6/28/05
Edition
Aisle Seat Summer
Mania!
Andy
Reviews HOSTAGE, CURSED, and More New DVDs
Plus:
THE ADVENTURERS Debuts on Disc
The Fourth of July is just days away, and while the American
box-office continues its slump, there have been plenty of new DVD
packages released in the last couple of weeks that can make staying at
home worthwhile (“War of the Worlds,” opening this
Wednesday, possibly
excepted).
First among them is HOSTAGE
(**½, 113 mins., 2005, R; Buena Vista; Aisle Seat DVD Pick
of the Week),
a sufficiently entertaining thriller starring Bruce Willis as a former
negotiator-turned-Police Chief whose experience comes into play when
the family of a wealthy but shady banker (Kevin Pollak) is held hostage
by a group of teenage delinquents.
This competent suspense-ride seems a bit abrupt -- particularly towards
the end -- but prior to the climax there’s more than enough
action in
“Hostage” to keep you glued to the screen. Willis,
who has shown a
tendency to sleepwalk through some of his more recent roles, gives a
superb, fully-rounded performance as Jeff Talley, a man still feeling
guilt over a tragic situation that forced him out of his previous job.
Displaying a wide spectrum of emotion, Willis anchors director Florent
Siri’s well-crafted movie, which benefits from a few exciting
action
sequences and a surprisingly good score by Alexandre Desplat. The
latter offers a fully orchestrated pallet of thematic material -- a
nice switch from the bland musical wallpaper we’ve been
getting too
often in a movie like this.
“Hostage” doesn’t completely work: Doug
Richardson’s screenplay
(adapted from Robert Crais’ novel) seems a bit disjointed,
particularly
in the final third. The movie builds up a decent head of steam as it
approaches the climax, only to have that energy sapped by a
poorly-conceived, tacked-on “secondary” ending that
seems to have been
considerably shortened in the editing room.
Still, for a hot summer night’s rental,
“Hostage” delivers a solid lead
performance by Willis and enough entertainment to make it a worthwhile
view.
Buena Vista’s DVD offers a razor-sharp 2.35 transfer with a
bass-heavy
5.1 Dolby Digital soundtrack. Extras include several deleted scenes and
a pair of extended scenes (Willis and Demi Moore’s daughter,
Rumer
Willis, actually speaks in the latter), plus commentary from director
Siri and a standard Making Of featurette.
Also worth a rental -- though only for Christina Ricci and horror
addicts -- is Dimension/Buena Vista’s CURSED
(**, 99 mins., 2005, Unrated),
the disastrous reunion of “Scream” writer Kevin
Williamson with director Wes Craven.
“Cursed” -- the released version at least -- stars
Ricci and Jesse
Eisenberg as siblings who run into all kinds of trouble when they crash
into a werewolf and, in turn, Shannon Elizabeth. Ricci, a publicist for
the Craig Kilborn show (yep, it was filmed that long ago), soon finds
herself cutting loose and wearing skimpier outfits, while her dog runs
away from her at every turn. Meanwhile, boyfriend Joshua Jackson is
about to open a club in downtown L.A., and she’s got one
last,
important assignment to complete before she totally turns into a wolf:
hooking up Scott Baio as a guest for her boss (I’m not
kidding).
Williamson and Craven’s attachment to
“Cursed” signals that this
Dimension Films production was at one point intended to be a
“franchise
maker” like “Scream.” Needless to say,
something went very wrong on the
way to the silver bullet assembly line -- so much, in fact, that the
studio reportedly deemed the first cut of “Cursed”
to be an outright
disaster.
Subsequently, whole sections of the film were re-shot in 2004
(Williamson likewise re-wrote his script), with several stars dropped
from the movie altogether. Originally, Skeet Ulrich played
Ricci’s love
interest, Mandy Moore essayed one of Ricci’s pals, and Omar
Epps had a
central supporting role.
None of them are anywhere to be found in the
“Cursed” that was released
as a watered-down genre offering last winter, though for the departed
cast members that’s not necessarily a bad thing. This is a
slight,
goofy but derivative film that offers a climax ripped right out of
“Scream” and only a few scattered moments of modest
amusement.
