Ten years!
Incredibly it has virtually been a decade since the Aisle Seat’s
first regular column premiered in early October, 1997, and goodness
what a difference 10 years can make. As we move ahead here with another
season (our 11th!) of entertainment reviews and analysis, I’d
like to thank my loyal readers who submit comments and suggestions (as
well as the occasional “what in the world are you smoking?”
email!), as well as all the fantastic PR people and studios who have
proven invaluable in their assistance. I couldn’t do this without
all of you, so my thanks to everyone who has participated in the
formation and continued success of The Aisle Seat. It’s been a
blast and I look forward to more good times, reviews and analysis as we
move into our second decade (gasp!) of coverage.
One note about our rating system, which I haven't mentioned in a while
and probably should for newcomers: theatrical films are mostly rated on
a *-to-**** star basis, and this week, I'm starting a new color-code
system that will specially mark titles (usually a handful each week) as
being strongly recommended. Titles highlighted in
GREEN are intended to be representative of the latter, and that's not to imply that everything listed in BLUE
isn't
worth a purchase -- it's just that I'd like to designate the titles I
feel most strongly about, and the green color-coding is meant to
be an easier way for someone to scan through each column and find the
titles I'm most strongly recommending..
In the meantime, last week was a huge one for fans of sci-fi/fantasy on DVD.
For starters, Universal issued their eagerly anticipated second anthology of genre favorites with
THE CLASSIC SCI-FI ULTIMATE COLLECTION VOLUME 2,
a three-disc set comprised of “Dr. Cyclops,” “The
Land Unknown,” “The Deadly Mantis,” “Cult of
the Cobra,” and “The Leech Woman.” Regrettably, this
superb package is only available at Best Buy retail locations, and
unlike its predecessor, isn’t even available on the chain’s
website. Fans are urged to track it down, and soon, as the first volume
(likewise limited to Best Buy locations) went out of print quickly and
currently commands top dollar on the secondary market. (Universal has a
similar five-film anthology,
THE CLASSIC HORROR ARCHIVE, due out on October 2nd, which again will be limited to Best Buy stores).
The best news of all was the return of MGM’s beloved Midnite
Movies series of sci-fi/horror favorites, which had gone on hiatus for
several years while the studio’s DVD distribution was controlled
by Sony. Now that MGM has partnered with Fox for distribution of their
back catalog, the series is back in a big way, with Fox joining in the
fun with their own Midnite Movies releases.
Regrettably, only two of the new arrivals were available for review,
but fans are still urged to check out the new Midnite Movies Double
Features, which include the following:
“The
Beast/Bat People,” “The Phantom From 10,000 Leagues/The
Beast With A Million Eyes,”“Return of Dracula/The
Vampire,” and
“Yongary, Monster From The Deep/Konga,” all from MGM; and the Fox sets, which feature
“Blueprint For Murder/Man In The Attic,” “Chosen
Survivors/Earth Dies Screaming,” “Devils Of
Darkness/Witchcraft,” “Gorilla At Large/Mystery At Monster
Island,” “House On Skull Mountain/Mephisto Waltz,” and
“Tales From The Crypt/Vault Of Horror.”
Newly available as a standalone entry in the Midnite Movies series is Burt I. Gordon’s hilarious adaptation of
THE FOOD OF THE GODS (**½, 1976, 88 mins., PG; MGM/Fox),
making its DVD debut in a splendid presentation courtesy of Fox and
MGM. Gordon’s opus makes for a terrific companion piece to his
1977 follow-up “Empire of the Ants” (already available on a
still in-print Midnite Movies release), with Marjoe Gortner, Pamela
Franklin, and Belinda Balaski as three of the poor souls who hole up in
a Northwestern cabin while giant rats and roosters (you heard right!)
wreck havoc.
The 16:9 (1.85) transfer is certainly pleasing, preserving all of the
goofy shenanigans, while the mono sound is also fine. It might’ve
been nice to see the original trailer, but alas, but it’s not
on-hand here.
The
other individual Midnite Movies release -- and the one of the most
significance for horror fans -- is the long-awaited, restored version
of
WITCHFINDER GENERAL (***, 1968, 87 mins., Not Rated; MGM/Fox),
aka “The Conqueror Worm” and previously only available in
the U.S. in a cut version that played up the film’s loose
connection with Edgar Allan Poe and star Vincent Price’s past
association with American-International’s Poe series. Adding
insult to injury was the hideous synthesizer score added to U.S. video
releases, basically ruining the original intentions of director Michael
Reeves.
