7/26/05 Edition
Aisle Seat End of July
Mania
Andy
Reviews Cannon Classics and a Very Special Ferrigno Double Feature
Plus: ICE PRINCESS, URBAN LEGENDS: BLOODY MARY, XXX 2 and More!
Sometimes it’s good to feel guilty.
I didn’t care much for the original
“XXX,” the Vin Diesel-Rob Cohen
spy-adventure that nevertheless grossed well over $100 million
domestically and seemed as if it had the potential for
“franchise”
written all over it.
Apparently, contractual negotiations and Diesel’s interest in
the
“Riddick” franchise (and we all know how that
turned out) put the
kibosh on a continuation of Vin’s “Xander
Cage” character and a
make-shift sequel, XXX:
STATE OF THE UNION (**½, 101 mins., PG-13; Sony), was
produced instead.
Released to theaters less than three months ago, “XXX 2"
grossed a
paltry $25 million and made one of the fastest transitions to DVD that
you’ll ever see. What’s surprising about the film
is that, in some
ways, this mindless but entertaining action vehicle is superior to its
predecessor -- the general public disinterest in the film
notwithstanding.
Samuel L. Jackson actually gets billed this time out as he reprises his
role of Agent Gibbons, a top-secret government agent whose department
suffers an attack in the film’s opening minutes. With
Diesel’s
character recently killed in action, Jackson and fellow agent Shavers
(Michael Roof, another holdover from the original) opt to recruit not
another extreme sports star but a bad-ass inmate (Ice Cube) with
“more
attitude” to help them track down the culprit.
Cube has a history with Jackson, and soon uncovers a plot by the
nefarious Secretary of Defense (Willem Dafoe) to overthrow the
President (Peter Strauss). However, after Jackson is taken down in
action, Ice has to work on his own -- and with a sympathetic NSA agent
(Scott Speedman) -- to save the United States from being plunged into a
state of Dafoe-led anarchy.
Lee Tamahori (“The Edge,” “Die Another
Day”) directed this absurd but
fun “old school” action romp that basically plays
like the kind of
no-brain escapism you’d routinely see back in the
‘80s. ILM’s effects
are solid, the work of “Star Wars” vets Gavin
Bocquet and David
Tattersall give the movie a pleasing visual design, and Tamahori helms
the stunts and action choreography in the same rugged style he
typically brings to his projects. Marco Beltrami’s groovy
action score
also lends a solid assist.
The cast is just fine as well, though one could see any number of
actors fitting into Ice Cube’s shoes: the
rapper-actor’s lack of
association with the action genre had to have been one of the main
reasons for the film’s miserable box-office receipts.
He’s not bad, but
he’s basically acted off the screen by superior work from
Jackson,
Dafoe and even Strauss, in one of his first big-screen roles in quite
some time.
“XXX: State of the Union” isn’t a great
movie but for a blast of
“summer fun” Sony’s DVD more than gets
the job done. The 2.40
Widescreen transfer and 5.1 Dolby Digital soundtrack are each top-notch
and the commentary from Tamahori and writer Simon Kinberg is more
candid and informative than usual. Other supplements include a
secondary commentary from the visual FX team, a couple of deleted
scenes and standard “Making Of” featurettes.
Also new this week from Sony is URBAN
LEGENDS: BLOODY MARY (**, 93 mins., 2005, R),
a direct-to-video entry in the horror series that’s
predictable but competent enough, and happily worth a look for genre
fans.
Bearing no relation to either of its predecessors, “Pet
Sematary”
director Mary Lambert’s film is instead a straightforward
ghost story.
Kate Mara plays a high schooler who’s abducted by a group of
high
school jocks as a prank. What transpires from there closely resembles
the tragic events of decades before, where a young girl was
accidentally murdered in the midst of another joke played on her by a
similar assortment of arrogant jocks. Could “Bloody
Mary” be returning
from the grave, seeking vengeance on Mara’s tormentors?
Michael Dougherty and Dan Harris -- whose credits include
“X2" and the
upcoming “Logan’s Run” remake -- scripted
this standard tale of
supernatural vengeance, with a villain as obvious as the cast credits
(could it be...the only adult male in the entire film, perhaps?). Yet
this formulaic teen horror tale boasts several gory, and effectively
handled, murder set-pieces, plus a pair of likeable protagonists and
even a competent score by Jeff Rona.
Clearly a cut or two above the norm for the direct-to-DVD market,
“Bloody Mary” offers no real surprises but
it’s entertaining enough for
what it is, and thereby gets a passing grade (which is more than one
can say for “Urban Legends: Final Cut”).
