Mid-June Wrap-Up FRIDAY THE 13th Entries on Blu-Ray & DVD Plus: MORNING LIGHT, TV on DVD and More
Another Stanley Kubrick classic hits Blu-Ray this week courtesy of Sony Pictures Home Entertainment.
Quite obviously DR. STRANGELOVE (****, 95 mins., 1964, PG)
needs little introduction for most viewers. Kubrick’s trenchant
black comedy was nominated for four Oscars at the time of its release
(losing to “My Fair Lady”) but has weathered the years more
than most films made in the 1960s, managing to be a hilarious comedy as
well as a powerful indictment of nuclear war, and offering memorable
performances from Peter Sellers and George C. Scott to Sterling Hayden,
Keenan Wynn and Slim Pickens along the way.
Sony’s Blu-Ray edition of “Strangelove” arrives in a
hardbound “Digibook” identical to several of Warner’s
catalog releases offered in the same packaging. The booklet notes
include an essay from Richard Tanne and glossy photos, nicely
complementing a good-looking Blu-Ray disc with a crisp and satisfying
AVC encoded transfer and both Dolby TrueHD audio and the film’s
original mono mix. Extras are mostly culled from the two-disc DVD
edition (numerous featurettes, split-screen archival interviews with
Scott and Sellers, an interview with Robert McNamara), with an added
picture-in-picture/pop-up trivia track that’s exclusive to the
Blu-Ray edition.
All Kinds of FRIDAY
FRIDAY THE 13th Blu-Ray (**½, 99/106 mins., 2009, R; New Line/Warner) FRIDAY THE 13th PART II Blu-Ray (**, 86 mins., 1981, R; Paramount) FRIDAY THE 13th PART III 3-D Blu-Ray (**½, 95 mins., 1982, R; Paramount) FRIDAY THE 13th: THE FINAL CHAPTER DVD (**, 91 mins., 1984, R; Paramount) FRIDAY THE 13th PART V: A NEW BEGINNING DVD (*½, 92 mins., 1985, R; Paramount) FRIDAY THE 13th PART VI: JASON LIVES DVD (**, 87 mins., 1986, R; Paramount)
To coincide with Warner’s release of the recent “Friday
the 13th” remake on video, Paramount is unleashing a series of
vintage “Friday”s on both Blu-Ray and DVD that ought to
rank as must-haves for Jason addicts.
First up on the archival front, and making their bows on Blu-Ray
(Special Edition DVDs were released a few months ago), are the first
two sequels in producer Sean S. Cunningham’s long-running series.
FRIDAY THE 13th PART II is a
fairly hackneyed retread of its predecessor from producer-director
Steve Miner, with former “Powers of Matthew Star” heroine
Amy Steel taking over for Adrienne King, who’s offed in the
early-going of this first sequel.
Paramount’s Blu-Ray transfer of “Friday Part Deux” is
undoubtedly the best we’ll ever see the film outside of a
theater, offering some detail not present in the recent, remastered DVD
edition. However, the movie’s rather flat 1.85 cinematography is
drab to begin with, so the HD benefits may not be as appreciable as
you might anticipate. Extras include another new retrospective featurette
on the production (with cast and crew interviews), a featurette on fan
conventions and “Friday”’s role in their popularity,
the second half of the “fan” film “Lost Tales From
Camp Blood,” and the trailer.
The series made the move into the third dimension with 1982's release of FRIDAY THE 13th PART 3,which
hits Blu-Ray in 3D, complete with two pairs of glasses. Though the old
red/blue analygraph 3-D format doesn’t favorably compare
to the “field sequential” version initially seen in
theaters, the 3-D effects are still fairly good here -- especially when
you view the BD in 1080p. The clarity of the images aren't perfect
but it’s a good deal more effective than any of the old
analygraph 3-D movies you might’ve watched back in the ‘80s
on local TV.
The sequel itself was a huge success, far more of a hit than the second
installment, and also looks quite impressive in 2.35 widescreen --
until the latest “Friday” was released, Part III was the
only film of the entire series shot in an anamorphic process. The Dolby
TrueHD audio offers a stereo remix of the soundtrack, with the original
mono track also on-hand.
Paramount’s Blu-Ray edition of PART III also includes a 2-D
version, along with a series of featurettes that were left off the
latest DVD, including a proper Making Of, the trailer, “Lost
Tales from Camp Blood - Part 3,” and more, all in HD as well.
On regular DVD, Paramount has a trio of Special Editions lined up for the fourth, fifth and sixth installments in the series.
FRIDAY THE 13th: THE FINAL CHAPTER dumps
the numerical title for a sequel that some series fans claim is one of
its better entries (perhaps it’s because of its casting,
including Peter Barton, Crispin Glover and Corey Feldman). Faint praise
that may be, those aficionados are sure to enjoy Paramount’s new
DVD, which includes the “lost ending” of the film, cut
scenes, two different commentary tracks (one from director Joseph
“Invasion U.S.A.” Zito and editor Joel Goodman, plus a
“fan commentary” from Adam Green and Joe Lynch), the fourth
installment in “Lost Tales from Camp Blood,” the trailer
and other goodies. The remastered 16:9 (1.85) transfer and 5.1 Dolby
Digital soundtrack are both satisfying, with the original mono audio
also included.
Of course, “The Final Chapter” was anything but the end for our hockey masked villain, with FRIDAY THE 13th PART V: A NEW BEGINNING
quickly put into production and released hot on the heels of its
predecessor. Not only do you get Corey Feldman again here but also
Shavar Ross (Dudley from “Dif’frent Strokes”)
co-starring in Danny Steinmann’s gory sequel, which here receives
another remastered 16:9 (1.85) transfer, with a 5.1 Dolby Digital
soundtrack, commentary with Steinmann and cast/crew members,
featurettes and the original trailer rounding out the disc.