It was a long time in coming, but MGM/Fox’s new edition preserves
Reeves’ director’s cut, which includes the rousing
orchestral score by Paul Ferris and his preferred edit of the movie,
which some fans may lament is missing some of the topless nudity seen
in European prints. That said, this is easily the finest version of the
movie you’ll see on DVD anywhere, thanks to a razor-sharp new
16:9 (1.85) transfer with clear mono sound. The restored presentation
of the movie is simply outstanding, and superb extras include
commentary with producer Philip Waddilove and actor Ian Ogilvy, plus a
featurette on the making of the film.
Price fanatics may also want to check out the new
VINCENT PRICE: MGM LEGENDS COLLECTION
box-set, which includes “Witchfinder General” as well as a
number of previously released Midnite Movies favorites: “Tales of
Terror,” “Twice Told Tales,” “The Abominable
Dr. Phibes,” “Dr. Phibes Rises Again,” “Theater
of Blood,” and “Madhouse,” plus a bonus disc
featuring nearly 70 minutes of featurettes on its iconic star. All
movies are presented in their prior widescreen renditions (either 16:9
or 4:3 letterbox) with the same supplements as their earlier DVD
releases.
If the amount of new Midnite Movies wasn’t enough, Fox has also
issued a number of other sci-fi/horror titles in plenty of time for
Halloween, including a number of anticipated Special Editions:
THE BURNING (***, 91 mins., 1981, R; MGM/Fox):
Outrageously good early ‘80s slasher from
“creator”/producer Harvey Weinstein (yes, the future
Miramax founder) follows a group of kids who accidentally set fire to a
camp caretaker...who, in turn, promptly returns to those summer camping
grounds to exact his revenge on the same counselors, including Jason
Alexander, Holly Hunter, Fisher Stevens, and Brian Backer (“Fast
Times at Ridgemont High”). Excellent make-up effects from Tom
Savini lend an able hand to this “Meatballs” meets
“Friday the 13th” styled affair, offering the requisite
gore but a more appealing tone than most of its genre counterparts of
the period. MGM/Fox’s new DVD includes a terrific 16:9 (1.85)
transfer with mono sound, plus the trailer, an interview with Savini,
and commentary from director Tony Maylam and British writer Alan Jones.
Recommended!
SOMETIMES THEY COME BACK (**½, 1991, 98 mins., R; MGM/Fox):
TV-movie adaptation of the Stephen King story from writers Lawrence
Konner and Mark Rosenthal (whose name is spelled incorrectly on the
back cover) premiered on CBS in April of 1991 to solid enough ratings.
Tim Matheson stars as a school teacher who returns to his Midwestern
home town along with his wife (Brooke Adams) and son, only to find
himself being haunted by the spirits of a gang that caused the death of
his older brother decades before. Director Tom McLoughlin’s movie
is effective in its evocation of small-town life and its development of
Matheson’s demons, offering a few mild scares and a nice,
understated score from Terry Plumeri along the way. MGM’s new DVD
is oddly framed at 2.35 (16:9) widescreen, which seemed to be a major
error until I compared it to the full-screen television version:
surprisingly enough, information is added to both the left and right
edges of the frame, while the top and bottom are cropped out. This
would indicate the movie was likely shot in Super 35 (it apparently
played theatrically overseas), and while I would’ve preferred the
full 1.85 aspect ratio to be unmasked, this is still a
“valid” presentation of the movie and its most satisfying
DVD release to date.
SCARECROWS (**½, 1988, 83 mins., R; MGM/Fox):
Low-key, effective, late ‘80s horror outing from
writer-director-producer William Wesley follows a group of criminals
who hijack a plane heading to Mexico and run afoul of some supernatural
shenanigans once they land in the countryside. “Scarecrows”
is no great shakes, but the movie’s leisurely pace and moody
atmosphere make it a far more satisfying concoction than most late
‘80s direct-to-tape movies go, and MGM’s new 16:9 (1.85)
transfer and stereo soundtrack are both top-notch.