Sony’s DVD offers a standard Making Of featurette with a
satisfying 1.85 widescreen transfer and 5.1 Dolby Digital sound.
New From
Disney
ICE
PRINCESS
(**, 2005). 99 mins., PG, Disney. DVD SPECIAL FEATURES: Commentary;
Alternate Opening; Deleted Scenes; Music Videos; 1.85 Widescreen, 5.1
Dolby Digital sound.
Bland Disney production attempts to recapture -- and recycle -- the
studio’s success with “The Princess
Dairies,” here chronicling the transformation of a nerdy
high school psychics student (Michelle Trachtenberg) into a budding
figure skating contender.
In the annals of skating movies, “Ice Princess”
can’t hold a toe pick
to either “The Cutting Edge” (which, amazingly
enough, currently has a
sequel in production) or the immortal Lynn-Holly Johnson/Robby Benson
tearjerker classic “Ice Castles.”
Trachtenberg, Joan Cusack (as the cliched, antagonistic mom) and Kim
Cattrall (as the tough-love coach who ultimately takes Trachtenberg
under her wing) all give solid performances, but the Hadley Davis
script and Tim Fywell direction are both Disney Channel-caliber,
looking and feeling like an inoffensive, but instantly forgettable, TV
movie. Everything about the movie is relentlessly predictable, from its
bouncy pop soundtrack and feel-good, “chasing your
dreams” morals, to
its climactic sequence and token cameos by skaters Michelle Kwan and
Brian Boitano. Even Christophe Beck’s score seems to have
been directly
influenced by its temp-track, which must have featured an overdose of
Thomas Newman.
Disney’s DVD looks and sounds great in 1.85 Widescreen and
5.1 Dolby
Digital. Extras include a few deleted scenes and an alternate opening,
commentary by Trachtenberg and her co-stars, and music videos clearly
targeted at the movie’s young, female demographic.
New
From MGM
It
was the summer of ‘83. The days of free-wheeling good times,
surf,
sand, and sun were about to come to an end. In just a few days my
friend “G” and I would begin 4th grade, and on the
last weekend of
August we had an especially difficult choice to make.
Two movies were opening on August 27th, and each promised plenty of
sword-and-sorcery. Both featured muscle-bound heroes out of myth and
legend. And both would flop at the box-office, taking decades before
they would be issued in quality presentations on video.
The two viewing candidates we had at our disposal were Ralph
Bakshi’s
animated fantasy “Fire And Ice” and Lou
Ferrigno’s epic “Hercules.”
Thinking that, as cool as Ferrigno still was back in ‘83
(after all,
the “Hulk” had only gone off the air the previous
year), that animation
was the way to go, we opted for Bakshi’s film, and until this
day I
still haven’t made it all the way through the Ferrigno
fantasy.
Now, some 22 years later, I can finally tell you that the fateful
choice we made (okay, enough of the dramatics, I promise) turned out to
be the wiser one -- though Big Lou as HERCULES
(**, 90 mins., 1983, PG)
still manages to boast a fair amount of fun.
Newly issued on DVD in 16:9 Widescreen courtesy of MGM,
Ferrigno’s
voice may be dubbed but his physical attributes at least get a workout
as they throw down Cannon Films’ threadbare sets and
comic-book action
in Luigi Cozzi’s 1983 production. Shot in Italy with a
stellar cast
including Brad Harris and Sybil Danning, this sometimes tedious but
colorfully amusing adventure includes the priceless sequence where Big
Lou tosses a bear into space and generally raises hell in Italy. Pino
Donaggio’s score attempts to convey a Williams-esque tone,
but sadly
“Hercules” is sub-“Red Sonja”
on the overall entertainment scale.
More amusing, and also even more hysterical, is THE
ADVENTURES OF HERCULES (**, 89 mins., 1985, PG)
aka HERCULES 2, which MGM has wisely issued on the second half of the
DVD’s double bill.
Shot before “Hercules” I even went into theaters
(the original was
actually distributed by MGM/UA and received a national release, unlike
many Cannon efforts), “Hercules 2" opens with a
“Superman II”-inspired
recap of the original movie, set over a “whoosing,”
Salkind-esque
credits sequence. From there this crazed, low-low-budget action vehicle
gets nuttier, and contains one of the strangest, most absurd climaxes
ever -- basically looking like the sorts of animation you’d
routinely
see in Journey music videos (or, at the least, Steven
Lisberger’s
pre-“Tron” conceptual reels).
