Indiana Jones & The Re-Released DVDs Paramount's New Box Set Reviewed Plus: Blu-Ray, Fox Westerns & more
With “Indiana Jones and the Crystal Skull” looming just a
few weeks away, it’s no surprise that we’re seeing a new
edition of the original Indy trilogy on DVD to coincide with its
release.
Paramount's new “Adventure Collection” three-disc
box-set offers mostly identical transfers and soundtracks (as well as
menus) to the 2003 DVD editions, dropping the fourth bonus disc (with
its ample Making Of content) from that release and adding a number of
new, but mostly lightweight, featurettes on each respective
film’s platter.
As far as the films themselves, is there any reason by this point to
re-analyze these Saturday Matinee classics? Each movie is immeasurably
entertaining on its own respective merits, though fans can still
quibble about which one is best -- and hope that the new, belated
fourth entry in the series belongs in their company.
RAIDERS OF THE LOST ARK (****, 115 mins., 1981, PG)
thankfully still retains its original on-screen title (despite its new
packaging as "Indiana Jones and the Raiders of the Lost Ark"), and
remains a classic of the action-adventure genre. With a smart Lawrence
Kasdan script (from a George Lucas-Philip Kaufman story), classic
stunts and Spielberg working at the peak of his talent,
“Raiders” is unbridled, awesome fun, with Ford introducing
us to the centerpiece role of his career and Karen Allen easily
providing the best female love interest of the series.
The first sequel, INDIANA JONES AND THE TEMPLE OF DOOM (***½, 118 mins., 1984, PG) was
controversial in its day (along with another Spielberg production,
"Gremlins," it helped create the PG-13 rating, which was initiated
before the summer of '84 was out), and even now it's still a violent
ride compared to the other Indy adventures. The script by Lucas pals
Willard Huyuck and Gloria Katz ("American Graffiti") is silly and more
excessive than either "Raiders" or "The Last Crusade," and Kate
Capshaw's whiny Willie Shaw is a comedown from Karen Allen's Marion --
so much so that it's tough for "The Temple of Doom" not to be compared
unfavorably with its counterparts. The graphic violence comes across as
a major miscalculation on Spielberg’s part, while one wonders
what Dan Aykroyd was doing in a throwaway cameo early in the picture.
Still, the movie's final third is a blast, and John Williams' majestic,
triumphant score may be his most inspired of the series: his themes for
the Indy-Willie romance, Short Round's Theme, the mine cart ride, and
the regal music that accompanies our heroes through the jungles of
India are simply outstanding, and when combined with the original
"Raiders March," create a phenomenal underscore that effortlessly
carries the audience through the sequel's rough spots.
The problems with the second film were rectified with the 1989 blockbuster follow-up INDIANA JONES AND THE LAST CRUSADE (****, 126 mins., PG-13),
which on a surface level sounds like a "Raiders" rehash but is
actually, for this critic at least, the most sophisticated and durable
entry in the series. This is undoubtedly due to Sean Connery's magnetic
performance as Indy's father, Dr. Henry Jones, who comes along for
another bout with Nazis and a search for the Holy Grail. Connery is
magnificent and his interplay with Harrison Ford is gentle, amusing and
poignant, giving the movie a warm, human center that was completely
absent from the amusement-park action of "Temple of Doom" and even
surpasses the level of character development found in "Raiders." John
Rhys-Davies and Denholm Elliott return from the original in a story
(written by Jeffrey Boam from a story credited to Menno Meyjes and
Lucas) that entertainingly reprises the quest-styled plot of the first
film. Williams' score is again top-notch, and while "The Last Crusade"
may lack the freshness that the original contained, it's my favorite
film of the series to revisit -- Connery and Ford are so good together
that the film's strengths are only magnified on repeat viewing (indeed,
Spielberg said this film played the best with audiences of all three
pictures).
