Summer Arrival Edition LORD
OF
THE
RINGS
Extended on Blu-Ray Plus: New Twilight Time;
Criterions; THE EAGLE and More!
A year after issuing the
theatrical editions of Peter Jackson’s “Lord of the Rings” trilogy in
high-def, New Line and Warner Home Video are back for the superior
Blu-Ray package of THE LORD OF THE
RINGS: EXTENDED EDITION. The 15-disc set – out this week –
sports “The Fellowship of the Ring,” “The Two Towers” and “Return of
the King,” all in their extended versions, presented in new AVC encoded
1080p transfers and 6.1 DTS Master Audio soundtracks. THE FELLOWSHIP
OF THE RING (***, 228 mins., 2001, PG-13; New Line) launched the
series in 2001, meeting with positive acclaim and solid commercial
box-office. After watching the first three hours of Jackson's
series, I initially wrote at the time that I had some mixed feelings –
though overall, I felt that I had seen one of the few films that had
succeeded in establishing its own visually realized universe and an
epic quest that lures you in the way that great fantasy can.
As a standalone film, “Fellowship” is the kind of film that most genre
fans loved, though even watching it a fourth time through on Blu-Ray,
it's curious how repetitive the action is: the characters run into a
monster or new supporting character, walk to another location, run into
a monster or new supporting character, run to another venue, all the
while staying ahead of the bad guys.
That's not to say that I wasn't entertained by the movie or enthralled
by parts of it, because what I found most satisfying about “Fellowship”
– and the series as a whole, ultimately – was the look of Jackson's
film and the fact that he captured the essence of an epic adventure
on-screen without getting sidetracked by the many supporting characters
and subplots. When the characters travel through the mine of the
dwarves, are pursued by a fire-spewing demon, and jump across a
crumbling bridge, you truly feel as if you're in the middle of a great
fantasy adventure, where each turn could lead down a different path to
doom or discovery.
I also concluded my original review of “Fellowship” by writing: “Is
this the next ‘Star Wars’? I think the jury is still out, but Jackson
at least laid the foundation here to craft one of the fantasy genre's
few epic cinematic works. Whether the remaining installments hit the
dramatic heights that this one doesn't quite reach, or if it's all just
a great-looking tease made unique only through its connection with the
classic text, at least it seems apparent that it's going to be a
journey worth taking.” A journey, indeed, that would be followed by
superior sequels, released in 2002 and 2003.
From a technical angle, “Fellowship” was the weakest of the LOTR films
visually on the theatrical Blu-Ray editions released a year ago. That
much-criticized transfer appeared “flat” and lacked the kind of
high-def detail you’d anticipate from an HD master, while other scenes
did offer an appreciable upgrade on the DVD. The good news here is that
the Extended Edition offers a superior HD image that’s an appreciable
improvement over the prior package, although some fans have noted a
greenish tint to the movie that it never had before (reportedly an
intentional decision on the part of Jackson and DP Andrew Lesnie). The
DTS Master Audio track, meanwhile, is robust at every turn, offering a
sublime mix of ambient sound, effects and Howard Shore’s score.
The movies are all split between two Blu-Ray platters while the extras
are contained on standard definition DVDs (three per-film). Anyone who
owned New Line’s prior, beautiful Extended Edition DVD sets will
instantly recognize the “Appendices” – the treasure trove of Making Of
materials – from lengthy documentaries diving into literally every
element of the series’ production, to Costa Bores’ raw-footage look at
the creation of Jackson’s vision.
THE TWO TOWERS (***,
235 mins., 2002, PG-13, New Line) continues Tolkien’s story and,
overall, comes across as a superior fantasy adventure than its
predecessor.
This sequel picks up right from the end of “Fellowship” and is
comprised of big action scenes, sprawling battles, and fascinating new
creatures. Gollum is a tremendously articulated CGI character, and Andy
Serkis' "performance" gives this second part of Peter Jackson's trilogy
a boost of energy in all the scenes he appears. There are some amazing
moments here, marked by the climactic tussle at Helm's Deep that will
surely draw repeat viewing from action and FX enthusiasts for years to
come. While I’ve never understood how Liv Tyler nabbed herself third
billing on the credits (generating about a half-hour of total screen
time between Parts 1 and 2 combined), the movie manages to deliver the
goods most of the way.
In spite of some questionable narrative decisions and battle scenes
that linger on a bit too long, “The Two Towers” is certainly an
exciting piece of escapist fare and there's much to savor in the
picture, with New Line’s Extended Blu-Ray again offering a superior HD
presentation of the movie than the previous Blu-Ray. With less
edge-enhancement/DNR than the theatrical release BD, the Extended
Blu-Ray is an enhancement on its predecessor, and no issues are present
in a brilliantly engineered DTS MA track which delivers sonic energy
from start to finish.
Jackson concluded the series with his massive, overlong and
Oscar-winning finale, RETURN OF THE KING
(***, 263 mins., 2003, PG-13), which nicely wraps up the epic
trilogy.
This particular installment, arguably the most satisfying of the three
films, features some brilliant moments -- a marvelous climactic battle
that surpasses anything in "The Two Towers," a chillingly effective
confrontation with a giant spider, and a moving ending that sweetly
concludes the adventure -- along with some of the same issues that have
plagued each of Jackson's films. Like its predecessors, the first hour
of "Return of the King" takes forever to get going, and along the way
there are a few too many "operatic" slow-motion shots that build to an
endless series of false crescendos. Jackson easily could have trimmed
the movie by a good half-hour, and despite one unintentionally
hilarious moment (when one character ends up on fire and runs off the
edge of a castle), there's no denying the overall artistry involved in
the production and its compelling central story. I also felt that
Howard Shore's score was more balanced and introspective here than his
work on "The Two Towers," with new themes nicely complimenting an
adventure that didn't quite enthrall me as much as it did for other
fans, yet remains an admirable stab at epic fantasy filmmaking few have
attempted before.