THE RETURN OF THE LIVING DEAD: Collector’s Edition (**, 1985, 91 mins., R; MGM/Fox):
Special Edition presentation of writer-director Dan
O’Bannon’s 1985 half-spoof of the Romero classic offers a
number of special features: two commentaries, three featurettes,
retrospective interviews and more. Both the 16:9 (1.85) transfer and
2.0 stereo soundtrack are perfectly acceptable, but the movie is still
best left for fans: despite a few laughs and the presence of veterans
Clu Gulager and James Karen, the movie feels dated, and the light mood
turns sour with an unsatisfying “serious” ending (which the
cast even laments in their commentary). Not nearly as much fun as it
sounds.
FROM BEYOND: Unrated Director’s Cut (***, 1986, 86 mins., NR; MGM/Fox): Stuart
Gordon’s grizzly and demented take on H.P. Lovecraft’s book
was a fan-favorite successor to the director’s acclaimed
“Re-Animator,” reuniting most of that film’s crew and
several cast members as well. “From Beyond” admirers ought
to be delighted by MGM’s fine new DVD restoration, offering extra
gore culled from the cutting room floor, a free-wheeling commentary
with Gordon and cast members, an interview with composer Richard Band,
and several featurettes on the making of the film. The 16:9 (1.85)
transfer is exceptional, as is the 2.0 Dolby Surround sound.
THE LOST WORLD (**, 1960, 96 mins.; Fox):
Irwin Allen’s silly Saturday Matinee take on the Arthur Conan
Doyle book offers Claude Rains as the brilliant professor who takes an
expedition down to the Amazon where dinosaurs still live and roam free
(actually they’re more like lizards with phony appendages!). Jill
St. John, Michael Rennie and David “Al” Hedison co-star in
this so-so fantasy, obviously inspired by the success of “Around
the World in 80 Days” but produced on a much smaller budget.
There are times when this “Lost World” resembles a TV show
with its production values, making it best left for Allen and
Cinemascope fanatics, who will at least appreciate the superb 16:9
(2.35) transfer with 4.0 Dolby Digital sound. Extras include a vintage
featurette, trailer, comic book, and Fox Movietone newsreel, along with
the original 1925 Wallace Beery-Lewis Stone silent version on a
separate platter.
THE ROGER CORMAN COLLECTION (8 Films; MGM/Fox):
Box-set release bundles eight previously released Midnite Movies
favorites from director Roger Corman, including “The Premature
Burial,” “X-The Man with the X-Ray Eyes,”
“Bloody Mama,” “A Bucket of Blood,”
“Gas-s-s-s!”, “The Trip,” “The Young
Racers,” and “The Wild Angels.” Transfers,
soundtracks, and supplements are all identical to previous DVD
incarnations.
Aisle Seat Pick of the Week
MASADA (1981, 383 mins., Koch Entertainment):
Kudos to Universal for licensing this rousing, well-acted and supremely
memorable 1981 mini-series, which has at last arrived on DVD.
Based on Ernest K. Gann’s novel “The Antagonists,”
“Masada” follows the first-century, A.D. efforts of Eleazar
ben Yair (Peter Strauss), the Jewish zealot who stages a historic
uprising of his people against the Roman Empire and its commander
Flavius Silva (Peter O’Toole) in a compound set in the mountains
of Masada. Barbara Carrera, Nigel Davenport, Anthony Quayle, and David
Warner co-star in this bittersweet reminder of what the television
mini-series once was, with action, spectacle and human drama deftly
combined in the teleplay by Joel Oliansky, ably directed by veteran
Boris Sagal.
Shot on location in Israel, “Masada” is riveting
entertainment, capped by a sensational Jerry Goldsmith score (with an
assist from Morton Stevens) that most of us are patiently waiting for a
re-issue of (hint hint). Koch’s no-frills, double-disc DVD set
preserves the complete mini-series as it originally aired (with
separate credits for each of the “parts”), with the
material looking healthy, if a little bit worn from time to time. The
mono sound is also okay, as good as early ‘80s television
fidelity permits. Highly recommended!