Paramount’s DVD transfers again look solid in 2.35 widescreen
(16:9 enhanced), and the 5.1 Dolby Digital soundtracks effectively
remix and re-work the original Dolby Surround mixes. In doing a
comparison with the 2003 DVD box-set, I noticed these new transfers
seem just a little sharper than their predecessors, as if some
noise-reduction had applied to the last release. It’s not a
night-and-day difference by any means, and in terms of colors and
composition, these seem to be struck from the exact same masters, so
most will find little incentive to upgrade on that front until a
Blu-Ray release follows hopefully in the near future.
Fans are also warned on the supplemental side: this new box-set
disposes of the earlier release’s fourth bonus disc, which is
noteworthy since it contained a 126-minute production on the entire
series that was filled with new interviews, priceless screen tests
(including Tom Selleck, Tim Matheson and Sean Young) and
behind-the-scenes footage. Neither that, the trailers, the featurette
on John Williams nor the ILM effects have been reprieved here.
In their place are a number of new, short featurettes that include
recent comments from Spielberg and Lucas, storyboards, a playable level
of the “Lego Indiana Jones” video game (for PCs) and other
extras that feel quite a bit lighter in weight than the original set.
Overall, this new “Adventure Collection” offers a somewhat
stripped-down presentation of the original trilogy on DVD with less
supplemental content but comparable (if not slightly sharper) transfers
and soundtracks.
Also new from the Spielberg stable is a new Special Edition Blu-Ray and DVD release of the 1996 box-office smash TWISTER (***, 110 mins., 1996, PG-13; Warner).
Few summer blockbusters have embodied the oft-utilized
“rollercoaster ride” term better than this Michael
Crichton-penned tornado movie that's thoroughly mindless but highly
entertaining just the same. You get Bill Paxton, Helen Hunt, Cary
Elwes, Jami Gertz, and in the role of his life (at least circa 1996),
Philip Seymour Hoffman, as storm chasers risk their lives to get a
tornado to "suck up" a new scientific device so forecasters can learn
more about predicting the formation of the nasty twisters -- not to
mention flying cows and plenty of debris along the way.
Jan DeBont directed from Crichton’s script (penned with his
then-wife Anne-Marie Martin, co-star of “Sledge Hammer”),
but the real star of the movie are ILM’s tornadoes, which steal
the show much the same way that the dinosaurs ripped “Jurassic
Park” away from Sam Neill and Laura Dern. In fact, the
film’s tremendously effective use of special effects marked
another major milestone in the evolution of CGI during the ‘90s,
and its visuals still hold up some 12 years later, turning what
could’ve well been just another disaster film into a thrilling
and great-looking piece of escapist entertainment. The story is still
ridiculous (the “bad guys” drive black trucks!), but
it’s quickly forgotten once the sound and effects start to swarm
around you.
Warner's original DVD release came at the outset of the DVD format and
its early pressings had some technical problems that future editions
corrected; a later DVD offered an improved transfer and a respectable
assortment of extras, most of which comprise this new Special Edition.
Reprieved from the prior release are a technically-oriented commentary
track with Jan DeBont and his special effects supervisor; a 13-minute,
promotional “Making Of”; both of the film’s
impressive theatrical trailers; and a Van Halen music video.
Exclusive to this release is a 30-minute retrospective documentary,
offering new interviews with Bill Paxton, Jan DeBont, and most of the
visual effects team, while a History Channel special on tornadoes
rounds out the new content. Visually, the new HD transfer on Blu-Ray looks exceptionally good. VC-1
encoded and backed by a potent Dolby TrueHD soundtrack, this is one of
the more impressive HD catalog titles I’ve covered in some time.