Visually “Return of the King” is similar in appearance to the other
Extended LOTR Blu-Rays, though if you had to rank all three, it would
probably be at the top of the list overall, with the 6.1 DTS Master
Audio sound once again outstanding.
All of the movies are housed in three separate black BD cases inside a
larger, gold-tinted box, along with digital copies of the extended
versions.
Overall this is a must-have for LOTR fans, with my only quibble being
that the special features could’ve been offered on Blu-Ray discs
instead of DVDs – even if all the materials were shot in standard-def,
putting the extras on BD discs could still have cut down on the amount
of discs contained in this 15-disc set. Otherwise, in terms of its
technical attributes, Warner has done every bit the exceptional job as
you’d hope here. For more information on this release (additional
specs, etc.) visit the official site at lordoftherings.net Also New on Blu-Ray
THE WARRIOR’S
WAY Blu-Ray/Digital Copy (**½, 102 mins., 2011, R; Fox):
Yet another mostly-CGI’d action fantasy failed to find an audience last
December, when Relativity tried to launch “The Warrior’s Way” as
holiday counter-programming. It didn’t work (returning just $5 million
on a $45 mil budget), but this offbeat, colorful and intermittently
disarming “ninja western” has enough things going for it to warrant a
look for action fans on Blu-Ray.
Jang Dong Gun plays a ninja who wipes out his opponent and his entire
clan save for a little baby girl whom he adopts. Trying to stay one
step ahead of his former Master Ninja and his army of subjects, Gun
heads to the U.S. and an Old West filled with carnival freaks,
gunfighters and a sadistic villain (Danny Huston) preying upon the
residents of a small town. The latter include spunky Kate Bosworth and
a scenery-chewing Geoffrey Rush, both of whom were cast for would-be
commercial appeal in this New Zealand-lensed, mostly Indian-financed
production from Korean director Sngmoo Lee.
Unlike “300,” “Sin City” and other gritty, “green screened” works of
recent years, “The Warrior’s Way” eschews grime for primary colors that
dominate a pleasing visual pallet, while the outlandishly choreographed
action scenes are fun...at least for a while. The story is a throwaway
designed to provide a framework for the mayhem, and none of it
registers dramatically, yet there’s an engaging playfulness to the film
that makes it satisfying to a modest degree, while the oddball turns by
Bosworth and Rush add some additional amusement.
Fox’s Blu-Ray of “The Warrior’s Way” offers a really nice 1080p
transfer with DTS MA audio, the latter sporting a surprisingly good
Javier Navarrete score. Extras are quite slim, comprised of a
two-minute promo reel and some 12 minutes of deleted scenes, most of
which are provided with unfinished animation (the film crew is plainly
evident in several of them). A digital copy is also included.
SEASON OF THE
WITCH Blu-Ray/Digital Copy (**, 95 mins., 2011, PG-13; Fox): Watchable
but ultimately ho-hum medieval thriller stars Nicolas Cage and Ron
Perlman fighting in the Crusades when they decide to stop killing for
God and engage in a new mission: escorting an accused witch to a
monastery, questioning along the way whether the girl (Claire Foy) is a
danger or not.
Dominic Sena helmed what appears on the surface to be yet another
check-cashing venture for Cage, though to be fair the movie is fairly
well-produced and atmospheric, especially for a B-grade fantasy like
this one. The problem is the story by Bragi Schut, which fumbles its
chances to develop supporting players and offers loads of
straight-faced, ridiculous dialogue that sounds like it wouldn’t have
been out of place in a film from the 1950s.
Fox’s Blu-Ray boasts an AVC encoded 1080p transfer that’s fine although
the film is so dark it’s tough to make out details. The DTS MA
soundtrack is effective, while extras include an alternate ending, some
deleted scenes, two featurettes, and a digital copy for portable media
players.
ROBOT CHICKEN:
STAR WARS EPISODE III Blu-Ray (44 mins., 2011; Warner): Seth
Green’s latest homage to, and spoofing of, the Star Wars saga offers
Darth Vader falling into a toilet; Boba Fett hawking a T-shirt cannon;
Palpatine riding a Death Star escalator; and other colorful gags
derived from all corners of the Lucasfilm universe. Star Wars fans
ought to find plenty of yucks in this 44-minute, third “Robot Chicken”
special episode from Green and his Adult Swim team, with Warner’s
Blu-Ray boasting a 1080p transfer, Dolby TrueHD soundtrack, and plenty
of extras, from an appearance by George Lucas to deleted scenes,
commentaries, featurettes and more.
DINOCROC VS.
SUPERGATOR Blu-Ray (87 mins., 2010; Anchor Bay): One of Roger
Corman’s latest Syfy Channel affairs is definitely one of the better
monster-fests of its type, with genetically-engineered crocodiles and
gators facing off against one another in an over-the-top production
from director Jay Andrews (none other than Jim Wynorski). Engagingly
“colorful” dialogue and creature effects make for one of the more
appealing Syfy Channel movies I’ve seen of late, and Anchor bay’s BD
boasts a good-looking 1080p transfer with Dolby TrueHD audio and extras
including an enjoyable commentary from Corman and Wynorski and the
trailer.
MIRAL Blu-Ray
(106 mins., 2011, PG-13; Anchor Bay): Freida Pinto gives a
superb performance in Julian Schnabel’s film about a Palestinian girl
who, during the Israeli-Arab conflict, finds herself in an orphanage
that encourages peace through education and empowerment. Hiam Abbass is
also excellent as Hind Husseini, the woman who helps Miral navigate
through a difficult upbringing in this well-textured drama. Anchor
Bay’s Blu-Ray includes deleted scenes, commentary, a filmmaker Q&A,
a Making Of and other extras, plus a 1080p transfer and DTS MA audio. New on DVD
Twilight Time’s newest DVD release kicks things off this week on the
limited-edition front, and what better way to fill your home theater
than with the sweeping Cinemascope vistas of the Susan Hayward
melodrama WOMAN
OBSESSED
(102
mins.,
1959).