“A New Beginning” ushered in what a good deal of fans
consider to be two of the better “Friday” sequels, lead off
by FRIDAY THE 13th PART VI: JASON LIVES,
a decent effort on the part of writer-director Tom McLaughlin that
finds the now-grown Tommy Jarvis trying to off Jason once and for all.
Sporting a high body count and a fair degree of action, “Jason
Lives” is a superior ‘80s hack ‘n slash, with
Paramount’s DVD featuring commentary from McLaughlin and
cast/crew members, Making Of content, the teaser trailer, cut scenes
and more. The 16:9 (1.85) transfer is top-notch and both 5.1 and 2.0
Dolby Digital stereo tracks are also on-hand.
Naturally, all of these releases are timed to coincide with the debut of the 2009 FRIDAY remake, which hits Blu-Ray in a terrific package from New Line/Warner.
Producer Michael Bay and his Platinum Dunes label oversaw this slick
retread of the original Jason slashers, with Jared Padalecki
(“Supernatural”), Amanda Righetti and Danielle Panabaker running afoul of
Voorhees in a basic recycling of the original films from writers Damian
Shannon and Mark Swift.
Unsurprisingly, the new “Friday” doesn’t do anything
revolutionary, nor does it inject a sense of playfulness the way the
superior genre brawler “Freddy Vs. Jason” did a few years ago. The push-button narrative and cliched genre devices
are right out of the old movies on every level -- the difference here
is that director Marcus Nispel has given the movie a solid visceral
presentation that’s superior to all of its
predecessors. From Daniel Pearl’s scope cinematography to some
fairly well-executed kill sequences, this “Friday” is a
polished cinematic effort, even if its only intention is to fill up
audiences with the same cinematic calories as its predecessors. For
some that’ll be a major turnoff -- for others, it may provide
exactly the type of no-brain summer-time entertainment certain horror
fans might appreciate.
Warner’s Blu-Ray disc offers a crisp, vibrant VC-1 encoded
transfer with rollicking Dolby TrueHD audio. Steve Jablonsky’s
score doesn’t add much to the action, but it’s functional,
while both the film’s 97-minute theatrical cut and an extended
106-minute version are both available on the BD (note that the extended
cut is still rated R). Extras are slim, including a BD-exclusive trivia
track, a Making Of featurette, additional deleted scenes, and more
features that are slated to be available via BD-Live. New from Criterion
Ingmar Bergman’s classic THE SEVENTH SEAL (97 mins., 1957) headlines Criterion’s offerings for the month of June.
This seminal 1957 Bergman work offers Max Von Sydow as a tired knight
who runs into Death, challenging him to a game of chess, in a bona-fide
cinematic masterpiece that has been parodied, imitated, and
much-discussed ever since its original release. The stark
black-and-white cinematography and layers of meaning mark “The
Seventh Seal” as one of the more influential films of its time,
ushering in, as the booklet notes indicate, “a new era of
moviegoing.”
Criterion’s double-disc DVD edition includes a restored
full-screen transfer (a Blu-Ray version is also available but was not
sent for review) with commentary from critic Peter Cowie; a 2003
introduction from Bergman; an archival audio interview with Von Sydow;
a 1989 Bergman tribute from Woody Allen; the trailer; an optional
English dubbed soundtrack; and, on the second disc, journalist Marie
Nyrerod’s Bergman documentary “Bergman Island,” plus
a selected video filmography from Cowie (“Bergman 101"), and an
essay from critic Gary Giddins. BERGMAN ISLAND (83 mins., 2006) is also available separately in a presentation that reprieves the entire second disc from the new “Seventh Seal.”
For “Bergman Island,” Nyrerod conducted a series of
interviews with the director prior to his death, reflecting on a myriad
of topics including his career and personal life. Cinephiles will
certainly appreciate this candid glimpse into the often reclusive
filmmaker, with Criterion’s DVD offering a 16:9 (1.77) transfer
with Peter Cowie’s “Bergman 101" filmography and an essay
from Nyrerod rounding out the release.
Another film that broke through to major success on the international circuit was Alain Resnais’ surreal LAST YEAR AT MARIENBAD (94 mins., 1961), which also arrives this month as a double-disc DVD edition from Criterion.
Impressively shot in scope with an intentionally muddy script that
could be interpreted any number of ways, “Marienbad” is a
meditative, visceral experience that has been splendidly brought to
DVD. The new transfer, approved and supervised by Resnais, looks
vibrant in 16:9 (2.35) widescreen, while a full second disc of extras
includes a new audio interview with Resnais recorded for this release;
a new documentary on the making of the film; a recent video interview
with scholar Ginette Vincendeau on the legacy of the picture and its
possible narrative explanations; and two late ‘50s, short
documentaries from Resnais.
Finally, Criterion at long last brings viewers a new DVD edition of Louis Malle’s acclaimed 1981 film MY DINNER WITH ANDRE (111 mins., 1981),
which chronicles the conversation between Wallace Shawn and Andre
Gregory at an NYC restaurant, tackling all kinds of topics from life
and love to professional disappointments, death, money and pretty much
anything else you can think of. It’s also a movie about living
each day and not forgetting to accept its gifts in the contemporary
world around us -- themes which all resonate today.
At the time of its original release “My Dinner With Andre”
was looked at as a particularly audacious film; now, the chemistry
between Gregory and Shawn is what marks it as one of the more indelible
films of the ‘80s, and certainly one of the decade’s
biggest art-house hits.