“Twister” ranked behind only “Independence Day”
as the top grossing film of 1996, and it’s still an enjoyable, if
brainless, blockbuster with an exceptional transfer and Dolby TrueHD
soundtrack that should please all fans of the film. Also New in High Definition
NATIONAL TREASURE (***, 131 mins., 2004, PG; Disney) NATIONAL TREASURE 2: BOOK OF SECRETS (***, 125 mins., 2007, PG; Disney):
Hitting Blu-Ray for the first time this month are the original
“National Treasure” and its 2007 sequel, both good-looking
action-adventure yarns that provide solid escapism for viewers of all
ages.
Nicolas Cage gives a typically offbeat leading man performance in the
original “Treasure” as Ben Franklin Gates, a treasure
hunter who's been raised to believe the elusive Knights Templar fortune
exists -- and marked on a map found on the back of the Declaration of
Independence! While Ben's hunt takes him to Washington, Philadelphia,
and Boston, he's doggedly pursued by an arch-rival (Sean Bean), an FBI
agent (Harvey Keitel), and assisted by a treasury employee (Diane
Kruger) and a crazy sidekick (Justin Bartha). All the while, Ben's
father (Jon Voight) refuses to get involved after spending a lifetime
trying to pursue his family's previously-futile dreams of finding the
missing loot.
The Jim Kouf-Cormac and Marianne Wibberley script manages to
incorporate a few historical references, which alone makes the plot
more substantial than your typical Jerry Bruckheimer production. Make
no mistake, however -- this IS a product of the producer: the slick
editing and cinematography from Bruckheimer's works are on full
display, but this time out, director Jon Turtletaub manages to slow the
pace down enough to sustain viewer interest in the story and the
characters. The result is a less-frenetic Bruckheimer piece that still
manages to include the regulation action and humor you've come to
expect from most of the producer's output.
"National Treasure" may not provide much more than fluffy escapism, but
it's a good-humored, enthusiastic entertainment just the same, and
Disney's Blu-Ray release likewise proves satisfying, if not quite
flawless.
Boasting a new AVC transfer and uncompressed PCM sound, the Blu-Ray
disc looks good but does appear a little grainy in places, while
simultaneously offering a rollicking soundtrack on the audio end.
Extras have been cobbled together mostly from a myriad of prior DVD
editions (deleted scenes and an alternate ending with the
director’s commentary, plus short featurettes), but there are
some new, BD-exclusive extras, including a commentary with Turtletaub
and co-star Justin Bartha, as well as a featurette on the Declaration
of Independence itself.
The sequel -- last December’s “Book of Secrets” --
offers more of the same and few surprises, but it’s still fun,
with Gates this time getting wrapped up in another long-lost book with
Abraham Lincoln, John Wilkes Booth and the current President of the
United States all somehow involved. With the entire original cast and
Turtletaub returning, this is an entertaining second installment that
looks even better than its predecessor on Blu-Ray, with a potent Dolby
TrueHD soundtrack likewise outperforming the original on Blu-Ray.
A huge assortment of extras includes deleted scenes (two of which are
exclusive to the Blu-Ray version), commentary (this time with
Turteltaub and Jon Voight), bloopers, a number of Making Of
featurettes, and some historical background on the picture. The Blu-Ray
disc also offers a “Fact and Fiction”-exclusive featurette
while the standard DVD looks as good as it possibly can in 16:9 (2.35)
widescreen and 5.1 Dolby Digital sound.
THE CHRONICLES OF NARNIA: THE LION, THE WITCH & THE WARDROBE: Blu-Ray (***½, 143 mins., 2005, PG; Disney):
Spectacular adaptation of the C.S. Lewis children’s classic hits
all the right dramatic beats, thanks to surprising direction by Andrew
Adamson that perfectly balances the fantasy’s more spectacular
moments with surprisingly sensitive and quiet passages.
Certainly
the remarkable performances of the four youngsters (Georgie Henley,
Skandar Keynes, William Moseley and Anna Popplewell) who portray the
Pevensie children go a long way in making this adventure one that
adults can enjoy as much as children. Lewis’s beloved story
follows the siblings as they’re whisked away, out of WWII London,
to the countryside where they improbably find a fantasy world in the
closet of an old professor (Jim Broadbent). There, an evil queen (Tilda
Swinton) battles for control of Narnia with the sensitive, sage lion
king Aslan (voiced by Liam Neeson), who believes that the Pevensie
children are the fulfillment of an ages-old prophecy meant to restore
goodness to the land.