Playing a role a bit off the beaten path for the legendary Hollywood
starlet, Hayward here essays a mother living in the gorgeous yet
dangerous wilds of Saskatchewan. After her husband dies in a forest
fire, Hayward struggles to make ends meet in spite of the best efforts
from her young son (Dennis Holmes)...that is, until strong, yet
strangely quiet, Stephen Boyd steps in to save the farm, falls for the
lonely widow and act as a surrogate father to Hayward’s son, even if
his haunted past ends up impacting his relationship with them.
Sydney Boehm’s script (based on a John Mantley novel) sets its
characters’ struggles against a wilderness backdrop that parallels
their tumultuous relationship. Hayward gives a good performance here
but it’s Boyd who really shines as the tough “rustic” with a secret
while Theodore Bikel is also terrific as an understanding country
doctor. All of it is capped by excellent William C. Mellor/Leon Shamroy
cinematography and a fine dramatic score by Hugo Friedhofer, both
presented brilliantly here on DVD in a 16:9 (2.35) widescreen transfer
with a robust 2.0 stereophonic soundtrack. Extras include the original
trailer, an isolated stereo score track of Friedhofer’s music, and
notes from Julie Kirgo that deftly analyze Twilight Time’s latest
discovery from the Fox vaults.
New in the MGM/Fox line of manufactured-on-demand DVD-Rs this month are:
THE FOURTH WAR
is an interesting, if flawed, 1990 John Frankenheimer thriller about an
American colonel (Roy Scheider) and his dueling Russian counterpart
(Jurgen Prochnow) facing off against one another on the
German-Czechoslovakia border. Bill Conti scored this little-seen Cold
War tale, which MGM has dusted off in a slightly-above average 16:9
transfer.
George Peppard, meanwhile, saddled up for the agreeable 1970
historical-western CANNON FOR CORDOBA
(104 mins.), which is highlighted by a solid Elmer Bernstein
score and wide Panavision cinematography. Both come across fairly well
in MGM’s DVD-R edition, which includes a satisfying 16:9 transfer
(2.35). A decidedly different sagebrush saga is on-hand in ANOTHER
MAN,
ANOTHER
CHANCE
(132 mins.)with James Caan and
Genevieve Bujold finding love for the second time in Claude Lelouch’s
offbeat 1977 film, here presented in 16:9 and mono sound (in French
with English subtitles).
Finally there’s CALL
ME
BWANA
(93
mins., 1963), the unlikely pairing of Bob Hope with
James Bond producers Harry Saltzman and Albert R. Broccoli, which finds
Bob wrapped up with Anita Ekberg, spies, and assorted African jungle
animals! The 16:9 transfer looks its age here but this early ‘60s
comedy isn’t bad, especially considering the other films Hope was
turning out at the time. New From Criterion
A highly eclectic trio of new films joins the Criterion Collection this
month.
Louis Malle’s 1975 picture BLACK MOON (100
mins.) is flat out one of the strangest movies I’ve ever seen:
an almost-indescribable “head trip” involving a young girl (Cathryn
Harrison) who flees from an undefined war and ends up in a scenic
countryside where she meets a farming family and sees visions that are
at times horrifying and repellent.
“Black Moon” is one of those movies that could only have been made in
the 1970s, and while it’s well shot by Sven Nykvist, it’s a very
peculiar and ultimately off-putting film marked by surreal imagery.
Even some Malle devotees may have a hard time making their way through
this picture, which Criterion brings to Blu-Ray next week in one of
their customary outstanding high-def packages: a newly restored HD
transfer highlights the release along with an archival interview with
Malle, an alternate French dubbed soundtrack, the trailer, a photo
gallery, and an essay from scholar Ginette Vicendeau.
More traditional (and satisfying) Malle is evident in ZAZIE DANS LE METRO
(92 mins.), a madcap comedy based on an “unadaptable” novel by
Raymond Queneau that follows a 10-year-old (Catherine Demongeot) who
heads to Paris for a weekend with her uncle (the great Philippe Noiret)
and ends up generating much chaos in the process. A “New Wave” offering
from Malle packed with jokes, sight gags, and somewhat frenetic pacing
and camera work, this 1960 picture is at-times overly bombastic but
certainly is filled with visual flair and heart. Criterion’s Blu-Ray
includes interviews with Malle, Queneau, Demongeot, and screenwriter
Jean-Paul Rappeneau; an audio interview with artistic consultant
William Klein; a 2005 video piece on assistant director Philippe
Collin; the trailer; and a restored HD transfer in French with English
subtitles.
THE MUSIC ROOM
(99 mins., 1958) was one of the defining films of Satyajit Ray,
the acclaimed Bengali director, who spun this 1958 tale of a wealthy
man (Chhabi Biswas) who sits alone in his crumbling estate’s music
room, wanting to throw one last, lavish concert after a lifetime of
seeing his decadence – and his family – fade away. Criterion’s Blu-Ray
edition boasts a newly remastered HD transfer in 1.33 B&W, while
extras include a 1984 documentary on Ray; new interviews with Mira Nair
and Ray biographer Andrew Robinson; an extract from a 1987 French
roundtable discussion with Ray, critic Michel Ciment and director
Claude Sautet; plus extensive booklet notes and newly translated
English subtitles.
Finally there’s PEOPLE
ON
SUNDAY
(73
mins., 1930), a fascinating German silent film
collaboration between young filmmakers who would go on to greater
success – Billy Wilder, Fred Zinnemann, Robert Siodmak, and Edgar
G. Ulmer, who worked on this intrigiuing tale of Berliners heading to
the country side to deal with assorted personal issues. This pre-WWII
era film is fascinating for its portrait of the era and various
filmmaking techniques, and Criterion’s Blu-Ray celebrates the film with
a striking new digital restoration of the movie, presented in
collaboration with the EYE Film Institute of the Netherlands. Two
different scores are included (a traditional silent-era score by Mont
Alto Orchestra as well as a modern one by Elena Kats-Chernin, performed
by the Czech Film Orchestra); a 2000 documentary on the film’s
production; a 1931 short, “Ins Blaue Hinein,” from the film’s
cinematographer, Eugen Schufftan; new subtitles; and extensive booklet
notes. Also on Blu-Ray
THE EAGLE
Blu-Ray/Digital Copy (***, 114 mins., 2011, PG-13; Universal):
Surprisingly good sword-and-sandal adventure adapted from a Rosemary
Sutcliff book by screenwriter Jeremy Brock and director Kevin MacDonald
isn’t -- thankfully -- just another “Gladiator” rehash.