Criterion’s DVD includes a restored transfer (16:9, 1.66
widescreen) with new interviews with the stars; an episode from the BBC
series “Arena,” where Shawn interviewed Malle; and
extensive booklet notes. New & Recently Released
JOHN ADAMS: Blu-Ray (2008, 501 mins.; HBO): Superior,
absorbing HBO adaptation of David McCullough’s biography of the
quintessential American patriot, from his role in the founding of the
United
States of America to his relationship with wife Abigail. Paul
Giamatti’s casting is certainly a bit off the beaten path -- and
does not resemble prior portrayals of Adams by the likes of William
Daniels in “1776" -- but he gives a believable, effective (if not
particularly “intellectual”) performance, while Laura
Linney is exceptionally strong as usual as his beloved female
counterpart.
This lavish production, directed by Tom Hooper in a leisurely manner,
allows the drama to unfold over some seven parts, making for a superb
drama for history buffs and movie lovers alike, even if the show tends
to dwell on the "darker" aspects of Adams' life. A marvelous
supporting cast lends a strong assist, including Tom Wilkinson (as Ben
Franklin), Stephen Dillane, David Morse, Danny Huston and Sarah Polley
among others, while Rob Lane and Joseph Vitarelli’s music scores
are top-notch.
HBO’s Blu-Ray set is an appreciable upgrade on last year’s
standard DVD edition, offering crisp 1080p transfers and DTS Master
Audio soundtracks. Extras reprieved from the prior release include an
interview with David McCollugh and a Making Of featurette, plus a
Blu-Ray enhanced on-screen historical guide and character biographies.
MORNING LIGHT DVD and Blu-Ray (98 mins., 2009, PG; Disney): Intriguing
Disney-produced documentary about a group of college-age sailors who
helm an entry in the Transpac Yacht Race from California to Hawaii --
all due to sailing enthusiast Roy Disney, who thought his experiment
would make for both an interesting competition and a Disney
“True-Life Documentary.”
This no-frills account doesn’t go into a lot of detail about the
15 sailors chosen to sail the “Morning Light” in the 2007
Transpac race, instead opting to dissect the crew’s preparations
and the eventual race itself. It makes for a compelling 97-minute
feature, with some vivid HD imagery along the way, and yet
“Morning Light” is a bit of a disappointment given the
subject matter: there’s just not a lot of meat involved here,
with most of the crew’s story told in typically superficial
“Reality TV” style (with on-camera interviews and “journal passages”
being read by monotone narrators), right down to the boat’s
captain choosing crew members in a manner that feels a bit too much
like “American Idol” for its own good. (In one particularly
irritating moment that embodies the picture’s single-minded
approach, the boat’s skipper decides to replace a crew member
late in the game, but the movie never tells us the reason why!)
“Morning Light” would have likely made for a superior
reality TV series on the likes of, say, ESPN, and the structure of both
the movie and its supplements (including an hour-long look at the
selection process) seem to hint that maybe that was the original
intention. The finished product feels like an abbreviated highlight
reel that tries to touch upon the race, the kids, the competition among
themselves and with their chief rival in their sailing class, and
eventually bites off a bit more than it can chew.
Still worthwhile viewing for sailing enthusiasts and family audiences,
“Morning Light” looks spectacular on both DVD and
especially Blu-Ray. The 16:9 DVD transfer is superb and the
Blu-Ray’s AVC encoded transfer is gorgeous, serving up deep
colors and incredible detail. The 5.1 Dolby Digital sound is fine, as
is the Blu-Ray’s DTS-HD mix, though the incessant music by
“Matter” could have been turned down several notches.
Extras include the ESPN “Making the Cut” special and a
half-hour behind-the-scenes featurette on both platforms.
INKHEART Blu-Ray (**, 106 mins., 2009, PG; New Line/Warner):
Brendan Fraser managed to strike box-office gold twice in 2008 thanks
to the unexpected success of “Journey to the Center of the Earth
3-D” and the third “Mummy” sequel, yet his luck ran
out with this long-shelved New Line release. Unceremoniously dumped
into release last winter, “Inkheart” is a hodgepodge of
other, better family-friendly fantasies, with Fraser as a single dad
who brings the world of an elusive fantasy novel to life by simply
reading it. Iain Softley’s adaptation of the popular book by
Cornelia Funke is something that kids might enjoy, but for adults, it
plays out like an inferior version of “Jumanji” without
that film’s sense of fun. New Line’s Blu-Ray disc boasts a
fine VC-1 encoded transfer with Dolby TrueHD audio and numerous extras
(in HD), including extra scenes and numerous featurettes, plus planned
BD-Live extras.
THE CELL 2 Blu-Ray (*, 94 mins., 2009, R; New Line/Warner): Tepid
direct-to-video follow-up to the disturbing, but viscerally
spellbinding, Tarsem Singh-Jennifer Lopez thriller is an inferior,
in-name-only sequel that strikes out on nearly every front. Tessie
Santiago plays a psychic investigator who has to enter the mind of a
psycho to prevent him from tormenting more innocent victims in this
inept effort from director Tim Iacofano, which resembles a
made-for-cable movie with its clumsy, derivative story and cheapjack
production values. In fact, if it weren’t for the title, this
would be just another disposable small-screen horror outing, with no
tangible connection to its predecessor outside of its central premise.
In any event, make it a point not to get locked into this
“Cell.” New Line’s Blu-Ray disc does include a fine
VC-1 encoded transfer and Dolby TrueHD soundtrack, yet the
movie’s drab visuals don’t quite resemble HD eye candy.