What impressed me the most about “Narnia” wasn’t its
epic battle scenes (of which there are a good amount in the final
half-hour) but rather how beautifully Adamson sets the story up. Young
Lucy’s first arrival in Narnia is enchantingly handled in an
old-fashioned manner -- no thunderous music, no ADD-accented,
MTV-styled editing, and no CGI monsters flying into every corner of the
frame. Instead, Adamson lets the moment play out poignantly, and
delicately, the snow falling gently from the sky, letting the moment
breathe and capturing Lewis’ prose splendidly. Similarly quiet,
introspective moments occur at times, with the movie actually taking
the time to develop its characters in a deliberate but effective manner
far removed from most of today’s over-styled and hyper-edited
entertainment.
Disney’s 2-disc Blu-Ray edition -- issued with “Prince
Caspian” due out in a couple of weeks -- boasts a beautiful,
AVC-encoded transfer with uncompressed PCM audio. Needless to say this
is a superlative presentation with immaculate visuals and a soundtrack
that’s quite aggressive when called upon. Commentaries are
offered during the film while a whole second-plate of extras include
numerous featurettes on the production -- mostly culled from the prior
DVD editions -- making for a superb disc all around.
SHALL WE DANCE: Blu-Ray (**½, 106 mins., 2004, PG-13; Buena Vista):
The 1996 hit Japanese import "Shall We Dance?" was remade into an
American vehicle for Richard Gere, Jennifer Lopez and Susan Sarandon in
2004 with uneven results.
In Peter Chelsom's film, Gere plays a typically harried Chicago
businessman who's never able to see his wife (Sarandon) and longs for
something more out of life. One day while riding the train, Gere gazes
upon a dance studio run by an ex-budding ballroom champion Jennifer
Lopez. Upon signing up for lessons, Gere finds his life re-energized,
though his wife suspects he may be cheating on him. Thus begins a
circle of confusion, with Sarandon using a private detective (Richard
Jenkins) to track Gere's whereabouts down, Gere not wanting to reveal
his cha-cha-cha nightlife and the promise of an upcoming competition
waiting in the wings.
Audrey Wells adapted Masayuki Suo's 1996 film somewhat faithfully,
though despite pleasant performances and some charming moments, the
American "Shall We Dance" suffers from the same, fragmented feel of
director Chelsom's last Miramax comedy: the disposable John Cusack
vehicle "Serendipity." The film is overloaded with supporting players
(most of whom have little to do) and thinly-drawn subplots which should
either have been further developed or excised altogether, since the
story's momentum never feels like it's in the right gear. Gere and
Sarandon's relationship fares best in the film, though Lopez's role
seems flat and under-written.
It's curious how Chelsom made a name for himself thanks to charming,
offbeat imports like the wonderful "Hear My Song," but has struggled to
maintain consistency in his Hollywood work. It's as if he's trying too
hard to make "Shall We Dance" quirky and unpredictable, when it would
have been sufficient to simply keep the focus on Gere and his
relationships with Sarandon and Lopez. Less, here, would have been more.
At least Gabriel Yared's soothing score is a bright spot (though
Chelsom's past collaborator John Altman shares the composer credit
here), and sounds fine in Buena Vista's Blu-Ray disc. The HD transfer
is solid, though not spectacular, and the uncompressed PCM sound is
likewise fine. Extras ported over from the prior DVD edition include
commentary by Chelsom and a handful of deleted scenes, including an
elaborate, discarded alternate opening. Three standard Making Of
featurettes are included along with a Pussycat Dolls music video.