Although he sounds completely miscast, Channing Tatum is perfectly
acceptable here as a decorated Roman soldier in 2nd century Britain
trying to retrieve a lost Eagle medal that went missing – along with
his father and an entire legion of Roman soldiers – nearly 20 years
before. After having recovered from injuries sustained in a bloody
battle, Tatum sets out with his slave Esca (Jamie Bell) to find the
Eagle and discover what happened to the lost 9th legion of Rome in the
wilds of Northern England.
For a movie that received mixed reviews and flew under the radar last
spring, “The Eagle” is a pleasant surprise. Anthony Dod Mantle’s
terrific cinematography superbly conveys its surroundings and director
MacDonald is content to let the film breathe at times, eschewing an
excessive use of shaky-cam action scenes. The relationship between
Tatum and Bell is given time to develop, and even though the second
half of the film isn’t nearly as entertaining as its early stages, I
was still caught up in the picture and found it, ultimately, quite
satisfying. Even Alti Orvarsson’s score isn’t at all bad.
Universal’s Blu-Ray edition of “The Eagle” looks and sounds great (AVC
encoded 1080p transfer, 5.1 DTS Master Audio sound). Extras include an
alternate ending (inferior to the finished film), deleted scenes, a
featurette, commentary from the director, plus BD Live capabilities and
a digital copy for portable media players.
SANCTUM 3-D
Blu-Ray Combo Pack (**, 109 mins., 2011, R; Universal): Critics
hated this 3-D adventure co-produced by James Cameron, which was doomed
to fail after “Avatar” made all that money at the box-office in 2009.
Audiences, meanwhile, likewise seemed indifferent to “Sanctum” as well,
likely expecting far more with Cameron’s name attached than this
modestly-budgeted Australian thriller delivered.
In actuality, “Sanctum” isn’t all that
terrible: in spite of a less-than-convincing script and uneven
performances, the movie provides effective use of 3-D and offers a few
thrills as it follows an expert cave explorer (Richard Roxborough), his
disgruntled son (Rhys Wakefield) and their team as they navigate their
way through an elaborate system of underground caves in Papa New
Guinea. Once the caves begin to flood, the group finds themselves
rushing against the clock to find a way out, leading to a series of
tense underwater sequences.
An independent Aussie film that Universal purchased for the U.S.
market, “Sanctum” fails completely when it comes to characterizations,
with laughable dialogue being served up in the John Garvin-Andrew
Wright script. Some of the supporting cast (including the usually
reliable Ioan Gruffudd) flounder with overwrought performances and
uncertain American accents as well. Still, for 3-D enthusiasts
“Sanctum” offers enough thrills under the water, and David
Hirschfelder’s fine score gives the picture a much-needed touch of
class.
Universal’s 3-D Blu-Ray nicely reproduces the movie’s three-dimensional
effects, though in 2-D, the film’s digital-video cinematography does
not translate all that well to the small screen (the movie frequently
looks soft and a bit unfocused). The DTS Master Audio is superbly
rendered, while extras include deleted scenes, commentary from the
filmmakers, featurettes, and a digital copy for portable media players.
UNKNOWN Blu-Ray/DVD/Digital Copy (**, 114 mins., 2011,
PG-13; Warner): Tolerable, by-the-numbers thriller attempts to
put Liam Neeson back in ‘action mode’ after his breakout success in the
Luc Besson-produced hit “Taken.”
Neeson essays Dr. Martin Harris, an American professor traveling to a
conference in Berlin with his wife (January Jones). No sooner do the
couple check into their hotel does Neeson realize he left his briefcase
back at the airport; after hailing a taxi, both he and the cab driver
(Diane Kruger) end up in a near-fatal accident that puts Neeson into a
coma. Upon awakening, Neeson only recalls fragments of what transpired
in the days before the event, and what’s more, his wife doesn’t
recognize him – and he has seemingly been replaced by another “Martin
Harris”! (Aidan Quinn)
“Unknown,” for a good amount of its running time, comes across as a
pedestrian retread of Roman Polanski’s “Frantic,” which starred
Harrison Ford as an American doctor in Paris whose wife goes missing
and who spends most of the film searching for her with the help of a
local woman (here, Neeson plays an American doctor in Berlin trying to
figure out why his wife doesn’t recognize him with the help of a local
woman). The twists and turns in Oliver Butcher and Stephen Cornwall’s
script (adapted from a novel by Didier Van Cauwelaert) don’t come
nearly fast enough to off-set a languid pace established by director
Jaume Collet-Serra, with Neeson gritting his teeth in an “intense”
performance that ultimately ends up going where season viewers will
expect (only during the film’s climactic moments does the picture seem
to show any signs of life). It all makes for standard-issue thriller
fare, decent enough for a one night rental but quickly forgotten
thereafter.
Warner’s Blu-Ray combo pack offers a nice 1080p transfer with 5.1 DTS
Master Audio sound, sporting a tired, routine score by John Ottman and
Alexander Rudd. Very slim extras are limited to a couple of
featurettes, while a digital copy and DVD edition combo disc are also
bundled within. For more details on this release, visit the official
site online here.
CEDAR RAPIDS
Blu-Ray (**½, 87 mins., 2010, R; Fox): Ed Helms from “The
Office” executive-produced this minor yet affable comedy that feels
like an extended episode of the NBC series with a few raunchy jokes.
Playing a man-child insurance agent who’s never left the confines of
the Midwest and who thinks attending a convention in Cedar Rapids (“the
big city”) is like traveling to Vegas, Helms finds himself in over his
head as he tries to nab the coveted “two diamond” award for his agency
– while having a fling with Anne Heche and partying along with wild man
John C. Reilly.