Extras include a standard Making Of and more supplements that are
slated to be available through BD Live.
FIRED UP Blu-Ray (**, 90/91 mins., 2009, PG-13/Unrated; Sony): Patently
silly teenage comedy about a pair of skirt-chasing high school jocks
(Nicholas D’Agosto and Eric Christian Olsen) who decide to join
their school’s cheerleading team in order to meet girls. Director
Will Gluck has served up an enthusiastic enough movie here, but
“Fired Up” is no “Bring It On,” even though the
film offers more than a few outright mentions to that memorable Kirsten
Dunst cheerleading comedy. D’Agosto and Olsen are okay, and Sarah
Roemer is likeable as the nice girl (and team captain) who reluctantly
accepts our heroes in the fold, yet the film is fairly sleepy and never
develops its plot enough for you to care to any degree about its
pre-ordained outcome. Sony’s Blu-Ray disc boasts a superb AVC
encoded transfer with Dolby TrueHD sound, a digital copy, both unrated
and PG-13 theatrical versions of the film, commentary, featturettes and
an uncensored gag reel.
MIRACLE Blu-Ray (**½, 136 mins., 2004, PG-13; Buena Vista):
Though we all share a common love of film and obviously movie music at
The Aisle Seat and FSM, each of us has other interests that have
nothing to do with the industry.
Case in point: I am a sports fanatic, and, specifically, a hockey fan.
I've grown up watching college hockey and spent several years covering
games in the Hockey East conference for US College Hockey Online (do a
Google search under my name and you'll even find a recap I wrote of a
PC-Brown "Mayor's Cup" skirmish from a few years back). I've
interviewed great coaches like Jack Parker and Jerry York, been outside
locker rooms with guys like Mike Eruzione and Jim Craig -- two key
members of the 1980 Gold Medal-winning USA Hockey Team.
I mention my familiarity and love of the game because as much as I
wanted to like the 2004 Disney release "Miracle," there are too many
problems in the picture to fully recommend it. This is a workmanlike,
routine film not so much about the group of college kids who rose up to
beat the USSR in what has been widely acknowledged as the most dramatic
American sporting event of the 20th century, but rather focuses on the
man -- the late coach Herb Brooks -- who brought them there.
That leaves Kurt Russell to carry the show as the uncompromising
Brooks, who brings a collection of young men together with rigid
practices and tactics one would think are just a little bit insane, all
in an effort to beat the unbeatable Soviets and capture the Gold at the
1980 Lake Placid games.
It's the kind of story that should make for a marvelous movie, but
unfortunately "Miracle" isn't it. Both Eric Guggenheim's script and
Gavin O'Connor's direction lack the spark to make the material come
alive, compounded by what appears to have been a budget better suited
for a made-for-TV film.
Scenes involving Brooks and his wife (Patricia Clarkson) don't ring
true, while major international events that occurred during the period
-- the gas shortage, the Iranian hostage crisis -- are sloppily raised
in an effort to tell the audience that things weren't so good for us
back in the late '70s. (These are many of the exact same clips used in
HBO and ESPN documentaries on the team from years past -- both of which
were more effective and emotional in chronicling the team than this
film).
But what's most frustrating about the way in which the story is told is
that none of the players on the team are developed at all. You get no
sense of the individuals and their interactions with one another --
something even the 1981 made-for-TV film "Miracle On Ice" (with Karl
Malden as Brooks) was able to do fairly well.
It's a real disappointment that ends up making the Olympic team itself
-- a collection of heroes, great players from both eastern and western
hockey -- into a faceless crowd, one player virtually indistinguishable
from the next. If someone walked into the theater without knowing who
Mike Eruzione was, for example, they'd have absolutely no idea what his
accomplishments were on the team after watching the film. I kept
wondering who Dave Silk was supposed to be, where Davey Christian was,
etc. etc.
It also doesn't help that the movie never feels "real." What separates
great sports movies from the rest of the pack is authenticity, and here
"Miracle" also comes up short. Films like "Rudy" and "Hoosiers" gave
you a strong sense of time and place, using actual locations in an
effort to realistically re-stage events.
In this day and age, there should be no reason why the actual venues
where the Olympic games were played weren't used -- or at least CGI
mock-ups of them. Here, though, it's painfully obvious one or two rinks
in British Columbia were used in place of all the real locations --
resulting in claustrophobically staged hockey scenes that give you no
sense of speed or the intensity of the game itself. That the crowds
contain modern-day stand-ins (and cardboard cut-outs) is also
inexcusable for a movie like this.
I could go on -- especially about Mark Isham's bland, boring score
(also a deficit) -- but I think by now I've raked "Miracle" over the
coals enough. While Russell's performance is commendable and the movie
likely satisfying for viewers who know little about the sport or the
team, it comes up short on several levels. Perhaps if filmmakers with a
vision for capturing a moment that meant so much to this nation were
given a more workable budget to put the film together, "Miracle" could
have soared.
As it is, it's ironic that -- for a movie that's supposed to be about
teamwork -- that "Miracle" concentrates on one individual instead.
That's something I doubt Herb Brooks himself would have wanted to see.
Disney's Blu-Ray edition, out this week, actually does a better job
capturing who the individuals on the '80 team actually were than the
film itself. Interviews with Jim Craig, Mike Eruzione, and others are
included, and hearing the men talk about their experiences is
insightful and revealing, regardless of the segment's fluffy,
ESPN-based "round table" presentation. Commentary from director
O'Connor, a regulation Making Of, featurettes on the young cast and the
sound design (sporting comments from composer Mark Isham), and some
four minutes of outtakes are also included.