Also New on DVD
STARGATE ATLANTIS: Season 3 (2006-07, 871 mins., MGM/Fox):
Season three for the popular Sci-Fi Channel series (a spin-off of the
long-running “Stargate” series) finds a new fleet of Wraith
ships heading to attack Earth. MGM/Fox’s five-disc DVD box-set
preserves the complete third season in excellent 16:9 (1.78) transfers
with 5.1 Dolby Digital sound, plus commentary on selected episodes,
featurettes, photo galleries and more. “Stargate” fans may
also want to check out star David Hewlett in his indie comedy “A
Dog’s Breakfast,” which MGM will release next week on DVD
in a superb 16:9 (1.78) transfer with 5.1 Dolby Digital sound, plus
commentary, deleted scenes, and featurettes.
ELVIRA’S MOVIE MACABRE (3 Volumes, Shout! Factory):
Elvira’s original series hits DVD for the first time, offering
the voluptuous horror hostess’ amusing asides and sketches that
would run during often mundane horror films. Shout’s series of
three Double Feature discs partner “Blue Sunshine” with
“Monstroid”; “Maneater of Hydra” with
“The House That Screamed”; and “Gamera, Super
Monster” with “They Came From Beyond Space.” The DVDs
also offer the option of seeing the films unedited without Elvira, but
what would the point of that be?
TWO WEEKS (2006, 99 mins., R; MGM/Fox):
TV-movie esque dysfunctional family drama finds a group of siblings
(including Tom Cavanagh, Ben Chaplin and Julianne Nicholson) returning
to their mother’s (Sally Field) side once they learn she’s
terminally ill. Steve Stockman’s sincerely produced film hits DVD
in a fine a/v presentation offering both widescreen (1.85, 16:9) and
full-screen options, 5.1 Dolby Digital sound, commentary, deleted
scenes, and other extras.
New On Blu Ray
UNDERWORLD: Unrated Cut - Blu Ray (**½, .2003, 123 mins., NR; Sony):
Ridiculous, humorless, yet stylish genre potpourri crosses "Highlander"
with "The Crow," adds in a dash of vampire and werewolf action, and
does a poor job developing characters for a movie that runs a full two
hours.
All
that being said, though, the central story in Len Wiseman's hit 2003
film is an intriguing one: in a nondescript, towering city, a
centuries-old war is being waged by aristocratic vampires and
street-savvy "Lycans," whom the legions of the undead want to
extinguish from the world as we know it. Humans rarely interact with
either species, which is why vampire huntress Kate Beckinsale finds it
odd that one of the last Lycan mobs is targeting a human hospital
internist (Scott Speedman).
Screenwriter Danny McBride weaves a compelling story of an ages-old
conflict between warring supernatural forces, yet one wishes that the
relationships between the protagonists -- especially the "forbidden
bond" between Beckinsale and Speedman -- had been elaborated upon. The
society the vampires have established for themselves is intriguing as
well (particularly in its contrast with the Lycan world), yet the movie
frustratingly never indulges us in anything more than what feels like
an outline of a full- blooded story.
Still, the visuals and action keep you watching, while Wiseman's
obvious fetish for Beckinsale in leather (he married her following
production) results in a sleek female action hero who returned in the
fairly satisfying follow-up “Underworld: Evolution.”
Columbia TriStar's new Blu Ray edition of “Underworld” is
basically a high-definition reprise of the studio’s earlier
“Extended Cut” double-disc DVD set. It offers an alternate
version of the film (not a "Director's Cut" according to Wiseman) that
boasts over 20 minutes of restored and/or re-cut footage (the running
time is 13 minutes longer than the theatrical cut). Generally, this cut
does improve on the original version, thanks to added character bits
and scene extensions, all helping to make the film flow more smoothly
overall. The disc includes a newer commentary track with Wiseman,
Beckinsale, and Speedman (the latter for a few minutes, at least).
Discarding the original DVD's commentaries, this new track is
unfortunately a bit too jokey at times for its own good, but there's
enough information here to please fans.
Other Blu Ray extras include a 47-minute cable documentary, "Fang Vs.
Fiction," which attempts to chronicle the origins of the vampire and
werewolf myths and how they've been modernized on the big-screen; a
reel of outtake bloopers; plus visual effects and production design
featurettes. Carried over from the very first DVD release are "The
Making of 'Underworld'" and other featurettes on the creature effects,
stunts, sound design, storyboards and a music video.