Directed by Miguel Arteta (another “Office” alum), “Cedar Rapids” is
lightweight fare that’s worth a view if you’re a fan of any of the
stars. Helms’ performance is pretty close to Andy Bernard territory,
but he plays off Reilly well; there are also nice character bits for
Kurtwood Smith, Stephen Root and Sigourney Weaver as Helms’ older lady
friend, who doesn’t deem their relationship nearly as important as
Helms does. At under 90 minutes, Phil Johnston’s script never overstays
its welcome and while the picture never yields the big laughs you might
expect it to, “Cedar Rapids” is a pleasant enough little time-killer.
Fox’s Blu-Ray/digital copy combo pack includes deleted scenes, a gag
reel, a slew of featurettes, an AVC encoded 1080p transfer and 5.1 DTS
MA audio.
DIARY OF A
WIMPY KID: RODRICK RULES Blu-Ray/DVD/Digital Copy (**½, 99
mins., PG; Fox): The best-selling kids’ book series by Jeff
KInney, which first hit theater screens a year ago, is back in this OK
comedy reuniting the same cast and many crew members. Here, our young
hero Greg notches another grade to his resume, befriends the new girl
in town and, of course, continuously battles with his older brother
Rodrick. Fox’s Blu-Ray set includes a 1080p transfer, 5.1 DTS MA
soundtrack, a gag reel, 10 deleted scenes, alternate ending, seven “My
Summer Vacation” shorts, commentary from Jeff Kinney and director David
Bowers, plus a DVD and digital copy.
BIG MOMMAS:
LIKE FATHER, LIKE SON Blu-Ray/DVD/Digital Copy (*½, 107 mins.,
2011, PG-13/Unrated; Fox): Belated third entry in Martin
Lawrence’s slapstick comedy series tried – unsuccessfully – to relaunch
the material as a vehicle for his young co-star Brandon T. Jackson, who
plays Lawrence’s stepson and who – improbably – also ends up undercover
in drag as part of Lawrence’s latest assignment. Pretty desperate, even
compared to its predecessors. Fox’s Blu-Ray combo pack includes both an
Unrated extended version plus the PG-13 theatrical cut, commentary,
deleted scenes, a gag reel, music videos, featurettes, a digital copy
and standard DVD for good measure.
YOU’VE GOT
SERVED: BEAT THE WORLD Blu-Ray (91 mins., 2011, PG-13;
Sony): “Stomp the Yard” screenwriter Robert Adetuyi jumps
franchises
for this latest direct-to-video sequel in the hip-hop dancing series
about a trio of dancing crews fighting their way to the International
Beat the World contest in Detroit. On-stage there’s plenty of energy;
off-stage less so, but viewers who enjoyed the previous films in this
series ought to entertained by the performances of worldwide troupes
like Flying Steps and Pink Ladies Crew. Sony’s Blu-Ray edition of “You
Got Served: Beat the World” includes an AVC encoded 1080p transfer, 5.1
DTS MA soundtrack, and one behind-the-scenes featurette. New From CBS
A handful of catalog titles have sprung up from CBS on Blu-Ray, all
offering excellent transfers at attractively low prices ($10 at
Walmart, between $10-$15 in most locales).
A MAN CALLED
HORSE (***, 114 mins., 1970, R) starred Richard Harris in the
first of three westerns about an Englishman who comes to live with and
respect the Sioux after being abducted by them.
Elliot Silverstein's film, written by Jack DeWitt, was intended to
meticulously recreate the setting of the period and the Sioux way of
life, going so far as to recruit National Geographic and other
historical societies to ensure the film's authenticity. Harris' fine
performance, the look of the picture, and Leonard Rosenman's
interesting score make “A Man Called Horse” a rock-solid adventure
picture, though things go a little – well, psychedelic, frankly, once
Harris is initiated into the tribe during the film's infamous "Sun Vow"
sequence.
This gory, sadistic set piece – which apparently isn't entirely
accurate, according to certain historical accounts – was violent enough
to get this formerly PG-rated film re- rated "R" by today's standards.
Not only that, but while Harris' Lord John Morgan is tortured to prove
his manhood, he begins to hallucinate – '60s style – with eye-popping
colors and trippy visuals. He's even able to talk to his Sioux
bride-to-be (one-time Miss Universe Corinna Tsopei, who's quite easy on
the eyes), even though he speaks not one word of their language. It all
culminates in a standard action climax, where Harris' colonial training
comes in handy during a raid on his tribe's village by rival Indians.
While most buffs consider "Return of a Man Called Horse" to be a
superior film in some regards, the original is certainly an excellent
movie worthy of re-appraisal on Blu-Ray. CBS’ older DVD was quite good,
but the Blu-Ray is tremendously rendered in a crisp 1080p transfer sans
excessive use of DNR. The 5.1 DTS MA soundtrack even has a few surround
effects, and gives a little more oomph to Rosenman's score than the
regular 2.0 soundtrack.
Two other new CBS Blu-Rays offer John Wayne westerns certainly more in
line with the Golden Age: John Wayne's 1970 reunion with Howard Hawks,
the mildly entertaining yet uninspired RIO LOBO
(**½, 114 mins., G), along with BIG JAKE (***, 109
mins., PG-13, 1971), which stars the Duke in one of his more
watchable later vehicles.
Even in “Big Jake,” though, the western formula has been somewhat
shifted to accommodate the needs of audiences in the early '70s: the
Harry Julian Fink-R.M. Fink story is set at the tail end of the Old
West, with Wayne essaying a rancher whose young grandson is kidnapped
by a brutal killer (Richard Boone, in a typically entertaining
performance). With his sons in tow, Wayne leaves his wife (a too-brief
appearance by Maureen O'Hara) and home behind in an effort to track
down Boone and pay off the ransom he's demanding – and then exact a
little revenge while he's at it.