P.S. I LOVE YOU (**½, 127 mins., 2006, PG-13; Warner): Hilary
Swank attempts a new kind of role -- that of a romantic lead -- in this
appealing bit of fluff from director Richard LaGravenese.
Swank plays a happily married wife whose husband (Gerard Butler) dies
of a brain tumor. Distraught and unable to move on, she begins to
receive a series of letters written by Butler when he was still alive,
challenging her to take on one task after another in a globe-trotting
adventure.
LaGravenese and Steven Rogers adapted the Cecelia Ahern novel, and
it’s a pleasant, forgettable, but upbeat drama with adequate
performances from Swank and Butler. The two-time Oscar winner
doesn’t quite have the touch that, say, a Sandra Bullock might
have in this kind of role, but the movie is certainly entertaining and
recommended for a “date night” kind of rental.
Warner’s Blu-Ray disc sports a fine VC-1 encoded transfer with
Dolby TrueHD audio. Extras include additional scenes, a James Blunt
music video, and two featurettes (an interview with Ahern included) in
high-definition.
New From Fox on Blu-Ray
MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD Blu-Ray (***½, 138 mins., 2003, PG-13; Fox):
Rich, rewarding adaptation of Patrick O’Brian’s seafaring
novels from director Peter Weir gets a long-overdue and mostly
satisfying Blu-Ray release courtesy of Fox. While the AVC-encoded
transfer is an appreciable upgrade on the prior DVD edition (though
certain scenes look a little grainy still), the big draw here from a
technical standpoint is the marvelous DTS Master Audio sound, which
offers so much ambiance that listeners may feel they’re on the
HMS Sophie itself. In addition to the truly outstanding audio -- one of
the most effective soundtrack mixes I’ve yet heard in HD -- Fox
has included a historical/geographic pop-up trivia track in addition to
a map giving location background. Regrettably, the only extras ported
over from the superb 3-disc DVD box-set are a group of deleted scenes
presented in standard-definition. That said, fans of the film will be
quite satisfied with the transfer and outstanding sound design
perfectly captured by this Blu-Ray release. MRS. DOUBTFIRE: Blu-Ray (**½, 125 mins., 1993, PG-13; Fox):
High-def Special Edition of the 1993 holiday box-office smash with
Robin Williams in drag as a nanny to his own kids after his estranged
wife (Sally Field) falls for another man (Pierce Brosnan). Overlong and
preachy, I didn’t personally care for this Chris Columbus film at
the time, but fans are sure to enjoy this Blu-Ray edition, sporting
deleted/extended or alternate scenes, loads of new featurettes
examining the production, plus numerous vintage promotional materials
from shorts to trailers -- basically everything that comprised the
standard-definition Special Edition from earlier this year. The
AVC-encoded transfer is terrific and the DTS Master Audio sound
likewise satisfying.
BUTCH CASSIDY AND THE SUNDANCE KID: Blu-Ray (***, 1969, 110 mins., PG; Fox):
Director George Roy Hill’s celebrated 1969
“revisionist” western has always felt slightly over-rated
in my eyes and overly reliant on the chemistry between stars Robert
Redford and Paul Newman, despite its four Oscar wins (for William
Goldman’s script, Conrad Hall’s cinematography, and the
one-two punch of Burt Bacharach’s score and the classic song
“Raindrops Keep Fallin’ On My Head”). Nevertheless,
Fox’s Blu-Ray release represents a must-have for Butch &
Sundance fans, as it’s jammed with most of the supplements from
the 2006 “Ultimate Edition” DVD release, including the
previous commentary track with Hill, Hall, Hal David and Robert
Crawford Jr.; a new commentary with William Goldman; no less than three
featurettes (including the previous “Making Of”
documentary), trailers, one deleted scene, a good-looking MPEG-2
transfer and DTS Master Audio sound that’s a nice upgrade from
the prior mono and barely-stereophonic DVD mixes (the original mono
track is still available for purists). Regardless of how you feel about
the movie, this is a superb catalog release from Fox, offering the
majority of extras from its last DVD incarnation. Fox: Classic Westerns and 24 Revisited
It’s hard to believe that by the time “24" returns
to the airwaves this January, some two years will have passed between
season premieres of the Kiefer Sutherland action series.