Apparently more concerned with incorporating in-jokes than providing a
compelling story line, Williamson’s script offers Baio and
Kilborn
playing themselves (Corey Feldman, Lance Bass and Freddie Prinze,
Jr.’s
cameos were apparently excised from the first version), and Ricci
fighting an uphill battle in yet another disappointing project for the
talented actress.
Most unfortunate of all, however, are the shockingly pedestrian
werewolf and make-up effects -- an issue that allegedly lead to the
movie necessitating its litany of alterations in the first place.
Credited to Rick Baker and Greg Nicotero, these silly-looking
werewolves seem a galaxy removed from Baker’s groundbreaking
work on
“An American Werewolf in London,” while poor CGI
shots sub for the
monsters in several sequences.
Ultimately, “Cursed” is watchable but rarely
inspired -- a regulation
genre offering from Dimension that could have easily bypassed theaters
entirely had it not been for its cast and crew. Both Craven and
Williamson are capable of better, as is the cast, which tries hard in
spite of the picture’s numerous shortcomings.
Dimension’s DVD offers the requisite supplemental
featurettes, but only
a selected-scene commentary from Nicotero and actor Derek Mears. Given
the picture’s problems, this was a great opportunity for
Dimension to
release the original version of “Cursed” alongside
its theatrical
release. At the very least they could have provided footage of the
first cut, or a commentary by Craven on what was changed, but
there’s
nothing here aside from the usual, fluffy DVD filler.
“Cursed” indeed!
Just as strange is Kevin Spacey’s downright bizarre bio-pic
of crooner Bobby Darin,
BEYOND THE SEA (**, 118 mins., 2004, PG-13; Lions Gate),
which not only stars Spacey as Darin but also sports the actor
directing, co-writing, co-producing, and singing every note of this
unusual (to put it mildly) viewing experience.
Unusual since the 46-year-old Spacey looks positively out of his
element as the young, charismatic Darin, who we meet as a young boy and
follow through to his untimely passing at the age of 36 (at which point
Spacey looks like he’s 60). Along the way, he works with his
entourage
of managers and family members (John Goodman, Bob Hoskins, Caroline
Aaron), romances starlet Sandra Dee (Kate Bosworth), runs afoul of
record execs who want him to embrace rock ‘n roll, and
gradually sees
his star status burn out as the counter-culture era dawns in the
‘60s.
“Beyond the Sea” is odd enough in its screenplay
construction alone,
never mind the auteur’s performance (or the drab, German
filming
locales). Spacey and co-writer Lewis Colick have crafted an
old-fashioned, almost simplistic framework where (apparently) Darin has
died and looks back on his work while making a biographical movie for
the benefit of us, the viewing audience. The dialogue is so pedestrian
that it could have been written by a middle schooler, while Spacey and
the cast break completely into song in several sequences that
completely put a surreal spin on the material. The latter aspect might
have worked had “Beyond the Sea” been conceived as
a full-blown
musical, but such moments are contrasted by poor dramatic passages that
simply feel “off.”
Spacey obviously poured his heart and soul into the movie
(necessitating financing from no less than seven credited production
houses), but at no point does he feel convincing as Darin. The fact
that he looks more like Kate Bosworth’s father than her lover
is,
needless to say, a major obstacle, and that age issue proves to be the
final undoing of “Beyond the Sea.” More over, could
it have killed
Spacey’s ego to include so much as ONE original Darin
recording, even
over the end credits?
Lions Gate’s DVD is light on special features, offering a
commentary by
Spacey and a standard, brief “Making Of”
featurette. The 2.35 transfer
is solid, as is the 5.1 Dolby Digital sound.
More satisfying, though also less ambitious, is COACH
CARTER (**, 136 mins., 2005, PG-13; Paramount),
starring Samuel L. Jackson as Richmond, California high school
basketball coach Ken Carter.
Faced with turning around a struggling inner-city program where its
players force more obstacles off the court then they do on it, Carter
implements a tough, no-nonsense policy where his players are also
students who must perform in the classroom. Naturally, this initially
doesn’t sit well with his new players, their parents, or
school
administrators, who turn the other cheek at the kids failing out
because basketball -- in their minds -- is their only outlet to
success.