Where
the disc obviously shines is in its visual presentation. This
“Underworld” boasts a marvelous HD 1080p transfer
(MPEG-4/AVC encoded) that packs a wallop; each and every frame boasts
perfectly-pitched black levels and details that were lost on previous
standard-definition versions. Though “Underworld” certainly
isn’t a movie to test out the full spectrum of colors on your
HDTV, this is a razor-sharp transfer that does not disappoint. Sony
rounds out the release with its customary, superb uncompressed 5.1 PCM
soundtrack, as well as an additional 5.1 track for standard Dolby
Digital users.
This is easily the finest presentation of the movie on video to date,
and well worth it for Blu Ray owners and “Underworld” fans.
THE REPLACEMENT KILLERS: Extended Cut - Blu-Ray (**½, 96 mins., 1997, Unrated; Sony):
Chow Yun-Fat's introduction to American cinema isn't anything but a
formula retread of his superior Hong Kong thrillers, but “The
Replacement Killers” is nevertheless an entertaining actioner
that doesn't wear out its welcome, and is here resurrected by Sony in a
new Blu Ray release sporting a nifty 1080p HD transfer (MPEG-4/AVC
encoded) with uncompressed 5.1 PCM sound. For supplements, the disc
loses some of its standard-definition extras (including deleted scenes
and commentary), but does boast an HBO Making Of special and another
featurette examining Yun-Fat’s first foray into Hollywood studio
filmmaking. The film is also presented in its longer (by eight minutes)
“Extended” version, and while watching the movie again in
HD, I felt the same as I did during my initial viewing of the picture
nearly a decade ago: it's still disappointing that the movie wasn't
anything out of the ordinary, particularly considering the fine
supporting cast that was assembled here (Mira Sorvino, Michael Rooker,
Jurgen Prochnow), but as an OK time-killer, “The Replacement
Killers” is still worth a view for action fans.
A FEW GOOD MEN: Blu Ray (***, 1992, 138 mins., R; Sony):
Rob Reiner’s brief run as an A-list director reached its apex
with the release of this 1992 court-room drama, adapted by Aaron Sorkin
from his play. Famously quotable dialogue is mixed in with some gaping
plot holes and none-too-subtle political commentary (par for the course
with Sorkin’s work), but at its heart “A Few Good
Men” is sturdy, old-fashioned Hollywood moviemaking, following
crusading Navy attorney Tom Cruise as he investigates a marine’s
murder and (memorably) questions his scenery-chewing commanding officer
(Jack Nicholson) in the process. Demi Moore, Kevin Bacon, Kiefer
Sutherland, J.T. Walsh, Kevin Pollak, Noah Wylie, and Cuba Gooding, Jr.
are part of the familiar ensemble cast in this polished entertainment,
well-shot in scope by Robert Richardson and offering a compelling, if
flawed, story that’s just a little too bombastic at times for its
own good (that concluding “The End” title card irritates me
every time). Sony’s Blu Ray release looks outstanding with its
MPEG-2 encoded transfer and offers 5.1 uncompressed PCM sound plus
commentary from Reiner and two documentaries featuring the director,
writer and cast members.
MEMOIRS OF A GEISHA: Blu Ray (**, 2005, 145 mins., PG-13; Sony):
Steven Spielberg-produced adaptation of Arthur Golden’s
bestseller makes for a lush, sumptuously photographed soap opera,
packed with cliches and a languid pace. The performances (from Ziyi
Zhang, Ken Watanabe, Michelle Yoeh, Gong Li and others) are top-notch,
but these “Memoirs” are best left appreciated by readers
familiar with the material, who can overlook the story’s sappy,
predictable, and inherently melodramatic elements. Sony’s Blu Ray
release, at least, is a keeper: the 1080p (MPEG-4/AVC encoded) transfer
captures all of Dion Beebe’s marvelous photography, while the
uncompressed 5.1 PCM sound does justice to John Williams’
atmospheric score. Ample extras include two commentaries, numerous
Making Of featurettes and copious interviews -- making this a real nice
package from Sony here. Despite my dislike for the film,
“Geisha” still comes highly recommended for fans.
BLACK BOOK: Blu Ray (***½, 146 mins., 2006, R; Sony):
A return to form for director Paul Verhoeven, who likewise returned to
his native Holland to helm this supremely entertaining WWII thriller
about a Jewish singer (Carice Van Houten) who joins the Dutch
resistance. Her assignment: infiltrate Gestapo headquarters, which she
does after changing her appearance -- only to fall for a handsome Nazi
captain (Sebastian Koch) in the process! Thrills, sex, history, and
ample atmosphere make this a wild and always interesting ride, and
easily Verhoeven’s most satisfying effort in quite some time.
