving, adaptation of Mark Frost’s book (scripted by the
author and former “Twin Peaks” co-creator) about amateur
golfer Francis Ouimet (Shia LeBeouf), who challenges rival Harry Vardon
(Stephen Dillane) for the U.S. Open title. Between this and the
under-rated (and equally little-seen) “Bobby Jones: A Stroke of
Genius,” last year wasn’t a good one for golf movies, but
this Bill Paxton-directed film boasts excellent cinematography by Shane
Hurlbut, appealing performances and a strong sense of time and place.
Disney’s Special Edition DVD includes two commentaries by Paxton
and Frost, respectively, numerous featurettes and information on the
real Ouimet’s 1920 triumph. The 1.85 (16:9) transfer and 5.1
Dolby Digital soundtrack are each top-notch.
DEEP BLUE
(2003, 91 mins., G; Miramax/Buena Vista): The makers of the
acclaimed BBC mini-series “The Blue Planet” return to
provide more remarkable footage of underwater life in this shorter
feature installment (apparently using footage shot for “The Blue
Planet”), once again scored with majestic music from George
Fenton. Miramax/Disney’s package offers an intentional
“March of the Penguins”-esque front cover, 16:9 widescreen,
5.1 Dolby Digital sound, and a Making Of featurette.
SPYMATE (84
mins., 2005, PG; Keystone/Buena Vista): The makers of “Air
Bud” have returned to their ways of humiliating animals as only
they can with this would-be wacky tale of a primate named Minkey who
has to save Emma Roberts (Julia’s niece) from the clutches of
evil scientist Richard Kind. Silly shenanigans that only the most
undemanding child will enjoy, “Spymate” is only noteworthy
in that it provided a sad, final role for the late Pat Morita.
Keystone’s DVD offers a 16:9 transfer, 5.1 Dolby Digital sound,
and a Making Of featurette.
New From Tartan
PRAY (**½,
82 mins., 2005, Not Rated; Tartan): A few weeks ago I had to
endure the grizzly, unpleasant Japanese import “Marebito,”
and was thinking this latest offering from Tartan Extreme would be just
another run-of-the-mill horror outing from our friends overseas. After
all, the cover art shows another pasty white spirit with long dark
hair, and the packaging seems to indicate a movie along similar lines.
Now for the good news: “Pray” is a surprisingly more
“alive,” twisty psychological thriller as opposed to
another run-of-the-kill Jap-horror fest. Director Yuchi Sato’s
film follows a couple who kidnap a little girl and hold her for ransom
cash, only to find out the girl is, indeed, dead...what happens from
there is best left unsaid, though the ending is odd to the say the
least.
Thankfully, the journey is creepy but a lot more energetic than the
usual “Grudge”/”Ring”-type of thriller so
prevalent overseas, and Tartan’s DVD proves to be a recommended
view for horror enthusiasts. A Making Of featurette, the original
trailer, and subtitled interviews round out the supplemental side,
while the movie is presented in a satisfying 16:9 enhanced transfer
with 5.1 DTS and Dolby Digital sound. Different, and surprisingly so
than what you might expect.
Also New &
Noteworthy
BASIC
INSTINCT: Ultimate Edition (**½, 1992, 128 mins., Unrated;
Lionsgate): Another DVD go-around for the Michael Douglas-Sharon
Stone potboiler from ‘92 exposes the problems of Paul
Verhoeven’s movie...simply, it’s all style and not a heck
of a lot of substance, with Jerry Goldsmith’s sensationally moody
score and Jan De Bont’s glossy cinematography covering over the
holes in Joe Eszterhas’ script. Lionsgate’s new
“Ultimate Edition” DVD reprises most of the supplements
from their 2002 DVD (the “Blonde Poison” documentary,
screen tests, the featurette on the TV version), omits the feminist
critic commentary, retains the original Verhoeven/DeBont DVD track, and
includes some brief new introductory comments and an interview with
Sharon Stone. “Basic Instinct 2" might have bombed big-time, but
at least the original is back on disc, in a satisfying presentation for
those who might have bypassed its previous DVD incarnations. Guilty
pleasure amusement all the way...
NEXT
TIME: BLUE THUNDER Special Edition and more from Sony!
Don't
forget
to drop in
on the official Aisle Seat Message
Boards, direct
any emails to the
link
above and
we'll catch you
then. Cheers everyone!
Copyright 1997-2006 All Reviews, Site and Design by Andy
Dursin