To whet fans’ appetite for the show’s eventual return (a
major victim of the writers strike due to the series’ inherent
serialized nature), Fox is issuing a brand-new Special Edition of 24's first season.
Housed in a deluxe tin with a countdown clock embedded in the front
packaging, this Fox seven-disc set includes a number of new special
features, including commentary from director Stephen Hopkins and his
frequent cinematographer Peter Levy on the premiere episode; commentary
from Hopkins and co-star Leslie Hope on the season one finale; extended
and deleted scenes; the much-discussed alternate ending to the last
episode; a new documentary, “The Genesis of 24,” offering
interviews with the creative team on the show’s background; and
superb widescreen transfers (1.78) and 2.0 Dolby Digital soundtracks.
May is also a good time to be a western fan as Fox has several releases lined up for buffs.
At the top of the list is the premiere of the “Fox Grandeur” 70MM version of the archival western THE BIG TRAIL (1930, 122 mins.),
noteworthy for being one of the earliest widescreen films in history
and, likewise, one of the first to star John Wayne, who top lines this
tale of Midwestern pioneers heading to the Pacific Northwest.
It’s all a bit creaky and dated, but it’s nevertheless a
cinematic milestone and Fox’s 2-disc DVD Special Edition
certainly pays proper tribute to its place in genre history.
The
double-platter DVD includes both the 70mm (2.10) print and the
picture’s corresponding Academy-ratio (1.33) version, both
looking as well as can be expected given their age, as well as mono and
slightly-stereophonic soundtracks. Extras include an informative
commentary from Richard Schickel, a profile of director Raoul Walsh, an
examination of the Grandeur process, and where the film sits in the
annals of the western genre.
“The Big Trail” is available as a standalone two-disc release or as part of a new box-set, JOHN WAYNE: THE FOX WESTERNS.
This set also includes 1960's “North to Alaska,” the 1961
western “The Comancheros” and the 1969 Wayne starrer
“The Undefeated,” all in widescreen but decidedly lighter
on supplements (just trailers and Fox Movietone news reels) than
“The Big Trail.”
Also new from Fox is a three-disc anthology, FOX WESTERN CLASSICS, which has been issued as part of the studio’s superlative “Cinema Classics Collection.”
Included here are the 1950 Gregory Peck production “The
Gunfighter,” presented in full-screen and with several
featurettes and the original trailer; the 1951 Henry Hathaway film
“Rawhide,” starring Tyrone Power and Susan Hayward, with
extras including a featurette on Hayward, interactive pressbook and
other goodies; and the 1954 Technicolor scope epic “Garden of
Evil,” with Hayward, Gary Cooper and Richard Widmark, another
Hathaway epic with a memorable Bernard Herrmann score.
An isolated track of Herrmann’s score is here complimented by a
superb commentary by John Morgan, William Stromberg, Nick Redman and
Steven C. Smith, which will provide a special treat for Golden Age film
music fans. Other extras include featurettes on Hathaway and the
picture’s production, while the 16:9 (2.55) transfer and 4.0
Dolby Digital soundtrack are exceptionally good. Highly recommended for
“Garden of Evil” alone! New From Criterion
A pair of films from French auteur Louis Malle join Criterion’s library this month.
Malle’s THE LOVERS (90 mins., 1958) caused
an enormous international stir when it opened in the late ‘50s.
Writer Louise de Vilmorin and Malle fashioned a then-daring account of
a Parisian wife (Jeanne Moreau), bored with her husband, who falls for
a young man she meets after her car breaks down.