Well-meaning and strongly performed by Jackson, “Coach
Carter”
nevertheless offers no surprises. The team’s turnaround on
the court is
standard-issue sports movie formula all the way, while director Thomas
Carter and writers Mark Schwahn and John Gatins pad the
movie’s running
time out to an unmanageable 136 minutes. Music star Ashanti has an
unnecessarily large supporting role as the pregnant girlfriend of one
of Jackson’s players -- a subplot that could have easily been
excised
from the movie without much consequence to its central themes. At the
same time, other plot threads like Carter’s son switching
schools to
play for his dad are raised but then dropped almost entirely.
“Coach Carter” isn’t a bad film by any
stretch, and offers valuable
life lessons to go along with Jackson’s top-notch work.
It’s just
unfortunate that the movie’s excessive length and uninspired
script
turn Carter’s remarkable life story into a bland, forgettable
genre
piece.
Paramount’s DVD looks great in 2.35 widescreen and sounds
equally fine
in 5.1 Dolby Digital. Supplements include six deleted scenes and a pair
of featurettes that do a fine job examining the real-life Coach Carter,
his players and their return to the actual Richmond High. A music video
by Faith Evans rounds out the package.
Last but not least there’s BE
COOL (**½, 120 mins., PG-13; MGM),
the modestly entertaining, if not unfocused, sequel to Elmore
Leonard’s “Get Shorty.”
Reprising his role of Chili Palmer from nearly a decade ago, John
Travolta comfortably fits back into the saddle as the likeable tough
mob guy with a taste for Hollywood. This time Chili infiltrates the
music industry and courts Uma Thurman (a widow of a recently bumped-off
executive) as the two guide the career path of talented young diva
Chrstina Milian. Also competing for her affections are Vince Vaughn
(hilarious as a would-be gangsta record manager) and a gaggle of
crazies, including Vaughn’s boss Harvey Keitel and Cedric The
Entertainer as a scholarly executive.
Peter Steinfeld adapted Leonard’s novel while F. Gary Gray
filled in
for Barry Sonnenfeld in this light, bubbly comic confection. The cast
has a great time and the scattered laughs are more than enough to
recommend “Be Cool” as a satisfying summer DVD --
despite the overall
thinness of the material. Obviously this sequel isn’t as
smart or
satisfying as “Get Shorty,” but taken on its own
terms it’s an
enjoyable enough lark -- particularly in lieu of The Rock’s
hilarious
supporting turn as one of Vaughn’s bodyguards.
MGM’s DVD offers an amusing Making Of documentary, deleted
scenes, gag
reel, and five additional featurettes examining the film’s
supporting
cast. The 2.35 transfer is excellent and the 5.1 Dolby Digital sound
bouncy and vibrant.
New TV
on DVD
It’s hard to tell if Kirstie Alley’s embracement of
her noticeable
weight gain is a genuine celebration of girth or rather just a wacky
way of drumming up publicity for her previously-stalled career.
Alley teamed up with -- of all people -- “7th
Heaven” creator-producer Brenda Hampton for FAT
ACTRESS (2005, 230 mins., Ventura),
a seven-episode Showtime cable comedy that basically serves up a
mockumentary of Alley’s existence.
Playing “herself” -- a semi washed-up actress who
has gained so much
weight she’s become a tabloid staple -- Alley seeks to get
back into
the game by using her agent (MadTV favorite Michael McDonald), make-up
girl (Rachael Harris) and publicist (Bryan Callen) to help her overcome
Hollywood’s preoccupation with anorexic supermodels and find
work
despite her added size.
Stars from John Travolta and Kelly Preston to “King of
Queens” star
Leah Remini (who has likewise put on some pounds after delivering her
first child) and even “Blossom” herself, Mayim
Bialik, pop up from time
to time in this watchable though, sadly, inconsistent series. Alley
utilizes her comedic skills to good effect, but the material basically
consists of size-related one-liners that ultimately reinforce the same
old stereotypes about weight instead of offering a fresh new
perspective. What’s more, like so many cable comedies, the
profanity
and adult-oriented situations seem inappropriate and employed merely to
spice up the thinness of the various plots.