Best of all, though, is nearly a half-hour of camcorder footage of the
real Herb Brooks talking to Russell and the filmmakers before shooting
began. Brooks died during production in a tragic car accident, and
seeing him talk extensively -- and candidly -- about the game and his
team is something no sports fan should miss.
The AVC encoded transfer on the movie itself is excellent and the DTS
Master Audio sound effective, sporting a tedious assembly of '70s rock
tracks and one of Isham's blandest original scores.
THE GREATEST GAME EVER PLAYED Blu-Ray (***, 2005, 121 mins., PG; Disney):Appealing,
if slow-moving, adaptation of Mark Frost’s book (scripted by the
author and former “Twin Peaks” co-creator) about amateur
golfer Francis Ouimet (Shia LeBeouf), who challenges rival Harry Vardon
(Stephen Dillane) for the U.S. Open title. Between this and the
under-rated (and equally little-seen) “Bobby Jones: A Stroke of
Genius,” 2005 wasn’t a good year for golf movies at the
box-office, but this Bill Paxton-directed film boasts excellent
cinematography by Shane Hurlbut, appealing performances and a strong
sense of time and place. Disney’s Blu-Ray disc includes two
commentaries by Paxton and Frost, respectively, numerous featurettes
and information on the real Ouimet’s 1920 triumph. The AVC
encoded transfer and DTS Master Audio soundtrack are both top-notch.
WALTZ WITH BASHIR Blu-Ray (***, 90 mins., 2008, R; Sony):Ari
Folman wrote, produced and directed this impressive, visually arresting
documentary -- almost entirely animated -- about the First Lebanon War.
Folman, an Israeli veteran of the conflict, tries here to fill in the
gaps of his memory from that early ‘80s war by interviewing
friends and colleagues, as well as fictional composites of real people.
The result is a potent anti-war film that’s likely to captivate
viewers through its visceral presentation as well as educate them at
the same time -- a superb combination that Sony has perfectly brought
to Blu-Ray this month. The disc’s AVC encoded transfer is just
terrific, with both Hebrew (English subtitled) and English Dolby TrueHD
audio tracks on-hand along with numerous extras, including commentary
with Folman, a Q&A session with the director, a Making Of and
animatic mock-ups.
PREDATOR 2 Blu-Ray (**, 106 mins., 1990, R; Fox): I
hadn't seen this sequel to the Arnold Schwarzenegger/John McTiernan hit
since it first opened in 1990, and over that time, I guess I had
forgotten just how regrettable this slick but pedestrian follow-up
actually was.
Danny Glover -- the natural choice to replace Arnold -- fills in as a
Los Angeles cop investigating a series of drug-related gang killings in
a "future" 1997 where the temperatures run so high sweat pours off
everyone's clothes and mass transit riders carry guns in their
handbags. (As if the movie wasn't dated enough, you also get Morton
Downey, Jr. as an obnoxious TV talk show host).
Into this searing-hot urban cityscape walks the Predator (the late
Kevin Peter Hall), who quickly decides it's time to knock off the
film's assembly line supporting characters: Glover's fellow cops Ruben
Blades, Maria Conchita Alonso (the requisite female role) and Bill
Paxton (still trying to find his way post-"Aliens"), along with
government heavy Gary Busey (second-billed!) and department head Robert
Davi.
“Predator 2" was directed competently enough by Stephen Hopkins
("24," "The Ghost and the Darkness"), but the whole enterprise plays
like the second or third back-up plan for a sequel in the event that
Schwarzenegger and McTiernan wanted nothing to do with it. The flat
dialogue, thin characterizations, and messy story line of Jim and John
Thomas' script played havoc with their intriguing original concept of
an extraterrestrial hunting down the human race while on a vacation
trip to Earth. The movie's second half - - a prolonged chase sequence
between Glover and the Predator -- is more coherent than the first, and
the final battle is well-executed enough so that comparisons don't need
to be made between “Predator 2" and all-time horrid sequels like
"Beyond the Poseidon Adventure." Nevertheless, this commercially
disappointing follow-up -- released appropriately at Thanksgiving --
was still unappetizing enough to nix any future installments in Fox's
would-be franchise (at least until Robert Rodriguez’s recent
announcement that he’s in charge of overseeing its resurrection).
Fox’s Blu-Ray disc boasts a fine AVC encoded transfer and DTS
Master Audio soundtrack and all the extras from its prior 2-disc DVD
edition: numerous Making Of featurettes, two commentaries from the
Thomases and Stephen Hopkins, a promotional gallery and TV spots.
THE SIEGE Blu-Ray (**½, 116 mins., 1998, R; Fox): Blu-Ray
package of the fairly forgettable 1998 Edward Zwick drama about a
series of bombings in NYC and the subsequent response from the various
authorities in charge (Denzel Washington as an FBI agent, Annette
Bening as a CIA operative, Bruce Willis as an army colonel) is
noteworthy mainly for its pre-9/11 premise about a Big Apple besieged
by terrorism. The Lawrence Wright-Menno Meyjes-Edward Zwick script is
pretentious and talky, and while the performances are first-rate, this
slow-moving film (which had been bumped around the 1998 release
schedule and re-titled several times) likely wouldn’t be given a
second glance these days if it weren’t for its recent topicality.
Fox’s Blu-Ray edition looks and sounds like a holdover from its
first generation format releases: the 25gb single-layer disc is devoid
completely of supplements, offering just a standard MPEG-2 transfer and
DTS Master Audio sound.