The story and action are standard, but the trappings and engaging
performances are what make “Big Jake” worthwhile – particularly the
Panavision cinematography (which is exceptional) and the production
design that’s evocative of the period. Elmer Bernstein's score,
meanwhile, is a gem, with a memorable, rousing main theme helping one
overcome the movie's draggier spots. And, of course, there are the
performances of Wayne, Boone, and O'Hara, among many familiar western
vets who can be glimpsed in supporting roles.
“Rio Lobo,” by comparison, feels too much like a retread of “Rio Bravo”
and the star’s prior films with the director, further hampered by a
weak supporting cast (Jorge Rivero and Jennifer O’Neill?) and lethargic
pacing. Only a seasoned score by Jerry Goldsmith perks things up, but
frankly it’s not one of Goldsmith’s best in the genre either. It’s
perfectly watchable, but “Big Jake” still offers a good deal more fun.
“Rio Lobo” looks to have been derived from source material more dated
than the other westerns reviewed here, but it’s still perfectly
acceptable (1.85 AVC encoded 1080p with 5.1 DTS MA audio). “Big Jake,”
meanwhile, looks even healthier here in its 1080p Blu-Ray transfer,
with the 5.1 DTS MA soundtrack only boasting a stereophonic presence
whenever Elmer’s score pops up.
Finally, Paramount has also issued a great-looking Blu-Ray presentation
of Steve McQueen's cult fave LE MANS (***, 108
mins., 1971, G), a troubled production that nevertheless looks
and sounds great in high-def.
McQueen's pet project, which he intended to make years earlier as "Day
of the Champion," saw the star taking the role of a Grand Prix race car
driver primarily so he could play around with the actual automobiles
used in the event. This lead to squabbles over the movie's insurance,
the film's budget spiraling out of control, and McQueen's partner,
director John Sturges, walking out while shooting went on and on out
(he was ultimately replaced by TV veteran Lee H. Katzin). Harry
Kleiner's script, meanwhile, was never finished, and apparently was
being re-written each day on set. According to reports, none of
Sturges' footage even ended up in the final film, with Katzin and
McQueen re-shooting the entire movie from scratch.
Despite all the arguments, technical challenges, and overall hellish
aspect of the production, “Le Mans” ended up being a thrilling
pseudo-documentary on the race itself. McQueen and his crew had over a
dozen Panavision cameras set up to capture every aspect of the event,
which results in some dazzling racing sequences still unsurpassed on-
film. Sure, while Sturges' repeated warnings to McQueen that the story
wouldn't work turned out to be true (long stretches go by with no
dialogue at all in the final cut), the movie actually benefits from the
lack of emotional investment one has in the characters. It's all about
the moment, Le Mans itself, and from that angle, the movie is one of
the top sports films made for its authenticity alone.
Shot in Panavision, “Le Mans” looks grand on Blu-Ray. The 1080p
transfer is crisp and clear, while the 7.1 DTS MA soundtrack is the
best of this batch due to the utilization of the stereo format in the
original recording. Cars veer from one channel to the next, with even a
few surround effects employed along with Michel Legrand's sparse but
effective score. Extras include a cable documentary on the making of
the movie plus the original trailer.
While none of the CBS western titles include trailers, the overall
presentation of the films compensates for the lack of extras. The great
news for movie buffs is that each movie looks and sounds great in
HD...hopefully “Scrooge” and “The Reivers” will follow soon! Also New on Blu-Ray
OF GODS AND MEN
[Des hommes et des dieux] Blu-Ray/DVD Combo (***, 123 mins., 2010,
PG-13; Sony): A group of Cistercian monks, living in the solace
of the Algerian mountains in 1993, see their way of life threatened
when civil war breaks out and an Islamic fundamentalist group massacres
foreign workers in their region. The monks (including Lambert Wilson
and Michael Lonsdale) have to face a choice to leave with military
protection or stay and provide care for the Muslim populace around them
in this acclaimed French film that earned numerous accolades in its
native country along with the 2010 Grand Prize at last year’s Cannes
Film Festival.
Xavier Beauvois’ solemn film is ultimately extremely affecting, with a
moving story augmented by authentic atmosphere and fine performances
from the cast. Sony’s Blu-Ray disc offers up a superb AVC encoded 1080p
transfer with 5.1 DTS MA audio in French with English subtitles. Extras
include “The Sacrified Tibehirine: Further Investigation” and the
Augustine Dialogue at Merrimack College with author John W. Kiser.
SPIDER-WOMAN:
AGENT OF S.W.O.R.D/IRON MAN: EXTREMIS Blu-Ray (Shout!):
Agreeable double-feature Blu-Ray package offers both “Spider-Woman:
Agent of S.W.O.R.D.” as well as “Iron Man: Extremis,” the latter an
adaptation of Warren Ellis and Adi Granov’s graphic novel that blends
2D and 3D animation for an involving “motion comic” styled take on
their “revisionist” Marvel book. Shout’s BD includes a
behind-the-scenes featurette, visual history of Iron Man, music video,
interview with Granov and more.
“Spider-Woman,” the latest “Marvel Knights” direct-to-video short
feature follows the oddball Marvel heroine, Jessica Drew, as she seeks
to inflict revenge on the Skrulls who replaced her on Earth. Shout!’s
BD also includes a visual history of Spider-Woman, plus a music video,
trailers, and a behind-the-scenes segment.
Colorful AVC encoded 1080p transfers and DTS HD soundtracks make this
an attractive title for Marvel fans with BD players. THE NESTING
Blu-Ray (103 mins., 1981, R; Blue Underground): Blue Underground
dusts off this rarely-screened early ‘80s haunted house chiller, which
I recall renting at some point in high school on VHS in one of those
cool, old “clam shell” plastic cases Warner Home Video used to use.
This is a relatively minor, but surprisingly well executed,
supernatural tale starring Robin Groves as an agoraphobic novelist who
leaves the city in an attempt to clear her mind and rents an old
Victorian home with a tragic past and an ability to produce a series of
grizzly murders. John Carradine and Gloria Grahame make appearances in
“The Nesting,” which is leisurely paced by director Armand Weston and
delivers the kind of murders you’d expect from a film of the era. It’s
nothing spectacular but for a night’s rental, “The Nesting “ is
certainly not bad at all for horror fans.