Sony’s Blu Ray disc (available September 25th) boasts a marvelous
HD transfer, vividly doing justice to Karl Walter Lindenlaub’s
finely-hued cinematography, while the uncompressed PCM sound offers a
fine score by Anne Dudley. Extras include a commentary from the
director (who co-wrote the picture with Gerard Soeteman) and a basic
Making Of featurette. Obviously worth checking out on both Blu Ray and
standard DVD next week!
=September Titles from Paramount
Paramount’s September offerings include a number of TV on DVD titles as well as a pair of Special Edition re-issues.
The major new release in the batch is
NEXT (**½, 2007, 96 mins., PG-13; Paramount), a spring-time box-office flop that’s actually a lot more watchable than you might’ve thought.
Nicolas
Cage shows more signs of life here than he did in “Ghost
Rider,” anyway, playing Cris Johnson: a floundering Vegas
magician with the ability to see into the future...two minutes ahead,
at least, and only in relation to his own well-being. Government agent
Julianne Moore attempts to recruit his “talents” for the
benefit of tracking down a terrorist plot to bomb L.A. (I guess Jack
Bauer wasn’t available), but Cage’s reluctance is only
accentuated after he meets pretty, down-on-her luck Jessica Biel,
fleeing a bad relationship with her ex.
Gary Goldman, Jonathan Hensleigh and Paul Bernbaum are credited with
writing this adaptation of a Philip K. Dick short story, which Lee
Tamahori directs in his usual straightforward manner.
“Next” is actually a fairly weak action picture, with so-so
special effects and a scenario that feels like “24" leftovers,
but the character interplay is interesting enough: Cage’s powers
are amusingly shown at the film’s beginning where he first meets
Biel, and the young actress actually gives the film’s best
performance as the heroine (by comparison, Moore seems to be going
through the motions in a thankless, check-cashing role).
Cage and Biel keep you watching, and while the film is ultimately not
long enough (just 90 minutes with credits) to develop its main premise
satisfactorily, it’s nevertheless a watchable effort that’s
worth a rental at least.
Paramount’s DVD offers a strong 16:9 (2.35) transfer with 5.1
Dolby Digital sound, but the better presentation is obviously on-hand
in the HD-DVD incarnation, offering an excellent AVC/MPEG-4 transfer
with 5.1 Dolby TrueHD sound. Extras available across both platforms
(though in high-definition on the HD-DVD side) include a group of
standard-issue, mostly-promotional flavored featurettes.
Two Paramount Special Editions are also on-tap this month, and all I
can say is that Tony Manero is STILL, indeed, the man. Just watching
John Travolta strut his stuff again as the Brooklyn dance king in John
Badham's seminal '70s classic
SATURDAY NIGHT FEVER (***, 1977, 118 mins., R; Paramount) is enough to make you get off your couch and groove to the classic Bee Gees soundtrack one more time.
This
slick, stylish, and memorable Robert Stigwood production was scripted
by Norman Wexler from a New Yorker story about blue-collar Brooklyn
residents who would take to the dance floors at their neighborhood
discos each weekend.
Travolta's superstar-making performance as Tony -- an ordinary young
guy trying to break out of his drab daytime existence and make
something of himself after dark -- formed the heart of the 1977 film, a
slice-of-life drama with melodramatic and tragic passages, highly
memorable lines, a few laughs, and a dash of romance sprinkled into the
mix. Add in the chart-topping soundtrack, featuring "Stayin' Alive,"
"More Than A Woman," and "How Deep Is Your Love," and you had a smash
hit that seemingly defined the fashion, dance, and mood of the moment.
Some 30 years later, disco may still be dead but “Saturday Night
Fever” is very much alive. If the film's then-contemporary look
is dated, its story of small-time dreamers trying to make something of
themselves -- and break beyond their barriers -- is just as timely now
as it was then. Travolta's sensational, oft-quotable performance
anchors the movie brilliantly -- as director John Badham mentions in
his commentary track, Tony is in virtually every scene and it's a
testament to Travolta's charisma that “Saturday Night
Fever” holds itself together despite a wide-ranging and at times
inconsistent tone.