THE DIARY OF ANNE FRANK Blu-Ray (***½, 179 mins., 1959; Fox): George
Stevens’ memorable filming of the Frances Goodrich-Albert Hackett
play arrives on Blu-Ray in a superlative Special Edition package loaded
with extras: commentary with George Stevens Jr. and star Millie
Perkins; behind-the-scenes and historical extras that address the
picture’s production; Perkins’ screen test; Fox Movietone
clips; trailers, an interactive pressbook, a segment on Alfred
Newman’s score, and excerpts from the excellent “George
Stevens: A Filmmaker’s Journey” documentary.Visually
the AVC encoded transfer is a mixed bag, ranging from excessively grainy and soft to occasionally excellent (though
at least it's not hampered by an abundance of noise reduction),
enhanced by DTS Master and 4.0 Dolby Digital audio tracks as well.
Highly recommended! HOME Blu-Ray (118 mins., 2008; Fox):
French documentary from aerial photographer Yann Arthus-Bertrand offers
spellbinding cinematography that looks spectacular in Fox’s
AVC-encoded Blu-Ray transfer, and unlike other dry documentaries,
proves its point about climate change by offering ample visual
evidence. Glenn Close narrated the U.S. version of “Home,”
which Fox has done a fine job transferring in HD. Recommended. TV on DVD & Blu-Ray
LOST Season 1 Blu-Ray (2004-05, 22 episodes, Buena Vista Home Entertainment) LOST Season 2 Blu-Ray (2005-06, 24 episodes, Buena Vista Home Entertainment):
Producer J.J. Abrams’ mix of character-drama, sci-fi fantasy, and
“Survivor”-esque adventure show -- about a group of plane
crash survivors stranded on a beautiful but mysterious island -- helped
revitalize the one-hour network drama in 2004, making its mark as one
of the more challenging and unique network series of all-time.
Superb performances by an ensemble cast led by Matthew Fox and the
beguiling Evangeline Lilly complemented storytelling that was fresh and
different: each episode would show the survivors trying to uncover
where they were and possibly why they were there, while flashing back
to the pre-flight life of one specific individual. More than just
establishing each character’s identity, though, the flashbacks
also give clues about the puzzling situation the survivors find
themselves in...and that island (the hatch? The Frenchwoman? The distress
signal?) is the creepiest place of its kind seen since Michael Caine
ran afoul of David Warner in 1980's “The Island.”
Intelligently written and cinematically presented, “Lost”
is grand entertainment that's satisfying on many levels. The show never plays
its all of its cards at once, making for compelling viewing with a
central plot that sustains interest throughout -- especially on video,
where the occasional clunker of an episode is quickly compensated by
another, better installment that’s just a few clicks away.
If you’re new to “Lost” or a long-time fan who wants
to get caught up again in the show’s origins, this is a perfect
time to do so since Buena Vista has brought Season 1 and 2 of
“Lost” to Blu-Ray for the first time this month in gorgeous
HD presentations. With exquisite Hawaiian locales and production values
that rival feature films (if not surpass them), “Lost”
makes for splendid high-def eye candy and the show’s visuals are
enhanced immeasurably by their Blu-Ray presentation, offering AVC
encoded transfers and terrific DTS Master Audio soundtracks.
Both sets are packed with outstanding extras culled from their
respective DVD box-sets. From commentary tracks to countless
behind-the-scenes featurettes and audition tapes of cast members,
there’s something on here for everyone: deleted scenes, bloopers,
some outtake footage (and two unaired flashbacks) round out a robust
supplemental assortment. Highly recommended!
24: Season 7 DVD (1050 mins., 2008-09; Fox): After
an extended stay on hiatus because of the writer’s strike, Jack
Bauer returned to form -- at least to a degree -- in the seventh season
of “24,” Fox’s long-running series about a covert
government agent who will do more than just waterboard terrorists and
anyone else standing in the way of justice.
After
two tepid seasons with increasingly cliched and recycled story lines,
“24" got off to a strong start in season seven, ditching
numerous elements that had become completely worn-out in the
process. Gone
were CTU and the west coast setting in general, in were Washington,
D.C. and a new, not nearly as dark visual scheme, a slew of fresh
supporting characters (most effective is Annie Wersching’s FBI
agent Renee Walker), a female President (Cherry Jones), a
scenery-chewing villain (Jon Voight as “Jonas Hodges”) and
a storyline involving a new rash of terrorist attacks that may be
hatched partially by Jack’s old pal Tony Almeida (Carlos
Bernard), back from the dead and with an agenda that seems to shift
from show to show.
Old stalwarts Mary Lynn Rajskub (Chloe) and James Morrison (Bill
Buchanan) also appear in a season that starts off on the right foot,
stalls out midway through as it falls back on tired plot devices (such
as, yawn, another White House inner-circle conspiracy!), and then
recovers enough at the end so that you’re left feeling that
there’s life in the old show yet.
Fox’s seventh-season box-set of “24" includes commentary on
selected episodes, deleted scenes, a section on Sean Callery’s
music, a Making Of featurette, strong 16:9 (1.78) transfers and 5.1
Dolby Digital soundtracks.
THE SECRET LIFE OF THE AMERICAN TEENAGER: Season 2 DVD (516 mins., 2009; Buena Vista): Some folks who watch this so-bad-it’s-terrific ABC Family series,
currently one of cable’s highest rated original shows, may never
admit to being viewers of “The Secret Life of the American
Teenager,” but I confess it makes for splendid guilty pleasure
entertainment -- when it’s being good or, more frequently,
outrageously bad.