Blue Underground’s Blu-Ray edition of “The Nesting” looks utterly
terrific considering the age and relative obscurity of the picture. DTS
MA 7.1 audio is also on-hand plus deleted/extended scenes, trailers, TV
spots, and a poster and stills gallery.
WAKE WOOD
Blu-Ray (**, 90 mins., 2010, R; Dark Sky/MPI): Independently
produced Irish chiller received nominal distribution under the Hammer
brand name, which has so far yielded Matt Reeves’ disappointing remake
“Let Me In” along with the tepid Hilary Swank thriller “The Resident.”
“Wake Wood” plays out like “Pet Sematary” meets “The Wicker Man,” with
young parents Aidan Gillen and Eva Birthistle losing their
nine-year-old daughter – only to find out that the small town they just
moved to harbors a group of dark arts practitioners (including Timothy
Spall) who can bring the dead back to life for a period of three days.
Naturally there are consequences to such actions, particularly after
their sunny little girl turns out to be something less than happy once
she’s resurrected.
Director
David
Keating’s
movie
is unnerving and packs a few jolts, but “Wake
Wood” is so unrelentingly unpleasant from start until its finish that
it’s both hard to care about any of its characters or invest in how the
picture is going to play out. The film’s modest budget is partially
compensated by an effectively low-key Michael Convertino score (it’s a
shame his talents are being wasted on films like this), and I suppose
some horror fans might enjoy it – I guess I’ve just moved on from
finding this type of film entertaining in any regard.
Dark Sky/MPI’s Blu-Ray looks acceptable in its 1080p BD transfer,
though its digital-video photography doesn’t necessarily translate to
an eye-popping visual experience in HD. The 5.1 Dolby Digital sound is
just OK, while extras include deleted scenes and the trailer.
SPORTS
ILLUSTRATED - SWIMSUIT 2011 3-D EXPERIENCE 3-D Blu-Ray (30 mins., 2011,
Sony): Julie Henderson, Alyssa Miller and Irina Shayk are a few
of the Sports Illustrated super-models who appear in this short but
nicely rendered (indeed, in more ways than one) look behind-the-scenes
at the 2011 SI Swimsuit Issue photo shoot. The 3-D is fairly effective
but since the program is so short and content so slim, its
repeatability is likely limited. Sony’s 3-D BD is also compatible with
2-D displays and offers 5.1 DTS MA audio as well.
POIROT: THE
MOVIE COLLECTION Set 6 (Acorn): David Suchet’s latest cases as
Agatha Christie’s brilliant detective Hercule Poirot include “Three-Act
Tragedy,” where the sleuth teams up with an old actor-friend (Martin
Shaw) to find a killer; “The Clocks,” with Anna Massey guest-starring;
and “Hallowe’en Party,” which finds a crime novelist (Zoe Wanamaker)
calling in Poirot to help uncover the murderer of a young girl at a
costume party. 1080p AVC encoded transfers and 2.0 PCM stereo tracks
make this a terrific high-def package for Agatha Christie fans.
Also well worth tracking down is MARPLE: SERIES 5, with
Julia
McKenzie
starring
as Agatha Christie’s super-sleuth in several
mysteries: “The Mirror Crack’d From Side to Side,” “The Secret of
Chimneys,” The Blue Geranium,” and an earlier 2010 edition of “The Pale
Horse.” Joanna Lumley leads a superb supporting cast in this fine new
adaptation of the character, which Acorn brings to Blu-Ray in a
four-disc set including 1080p transfers and 2.0 PCM stereo tracks.
Extras include a bonus program, “Agatha Christie’s Garden,” which
profiles the late author’s secret retreat. New on DVD
THE HERCULOIDS:
COMPLETE SERIES DVD (374 mins., Warner Archives): Zandor, Tara
and Dorno defend their prehistoric planet from the likes of Pod
Creatures, Mutoids and other villainous creatures in this Hanna-Barbera
series which initially ran on CBS in 1967. Along the way, the family
gets help from Zok the flying dragon, the ape-like Igoo (who looks like
a combination of Ben Grimm and an extra from “Planet of the Apes”),
Tundro and the wacky blob-like Gloop and Gleep.
It’s amazing how a show that was re-run consistently over the years
actually only produced 18 episodes, but Warner Archives’ exclusive
manufactured-on-demand release includes them all in this two-disc set, now available through the WB Shop. The
full-screen transfers and mono soundtracks are all perfectly
acceptable.
ELEKTRA LUXX
DVD (100 mins., 2010, R; Sony): Carla Gugino leads a
better-than-the-material-deserves cast in this oddball, occasionally
funny farce from her real-life boyfriend, director-writer-producer
Sebastian Gutierrez.
Gugino plays the title character, Elektra Luxx, an ex-porn star trying
to leave her past behind her (and teach sex ed. at a local community
college!) until an old friend (Marley Shelton) comes back and gets her
involved with a group of story lines in a follow-up to Gutierrez’s
previous film “Women in Trouble.” A quite fetching array of leading
ladies (Malin Akerman, Emmanuelle Chiriqui, Adrienne Palicki among
them) pop up, as do Joseph Gordon-Levitt (as a blogger fanboy of
Elektra’s) and Timothy Olyphant in an at-times overly labored comedy
that attempts to push the director’s outings further into cult
territory. Judging from the film’s meager box-office receipts, he’s got
a ways to go, but the picture isn’t a total wash either.
Sony’s DVD includes deleted
scenes, a 16:9 transfer (1.78) and 5.1 Dolby Digital soundtrack.
NEW FROM BBC: Volume 9 of the
BBC series MI-5
(473
mins.,
2010)
follows the team as they track a suspected
terrorist after the death of Ros and butt heads with the CIA over
mysterious hackers. BBC’s multi-disc DVD set boasts 16:9 transfers and
5.1 soundtracks...Peter Davison’s 1984 arc as DR. WHO: THE
AWAKENING (50 mins) arrives on DVD in a single-disc set
preserving this brief, two-episode story set in the then-present day.