A look at sexual freedom and emotional desires, “The
Lovers” is beautifully shot in 2.35 widescreen and acted
perfectly by Moreau. In terms of its content, the film’s impact
has been diluted as the years have gone on, and today its story may not
seem like any great shakes to modern audiences. That said, it was
certainly a major milestone in its day, as a Cleveland, Ohio theater
owner was convicted of screening obscene material because he showed it!
(It was later overturned by the Supreme Court).
Criterion’s DVD includes a new, high-definition transfer of the
uncensored version with a selection of archival interviews with Malle,
Moreau, de Vilmorin and co-star Jose Luis de Villalonga. A gallery of
promotional material and a newly translated English subtitle stream
compliment the package.
Malle would later follow up his “Lovers” triumph with THE FIRE WITHIN (1963, 108 mins.),
a dark and penetrating portrait of a depressed writer (Maurice Ronet)
who decides to kill himself and takes the next day attempting to make
amends with those he lost touch with.
Criterion’s DVD of this acclaimed, moody 1963 work will find a
number of extras in Criterion’s typically strong DVD
presentation, including archival interviews with Ronet and Malle;
“Malle’s Fire Within,” a featurette on the
film’s impact; a 2005 documentary about the picture and the
source novel, Pierre Drieu La Rochelle’s “Le Feu
Follet,”; and improved English subtitles. The 1.66 widescreen
transfer is excellent. TV on DVD
CHEERS: Season 9 (1990-91, aprx. 11 hours; Paramount): Another
sterling, post-“Diane” season for the long-running NBC
comedy finds the main plot line dominated by Kirstie Alley’s
Rebecca being proposed to by billionaire Robin Colcord (Roger Rees).
Meanwhile, the rest of the gang gets mixed up in home shopping, the
“Miss Boston Barmaid” contest and other local events.
Paramount’s five-disc DVD set, much like their previous releases,
offer uncut broadcast episodes (the usual disclaimer is listed about
music alterations and such) in highly satisfying full-screen transfers
and 2.0 stereo soundtracks. The complete episode list includes
“Loves Is a Really, Really Perfectly Okay Thing, “Cheers
Fouls Out,” “Rebecca Redux,” “Where Nobody
Knows Your Name,” “Ma Always Liked You Best,”
“Grease,” “Breaking in is Hard to Do,” the
hour-long 200th Episode special, “Bad Neighbor Sam,”
“Veggie-Boyd,” “Norm and Cliff's Excellent
Adventure,” “Woody Interrupts,” “Honor Thy
Mother,” “Achielles Hill,” “The Days of Wine
and Neuroses,” “Wedding Bell Blues” (two-part
episode), “I’m Getting My Act Together,” “Sam
Time Next Year,” “Crash of the Titans,”
“It’s a Wonderful Wife,” “Cheers Has
Chili,” “Carla Loves Clavin,” “Pitch It Again,
Sam,” “Rat Girl,” “Home Malone” and
“Uncle Sam Wants You.” Highly recommended and long overdue
for “Cheers” fans! DVD Capsule Takes
OVER HER DEAD BODY (**, 95 mins., 2008, PG-13; New Line): “Desperate
Housewives” cutie Eva Longoria Parker tried to make the leap to
feature-film leading lady in this disappointing romantic comedy from
earlier this winter. Sort of a comedic rendering of “Ghost”
(and, to a lesser degree, the Jennifer Love Hewitt CBS series
“The Ghost Whisperer”), Longoria Parker plays a bride who
tragically dies on her wedding day; her husband (Paul Rudd, in a
basically thankless part) attempts to move on, but his new romance with
a psychic (Lake Bell from “Surface”) is undercut by his
late wife’s ghostly apparition, which pops up just in time to
thwart their budding relationship. John Bailey’s cinematography
gives this Jeff Lowell film a glossy cinematic sheen, but the script is
awfully tired and the picture offers few surprises at all. New
Line’s DVD also includes a 5.1 Dolby Digital soundtrack.