“Seventh Heaven” creator Brenda Hampton’s show wants
to be as wholesome as her past works but “edgier” at the
same time, examining the lives of a group of high schoolers -- led by
pregnant “good girl” Amy (Shailene Woodley) -- their
interactions with each other, dating and sex, as well as their parents
(including Molly Ringwald as Amy’s mom), who are often as
clueless as their kids. Season 2 focuses further on Amy’s
pregnancy and relationship with her boyfriend, while bad girl Adrienne
(the attractive Francia Raisa) tries to think about dating instead of
simply having intercourse. Yes, it sounds horrible, but “Secret
Life” is like a G-rated (or PG-rated) “American Pie”
with “Afterschool Special” overtones, making for a series
that’s quite watchable for teen movie aficionados and those who
just like watching shows that are so out there it’s hard to look
away from them.
Buena Vista’s Season 2 DVD package, being issued to coincide with
the series’ Season 3 premiere next week, offers excellent 16:9
(1.78) transfers, 5.1 Dolby Digital soundtracks, a music video and
relatively minor featurettes.
CANNON Season 2, Vol. 1 DVD (11 hrs., 1972; CBS/Paramount):
William Conrad is back as the larger-than-life detective in this
compilation of the first 12 episodes from “Cannon”’s
second season. The big guy takes on more blackmailers, murderers, and
assorted criminal scum in Season 2, with the episodes “Bad Cats
and Sudden Death,” “Sky Above, Death Below,”
“Bitter Legion,” “That Was No Lady,”
“Stakeout,” “The Predators,” “A Long Way
Down,” “The Ripoff,” “Child of Fear,”
“Shadow Man,” “Hear No Evil” and
“Endangered Species” all being represented. Episodic promos
are on tap for each show, with restored full-screen transfers and mono
soundtracks also on-hand.
PERRY MASON Season 4, Vol. 1 DVD (14 hrs., 1960-61; CBS/Paramount):
More courtroom action for Raymond Burr, Barbara Hale, William Hopper
and the gang is on-tap in this fourth season of the Erle Stanley
Gardner small-screen adaptation, which ran on CBS for nearly a decade
from the late ‘50s through the mid ‘60s (before being
resurrected as an equally long-running series of NBC TV movies in the mid
‘80s). CBS’ Season 4, Vol. 1 set offers the first 16
episodes of “Perry Mason”’s fourth season, including
“The Case of the Treacherous Toupee,” “The Case of
the Credulous Quarry,” “ The Case of the Ill-Fated
Faker,” “The Case of the Singular Double,” “The
Case of the Lavender Lipstick,” “The Case of the Wandering
Widow,” “The Case of the Clumsy Clown,” “The
Case of the Provocative Protégé,” “The Case
of the Nine Dolls,” “The Case of the Loquacious
Liar,” “The Case of the Red Riding Boots,” “The
Case of the Larcenous Lady,” “The Case of the Envious
Editor,” “The Case of the Resolute Reformer,”
“The Case of the Fickle Fortune,” and “The Case of
the Waylaid Wolf.” The full-screen black-and-white transfers and
mono soundtracks are perfectly acceptable across the board.
THE CLEANER Season 1 DVD (aprx. 10 hours, 2008; CBS/Paramount):
In this fairly well-received A&E series, Benjamin Bratt plays
William Banks, an interventionist who strikes a deal with the man
upstairs to help addicts from their alcohol and drug dependence. Bratt
is terrific in this somewhat unusual and melodramatic series, which
co-stars the lovely Grace Park (from “Battlestar
Galactica”) and begins its second season on A&E next week.
CBS’ box-set of “The Cleaner”’s first season
includes 16:9 transfers, 5.1 Dolby Digital soundtracks and numerous
extras including select episode commentaries, deleted scenes,
featurettes, an international promo and cast and crew interviews.
JONAS BROTHERS: 3-D CONCERT EXPERIENCE Extended Edition Blu-Ray (89 mins., 2009, G; Disney) PRINCESS PROTECTION PROGRAM DVD (89 mins., 2009; Disney): If you have young preteens in your household you're likely to hear about these two upcoming Disney releases.
Fresh off the success of the "Hannah Montana" concert movie Disney
released the "Jonas Brothers: 3-D Concert Experience" to theaters
earlier this year, featuring popular siblings Kevin, Joe and Nick
crooning their latest pop hits -- and in 3-D, no less! While the Miley
Cyrus concert raked in a healthy dose of cash (over $60 million
domestic), the Jonases didn't quite match her efforts at the
box-office, taking in just shy of $20 million -- still perfectly
respectable for a concert film in this day and age.
Disney's Blu-Ray edition of the Jonas Brothers concert offers an
exclusive 3-D version of the feature with four pairs of glasses, along
with a 2-D version and four songs that weren't included in the
theatrical release; a standard DVD edition; and a digital copy for
portable media players. There are also two more, additional songs and
one behind-the-scenes featurette, plus a perfect AVC-encoded HD
transfer and DTS Master Audio sound.
One of the Jonases' guest stars, resident Disney teen actress/singer
Demi Lovato, co-stars in a brand-new Disney Channel movie PRINCESS
PROTECTION PROGRAM, which debuts on the Disney Channel on June 26th,
with a DVD release to follow on the 30th.
This wacky comedy offers Lovato and fellow Disney staple Selena Gomez
in a tale of a pampered princess (Lovato) who has to pass for a regular
teen with the help of her cousin (Gomez) that ought to delight its
intended teen audience, as it mixes up aspects of "The Princess
Diaries" with a bit of "The Parent Tap." Older viewers aren't likely to
be entertained as much as younger viewers, who won't notice the
similarities between this project and its superior predecessors.