Commentary from the director Michael Owen Morris and other crew
members; location comparisons; cutting room floor materials; isolated
score; PDF materials; visual effects featurettes; and other goodies are
on-hand in this latest “Dr. Who” BBC release...William Hartnell,
meanwhile, is represented by DR. WHO: THE
GUNFIGHTERS (95 mins.), another time-travel story arc that
finds Doc heading into Tombstone, Arizona, circa 1881, where he gets
involved with the Clantons, Doc Holliday and other legendary figures
from the Old West. Commentary from Shane Rimmer (who appears in the
episode as Seth Harper) and other cast members; a 43-minute documentary
about the series’ “turbulent” third year; PDF materials and more
comprise a particularly compelling new title for Dr. Who fans, arriving
on DVD on July 12th.
NEW FROM LIONSGATE: Tyler
Perry’s HOUSE
OF PAYNE Vol. 8 (480 minutes) offers episodes 149-172 from the
TBS comedy series, presented in 1.33 full-screen with 5.1 and 2.0 Dolby
Digital soundtrack options...the forthcoming EMPIRE OF ASSASSINS
(93 mins., 2011, R) offers a Hong Kong feudal drama with Li
Yuan and Sun Huining. Lionsgate’s 16:9 (1.78) transfer and 5.1
soundtrack (in both English dubbed or Mandarin with subtitles) comprise
the DVD release...a Colombian immigrant finds love with a Russian
immigrant in the romantic comedy-drama IMMIGRATION TANGO
(92 mins., 2010, R), which arrives on DVD in a 16:9 (1.78)
transfer with 5.1 Dolby Digital sound and extras including commentary
from director David Burton Morris and the trailer...Luke Goss stars in WITCHVILLE (89
mins., 2010, Not Rated),
a Syfy Channel original movie that looks a bit like the recent Nicolas
Cage check-casher “Season of the Witch.” Lionsgate’s DVD includes a
16:9 (1.78) transfer and 5.1 audio...Cory, Topanga and the gang are
back in the Sixth Season of BOY MEETS WORLD (528
mins.), the long-running ABC “TGIF” sitcom that makes its DVD
debut in a multi-disc, 22-episode anthology with full-screen transfers
and 2.0 stereo tracks...the second and final season of THE PJ’s (432 mins.)
also arrives on DVD shortly for the first time from Lionsgate. This
animated small-screen comedy offering the voices of Eddie Murphy,
Loretta Devine and Cassi Davis managed to win a trio of Emmys as it
chronicles the residents of the Hilton-Jacobs housing community.
Lionsgate’s DVD includes full-screen transfers and 2.0 stereo
tracks...Jim Belushi is also back in the fourth season of the almost
decade-long running ABC sitcom ACCORDING TO JIM
(594 mins., 2011), which hits DVD in a multi-disc set sporting
a pair of featurettes, 16:9 (1.78) transfers and 5.1 Dolby Digital
soundtracks.
NEW FROM E ONE: Shinya
Tsukamoto’s “Tetsuo” trilogy finishes up with TETSUO: THE BULLET
MAN (72 mins., 2009, Not Rated), which chronicles the
transformation of an American worker in Japan whose son is killed, and
whose rage turns him into a bizarre, machine-like weapon. Shot in
English this 2009 Japanese import arrives on DVD from IFC with a 16:9
(1.78) transfer and 5.1 Dolby Digital sound...ERASING DAVID (80
mins., 2009) is a British documentary of sorts profiling David
Bond’s efforts to “go off the grid” for a month, leaving his wife and
daughter behind. An interesting premise is stifled by uncertain
execution in this UK import, which offers an interview with Bond, short
movies, a Q&A session and the trailer, plus a 16:9 (1.85) transfer
and 5.1 Dolby Digital sound...MUSIC VIDEO EXPOSED:
THE COLLECTION (503 mins., 2009) is a highly entertaining
collection of 33 vintage ‘80s music videos from the likes of Russell
Mulcahy and others, ranging from AC/DC rock tracks to Spandau Ballet
and David Bowie and Mick Jagger, whose hilariously awful video for
“Dancing in the Street” was recently grilled on an episode of “Family
Guy.” Interviews with Duran Duran, Bon Jovi, Metallica and others are
included along with bonus extended interviews and more in a
terrifically nostalgic set for fans. 2.0 stereo soundtracks and both
4:3 (the videos themselves) and 16:9 (special features) transfers are
included...Dean Cain goes up against MANEATER (91 mins.,
2009, R), with the
ex-Superman essaying a small town sheriff battling a local serial
killer. E One’s DVD is 4:3 widescreen only with stereo sound...WAKING MADISON (89
mins., 2008, R) offers Sarah Roemer as a young woman with psych
issues who tries to cure her split personalities by locking herself in
an apartment for 30 days. Elisabeth Shue, Taryn Manning and Imogen
Poots co-star in Katherine Brooks’ 2008 indie drama, which boasts
commentary from the director, interviews with the cast and deleted
scenes, along with a 16:9 transfer and 5.1 Dolby Digital sound.
NEW FROM NEWVIDEO: Hayden
Panettiere plays accused killer AMANDA KNOX: MURDER
ON TRIAL IN ITALY (92 mins., 2011), a recent,
better-than-average Lifetime cable movie that co-stars Marcia Gay
Harden as Knox’s mother. A documentary on the real-life, still on-going
case is included in NewVideo’s DVD plus a 16:9 transfer and 2.0 stereo
audio...Two volumes from AMERICA: THE STORY
OF US have been released separately by NewVideo: REBELS profiles
the early American settlers while MILLENNIUM takes a look at the
turbulent last few decades in American history. Both 90-minute programs
include widescreen transfers and 2.0 stereo soundtracks.
NEXT
TIME: More July titles! Until
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