GRACE IS GONE (***, 84 mins., 2007, PG-13; Genius/Weinstein):
Sincere drama with John Cusack as a father whose wife, serving for the
military in Iraq, dies in combat. Distraught and unprepared for how to
handle the situation, Cusack packs up his children and heads for an
impromptu vacation -- one last blast of childhood fun before he tells
them of his wife’s passing. James C. Strouse wrote and directed
this sad, truthful story that basically refrains from political
commentary and instead focuses on the plight of Cusack’s
character. At only 80 minutes and with few superfluous supporting
characters, the film basically rests on Cusack’s shoulders, and
he delivers with a moving, understated and believable performance,
ranking as one of his finest. Genius’ DVD includes several Making
Of featurettes and the trailer, while the 16:9 transfer and 5.1 Dolby
Digital soundtrack are both fine -- the movie sporting a low-key score
written by none other than Clint Eastwood!
SENIOR SKIP DAY (83 mins., 2007, Unrated; First Look):
Not-bad teen comedy about a group of seniors who do battle with their
dastardly principal (Larry Miller) days before high school graduation.
A surprising assortment of former TV stars, from Lea Thompson to Ted
Lange, pop up in this serviceable raunch-fest from director Nick Weiss
and writer Evan Wasserstrom, which pushes the requisite buttons
effectively for a no-brain comedy with (a little more than) T&A on
its mind. First Look’s DVD includes a 1.78 widescreen transfer
and 5.1 Dolby Digital sound.
BELLA (***, 91 mins., 2006, PG-13; Lionsgate):
Moving and heartwarming film about a New York City waitress (Tammy
Blanchard) who finds out that she’s pregnant and her relationship
with a chef (Eduardo Verastegui) makes for a splendid picture from
director Alejandro Monteverde. “Bella” is a
“little” movie filled with heart and genuine emotion, with
Verastegui and Blanchard perfectly fitting their roles and the director
striking all the right notes behind the lens. Lionsgate has belatedly
brought this acclaimed 2006 feature to DVD in an excellent package with
commentary with Monteverde, behind the scenes featurettes, trailers and
a music video, plus a 16:9 transfer and 5.1 soundtrack.
A COLLECTION OF 2007 ACADEMY AWARD NOMINATED SHORT FILMS (Magnolia):
Highly entertaining package couples all the nominees and winners of
this past year’s Short Film category, including live-action and
animation. Included in the latter group are “Peter & The
Wolf” (winner, Animation) from the UK and Poland; “Madame
Tutli-Putli” from Canada; and “Even Pigeons Go to
Heaven” from France. Live-action nominees include Denmark’s
“At Night,” France’s “The Mozart of
Pickpockets” (the winning entrant), the Italian effort “The
Substitute,” Belgium’s “Tanghi Argentini,” and
England’s “The Tonto Woman.” Transfers and
soundtracks are all top notch.
DRAWN TOGETHER: Season 3 (2006-07, 308 mins.; Paramount):
Comedy Central animated series returns to DVD in a double-disc set
preserving all of its 14 third-season episodes. Extras include audio
commentaries, a karaoke sing-along and network promos, plus extended,
uncensored versions of every episode, featuring additionally raunchy
gags and uncut dialogue tracks.
STRANGE WILDERNESS (**, 84 mins., 2008, R; Paramount):
Brainless Adam Sandler-produced comedy (is there any other kind?)
offers Steve Zahn as the host of a wildlife TV series who takes to
finding Bigfoot in order to drive up ratings. Justin Long, Allen
Covert, and Jonah Hill are a few of his cohorts in this box-office bust
from earlier this winter, which sports the requisite raunchy gags and
occasional appearance from veteran stars (in this case, Joe Don Baker
and Ernest Borgnine) to spice up the predictability. Paramount’s
DVD includes deleted scenes and numerous feaurettes plus an okay 16:9
transfer and 5.1 Dolby Digital sound. NEXT
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