Paramount’s new 30th Anniversary DVD edition is an odd blend of
new features, old features ported over from the previous DVD, and a few
omissions.
Notably absent from the new DVD are the deleted scenes from the older
Special Edition, which means fans will have to hang onto that earlier
release to access them. Badham’s commentary has been retained,
while a new documentary (“Catching the Fever”) represents
the disc’s most significant addition, offering a retrospective
look back at the production, while the new 16:9 (1.85) transfer and 5.1
sound do seem to be an upgrade on the prior disc. Fans should note a
planned HD-DVD release was postponed for the time being.
Also receiving a new Anniversary release is
FLASHDANCE (**½, 94 mins., 1983, R; Paramount),
a silly box-office smash from ‘83. Its simple rags-to-riches tale
of an 18-year-old (Jennifer Beals) who welds by day and dances at night
-- so she can make it as a legitimate ballet dancer -- is basically
"Cinderella in Pittsburgh," complete with a knight in shining armor
(Michael Nouri), who here happens to be the boss of the construction
company she works at.
All you have to do is take a look at the individuals who made
"Flashdance" to know what the movie is all about. It was directed by
Adrian Lyne, produced by Don Simpson and Jerry Bruckheimer, co-written
by Joe Eszterhas, and scored by Giorgio Moroder (with "Sylvestor" Levay
receiving credit for arranging and conducting Moroder's compositions).
The soundtrack features plenty of classic '80s songs (including the
Oscar-winning Irene Cara title track) and offers slick and satisfying
entertainment so long as you aren't looking for much of a story.
Paramount's new DVD supplants the earlier, extras-free release by
offering what appears to be a newer 16:9 (1.85) transfer with 5.1 Dolby
Digital sound, two trailers, and another retrospective documentary
newly produced for the DVD (a six-track music CD includes a sampler of
the soundtrack and is also bundled with the disc). As with
“Saturday Night Fever,” an HD-DVD release is likely to
follow some time in the future, even though its original release date
was postponed.
Other new releases from the studio this month include:
BABEL: 2-Disc Collector’s Edition (***, 143 mins., 2006, R; Paramount):
Ambitious film from director Alejandro Gonzalez Inarritu and writer
Guillermo Arriaga follows the accidental shooting of an American
tourist (Cate Blanchett) while on vacation with her new husband (Brad
Pitt) in Morocco, though “Babel” nearly defies a standard
plot description: Inarritu’s movie intersects three other
stories, spanning different cultures and continents, with this main
thread in the same time frame. It’s a sprawling picture
reminiscent of other films about modern social mores and the
communication boundaries that bind, and can break, all of us (think
“Crash” or “Traffic”), and certainly makes for
an interesting view -- albeit a long, sometimes tedious one with an
unrelentingly grim tone. Paramount’s new 2-disc Collector’s
Edition includes the same presentation of the film on its first platter
as the prior DVD, with the addition of “Common Ground: Under
Construction Notes,” a feature-length documentary, on the second
disc from director Inarritu. Seeing that it’s the only major
supplement here, I can only recommend this new disc for hard-core
Inarritu fanatics.
GHOST WHISPERER: Season 2 (2006-07, 16 hrs., Paramount):
Second season of the fairly popular CBS Friday night series continues
the adventures of clairvoyant Melinda Gordon (Jennifer Love Hewitt),
who here adapts to life with a new associate (Camryn Manheim, a less
than satisfying substitute for the departed Aisha Tyler) and the
potential of an “Evil” Ghost Whisperer invading her quaint
rural town. Paramount’s box-set offers all 22 second-season
episodes of the series in satisfying 1.85 (16:9) transfers with 5.1
sound and a whole group of special features fans are sure to enjoy.
NUMBERS: Season 3 (2006-07, 17 hrs., Paramount):
The successful Ridley Scott-produced crime drama returns to DVD this
month in a six disc set preserving all 24 episodes of
“Numbers”’ third season. Special features include
selected commentaries, bloopers, and Making Of featurettes, along with
1.85 (16:9) transfers and 5.1 Dolby Digital sound.
THE UNTOUCHABLES: Season 1, Volume 2 (1960, 12 hrs., Paramount):
Four-disc set includes the latter 14 episodes from “The
Untouchables”’ first season. One bonus feature is also
on-hand: a vintage “Lucy Show” episode, “Lucy the Gun
Moll.”