Donaggio returned for “Hercules 2" but the
“big” supporting names like
Danning and Harris wisely refrained from reprising their original
roles. Can’t blame them, really, because even Ferrigno
appears at times
in footage clearly shot during the making of
“Hercules” 1!
MGM’s DVD presentation of each film looks terrific in 16:9
widescreen,
contains the original trailers and more than adequate 2.0 Dolby
Surround soundtracks. Recommended for all B-movie enthusiasts and
Ferrigno fans everywhere.
Now, finally, I can rest easy that “G” and I made
the right choice back in the summer of ‘83...
SINBAD
OF THE SEVEN SEAS (1989, 93 Mins., MGM):
Think “Hercules” was bad? Cannon was pretty much
folding up shop by the
time the late ‘80s rolled around, but that didn’t
stop them from
producing one final, loud entry in the Lou Ferrigno fantasy
sweepstakes: the indescribably-awful “Sinbad of the Seven
Seas.”
Working from a story from our old “Hercules” pal
Lewis Coates (aka
Luigi Cozzi), “Sinbad” finds Ferrigno back and
dubbed again as the
mighty sailor, who here helps noble prince Ali rescue the
king’s
daughter from the hands of the evil sorcerer Jaffar (John Steiner, in a
nutty performance to say the least). Dov Seltzer’s plastic
score fits
nicely alongisde the appropriately plastic sets, in this
“Cannon
International” epic that quickly went straight to video.
Pretty much an
unwatchable mess, but worth it for die-hard aficionados of the bizarre,
MGM’s long-awaited (?) DVD includes a superb 16:9 transfer
with mono
sound and even the original trailer. Now, where’s
“The Seven
Magnificent Gladiators” when you need it?
BILL
& TED’S EXCELLENT COLLECTION (1988-91, 90 mins. and
94 mins., PG; MGM):
Box set re-issue of the two, immortal Bill & Ted movies
(remember
those?) includes the previously-released DVD masters of 1988's
“Bill
& Ted’s Excellent Adventure” and 1991's
bigger-budgeted (and
arguably even more entertaining) sequel, “Bill &
Ted’s Bogus
Journey.” These 2001 DVD masters still look just fine (16:9
widescreen,
5.1 Dolby Digital sound), so the incentive to pick up this box set
rests with an all-new, exclusive bonus DVD: “Bill &
Ted’s Bogus
Disc,” which includes a new half-hour documentary. Offering
recent
interviews with star Alex Winter and writers Chris Matheson and Ed
Solomon among others, this is a nice retrospective on the movie, though
the supplements are otherwise somewhat lackluster, including the
premiere episode of the short-lived Bill & Ted cartoon, an
interview with guitarist Steve Vai, radio spots and an older interview
with Matheson and Solomon.
WEEKEND AT
BERNIE’S (***, 1989, 98 mins., PG-13; MGM):
One of the big summer sleeper hits of recent decades, Ted
Kotcheff’s
hilarious 1989 comedy remains a viewer favorite and TV staple. Andrew
McCarthy and Jonathan Silverman were the Owen Wilson/Vince Vaughn combo
of their day, starring here as a pair of buddies who get wrapped up in
a mob boss’ shenanigans -- both before AND after his death.
Robert
Klane’s script was appealingly performed by a great cast (you
have to
dig Terry Kiser's work) and still offers plenty of laughs -- as strange
as it sounds, this is one of the few late ‘80s films that
will still be
screened regularly years from now. Previously issued on DVD by
Live/Artisan, MGM’s DVD seems to be a marginal improvement,
offering a
newer 16:9 transfer with 2.0 Dolby Stereo sound (a full-screen version
is available on the disc’s flip side). Alas, no special
features
(outside of the trailer) are included, which means that long-awaited
Special Edition remains in the pipeline, waiting for Sony
(MGM’s new
owners) to give it the proper treatment.
THE
GARBAGE PAIL KIDS MOVIE (*, 97 mins., 1987, PG; MGM):
A few years late to the party, Topps Chewing Gum’s zany
parody of
Coleco’s “Cabbage Patch Kids” arrived on
the silver screen courtesy of
the Atlantic Entertainment Group (the folks behind the “Teen
Wolf”
movies). The resulting film from producer-director Rod Amateu was a
barely-released time-waster starring Anthony Newley and young Mackenzie
Astin acting opposite a group of freakish puppets from the Chiodo
Brothers. Not nearly as amusing as the trading cards themselves, this
production was quickly relegated to the scrap heap after a brief
theatrical run, though fans may enjoy seeing this curiosity dusted off
by MGM: the 16:9 enhanced transfer and Dolby Digital mono soundtrack
are both satisfying, and the original trailer has been included as well.
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