Disney's DVD includes a 16:9 (1.78) transfer with 5.1 Dolby Digital
sound, an extended version of the movie itself, plus a music video with
Gomez and Lovato, a behind-the-scenes segment with the two stars, and a
look at a real-life princess whose royal responsibilities are just a
bit different those portrayed in the film. New From Acorn Media
Several new DVD releases comprise Acorn Media’s line-up for the month of June.
APOLLO 11: A NIGHT TO REMEMBER offers
a cavalcade of BBC archival footage following the first moon landing,
from the preflight breakfast in July of ‘69 to Apollo 11's
eventual splashdown in the Pacific. Priceless live footage is supplemented by amusing sequences of the BBC’s James Burke
providing an explanation of the mission's technology to laymen. A must for
history buffs as we approach the 40th Anniversary of the mission next
month, with Acorn’s DVD offering two full hours of content plus a
bonus 17-minute episode from “The Sky at Night” and
biography of astronomer Sir Patrick Moore, who covered the events with
veteran BBC reporters.
Anton Rodgers starred as fastidious Inspector Purbright in MURDER MOST ENGLISH: A FLAXBOROUGH CHRONICLE,
a seven-episode 1977 BBC series adapted from a series of novels by
Colin Watson. Acorn’s DVD box-set preserves the series’
complete run in 4:3 full-screen transfers culled from the best
surviving elements (its videotaped portions appearing quite dated, as
one might anticipate).
Meanwhile, the recent Canadian TV series MURDOCH MYSTERIES
also hits DVD this month from Acorn. This intriguing import, set in
Toronto during the 1890s and based on a series of novels by Maureen
Jennings, follows a detective who tries to adopt “modern”
techniques like finger marks and forensics to track down killers in
this amusing series which is scheduled to be broadcast on various PBS
stations beginning later this summer. Acorn’s DVD includes fine
16:9 widescreen transfers, stereo soundtracks and numerous extras,
including commentaries, interviews, cast and character bios, and a
photo gallery.
Last but not least from Acorn this month is the complete Series 1 of THE INVISIBLES,
a recent BBC series with Anthony Head (best known on these shores as
Giles from “Buffy the Vampire Slayer”), Warren Clarke and
Dean Lennox Kelly as a trio of thieves who opt to pick up where they
left off 20 years prior in this well-received, playful British import.
Acorn’s DVD includes all six episodes of "Series 1" in satisfying
16:9 transfers with stereo sound. Quick Takes
HE’S JUST NOT THAT INTO YOU DVD (**½, 129 mins., 2009, PG-13; New Line/Warner):
Watchable ensemble romantic comedy follows a group of
twenty-and-thirtysomethings, their relationships and interactions with
each other, in a decent date flick from director Ken Kwapis.
Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly,
Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long
topline this adaptation of Greg Behrendt and Liz Tuccilo’s book,
which was distilled into an episodic framework by screenwriters Abby
Kohn and Marc Silverstein. As such, some portions of the movie work
better than others (the phoney “woman on the street”
interviews quickly wear out their welcome), and yet the quality
production, from John Bailey’s widescreen cinematography to Cliff
Eidelman’s score, and the cast itself, shines enough that the
movie works for romantics and folks just searching for an alternative
from typical action fare.
Warner’s DVD includes both a 16:9 (2.35) widescreen transfer and
a full-screen version on the same disc, with extras including deleted
scenes with commentary from Kwapis.
UNE FEMME MARIEE [A MARRIED WOMAN] DVD (95 mins., 1964; Koch Lorber):
One of Jean-Luc Godard’s rarely-screened works arrives on DVD
this month from Koch Lorber. This 1964 film received international
raves upon its release in the mid ‘60s, especially at the Venice
Film Festival, which asked Godard for a new work -- which the filmmaker
shot, edited and brought to the festival in the span of one month! Koch
Lorber’s DVD is presented in its original full-screen aspect
ratio and mono sound, and in French with English subtitles.
WEEDS: Season 4 Blu-Ray (362 mins., 2008; Lionsgate):
The wacky tale of a suburban mom who deals pot and (this time) gets
involved with a Mexican drug cartel, “Weeds” gets a bit
more somber in its fourth season, though fans generally seemed to like
the changes. Lionsgate’s fourth-season Blu-Ray of this
Mary-Louise Parker series ups the ante from its standard DVD edition by
offering great-looking AVC encoded 1080p transfers and DTS Master Audio
soundtracks, plus copious extras including cast commentaries, a gag
reel, assorted featurettes and more.
REAPER: Season 2 DVD (585 mins., 2009; Lionsgate):
More shenanigans are in-store for Sam, Sock and the gang in this second
(and final) season of the critically lauded but only little-seen CW
series. Lionsgate’s DVD box-set of “Reaper”’s
sophomore year includes 16:9 (1.78) transfers, 5.1 Dolby Digital
soundtracks, a gag reel, deleted scenes, and a “look back”
at the making of the show.
DOUGH BOYS DVD (93 mins., 2009, Not Rated; Paramount):
Wood Harris, Sticky Fingaz, Reagan Gomez-Preston and Arlen Escarpeta
star in this urban thriller about four friends trying to make it in the
inner-city. This indie film from writer-producer Peston Whitmore
(“This Christmas”) is presented on DVD in a widescreen
transfer from Paramount with 2.0 Dolby Digital stereo sound.
WHITE SOX MEMORIES DVD (130 mins., 2009; Shout!): Chicago
fans of the American League ought to love this fine compilation from
MLB and Shout! Factory, following the White Sox from their origins
through their 2005 World Series. In addition to an entertaining
overview of the team’s exploits throughout the years, the DVD
also includes 9th inning footage of their various no-hitters,
post-season clinchers and other goodies highly recommended for all
White Sox fans. NEXT
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