Despite Alley’s willingness to try and do anything to get a
laugh here,
“Fat Actress” is a repetitious show with only
intermittent laughs, best
left to fans of the actress, who deserves better than the material
she’s saddled with here.
Ventura’s two-disc DVD set includes all seven episodes of
“Fat Actress”
in superb 1.85 (16:9 enhanced) transfers. The 5.1 and 2.0 Dolby Digital
tracks arefine, and extras include amusing commentaries by Alley and
her co-stars (including Callen and Harris), one Behind the Scenes
featurette and cast biographies.
Capsule
Recap
THE
ADVENTURERS (**, 177 mins., PG, 1970; Paramount; available July 12):
It takes about five seconds for the viewer to figure out why this 1970
turkey has forever been regarded as an all-time Bad Movie Classic. A
young South American boy sees his beloved dog gunned down in
slow-motion and then watches as a revolution spreads through his
homeland, taking his family down with them. Years later, young
“Dax”
(Bekim Fehmiu, better known for his role in “Black
Sunday”) becomes a
playboy, hooks up with Candice Bergen, and forever desires to return
home for REVENGE!! Lewis Gilbert directed and co-wrote this Joseph E.
Levine production, an adaptation of a Harold Robbins book with a crazy,
all-star cast, most of whom look utterly lost: you’ve got
Ernest
Borgnine hamming it up, Leigh Taylor-Young, singer Anna Moffo, Olivia
de Havilland and Rossano Brazzi muttering the picture’s limp
dialogue
and absurd, soap opera theatrics. The cherry on top is Antonio Carlos
Jobim’s excessive, awful score -- reasons all why
“The Adventurers” is
a camp favorite. Paramount’s DVD looks terrific in 2.35
widescreen and
even sports a rock-solid 5.1 Dolby Digital soundtrack. Bad movie buffs
can expect a treasure trove of laughs when “The
Adventurers” hits DVD
on July 12th.
LOCH
NESS (**½, 101 mins., PG, 1996; MGM):
Pleasant family film about an American doctor (Ted Danson) who heads to
Scotland to prove the existence of Nessie. Trevor Jones’
lovely score
is a major asset, but MGM’s DVD of this 1996 Polygram picture
(unreleased in the U.S.) is sadly in cropped pan-and-scan format,
greatly impacting the picture’s Panavision cineamtography. A
disappointment.
THE
WOODLANDERS (**½, 95 mins., PG, 1997; Buena Vista/Miramax):
British filming of the Thomas Hardy novel finally gets a video release
this week. Emily Woof plays a young woman who leaves her country life
behind for school. When she returns, she has to pick between a stuffy
doctor (Tony Haygarth) and the simple, rural
“woodsman” (Rufus Sewell)
she left behind. Well-acted but plain period piece is seldom more
satisfying than your typical A&E/British TV movie, though
“The
Woodlanders” does sport a pleasantly atmospheric score by
George Fenton
and a supporting role for Jodhi May. The 2.35 transfer looks decent
(the film obviously wasn’t shot on a big budget) and the 2.0
Dolby
Surround sound is satisfying.
THE
EVEN STEVENS MOVIE (94 mins., G, Disney): The
popular Disney Channel series expands to feature length with a plot
that satirizes “Survivor” and other TV reality
shows. Suitable for
viewers of all ages, Disney’s DVD also features a selected
scenes audio
commentary from stars Christy Carlson Romano and Shia LeBeouf, a
DVD-ROM “party planner” and interactive set-top
“challenge.”
CADET KELLY (100
mins., G, Disney): It’s
been a rough go for Hilary Duff. Her new movie “The Perfect
Man” has
basically been a perfect flop, though fans of the tween-superstar
should enjoy this Disney Channel cable-film -- a junior grade
“Private
Benjamin” with Duff joining her stepfather’s
military academy and
running into tough gal Christy Carlson Romano (see above). Colorful,
juvenile comedy with a behind-the-scenes featurette, selected scenes
commentary, and a DVD-ROM “party planner.”
NEXT TIME: Steven Spielberg's WAR OF THE WORLDS (a review will be
posted prior to the weekend). Don't
forget
to drop in
on the official Aisle Seat Message
Boards, direct
any emails to the
link
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we'll catch you
then. Cheers!
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