STREETS OF SAN FRANCISCO: Season 1, Volume 2 (1973, 11 hrs., Paramount): Second-half
of the first season of the Quinn Martin crime drama offers the
remaining 13 episodes from Season One on four discs. Transfers and
soundtracks are fine across the board.
CRIMINAL MINDS: Season 2 (2006-07, 17 hrs., Paramount):
Mandy Patinkin may be leaving but “Criminal Minds” fans can
relish his final season on the successful CBS crime drama, hitting DVD
in a couple of weeks. Paramount’s six-disc DVD set contains all
23 episodes from the sophomore season of “Criminal Minds”
in top-notch 16:9 (1.85) transfers with 5.1 Dolby Digital sound,
featurettes, a gag reel, and deleted scenes. (Available Oct. 2nd)
THE SARAH SILVERMAN PROGRAM: Season One (2007, 132 mins., Paramount):
Hit-or-miss affair from the caustic and occasionally hilarious comic,
who stars in this ribald Comedy Central series. Extras include
commentary, musical performances and karaoke materials (!), with the
various, short episodes presented in full-screen and 2.0 Dolby Stereo
sound. (Available Oct. 2nd)
New Super-Adventures
It seldom gets the attention it deserves, but
SMALLVILLE very quietly continues to roll along, with the show’s seventh season set to debut on the CW network shortly.
In the interim, fans can catch up on one of the series’ most
satisfying years with Warner’s six-disc assemblage of the
show’s
Sixth Season (2006-07, 917 mins.), available on DVD this week.
This time Clark (Tom Welling) finds himself joining up with the Green
Arrow (the appealing Justin Hartley) and the Justice League while
combating the ever-vile Lex Luthor (Michael Rosenbaum), who’s set
to marry Kent’s one-time squeeze Lana Lang (Kristin Kreuk).
Meanwhile, Lois Lane (the ever-fetching Erica Durance) starts working
at the Daily Planet, where cousin Chloe (Allison Mack) finds romance
with a young Jimmy Olsen (Aaron Ashmore).
Producers Al Gough and Miles Millar have fashioned one of the most
entertaining “Smallville” seasons to date, with interesting
subplots and the growing tension between Clark and Lex reaching its
apex late in the year. The cast remains winning as always, and the
addition of Hartley’s Green Arrow gives the show much-needed
energy in its early stages. As I’ve written in the past,
detractors will always have their complaints, but this revisionist take
on the Man of Steel remains the most satisfying, post-Christopher Reeve
incarnation of Superman I’ve seen.
Warner’s six-disc DVD set offers excellent 16:9 (1.85) transfers
with 5.1 Dolby Digital sound and number of extras, unaired scenes and
more. The HD-DVD version is due out this week as well and promises
similar supplements and high-definition transfers.
Also new from Warner this week is the eagerly-awaited original animated movie
SUPERMAN: DOOMSDAY (75 mins., 2007, PG-13; Warner),
produced and co-directed by Bruce Timm (veteran of the acclaimed
“Superman” and “Batman” animated series) and
written by Timm with associate Duane Capizzi.
An adaptation of the popular DC graphic novel “The Death of
Superman” (and something we would’ve partially seen in the
aborted Tim Burton-Nicolas Cage “Superman” project of the
late ‘90s), “Superman: Doomsday” comes billed as the
first PG-13 animated Supes adventure, as well as a highly anticipated
project for Superman fans.
The result, sadly, is a watchable yet disappointing effort, especially
considering the participation of Timm. With most of the voices re-cast
from the original “Superman” animated series (Anne Heche as
Lois Lane? Adam Baldwin as Superman?), the 75-minute feature
doesn’t feel instantly familiar (even though its visual design is
quite similar), and while it’s more “graphic” than
the norm, it still feels watered-down from its source material...like a
weird hybrid of Timm’s prior series and a more mature,
“adult” comic book tale.
As such, “Superman: Doomsday” is likely to disappoint
hard-core Superman fans expecting a more developed adaptation of the
“Death of Superman” graphic novel, while simultaneously
alienating younger viewers with its PG-13 tag and stronger comic book
violence.
Warner’s DVD presentation is excellent at least. The 16:9 (1.78)
transfer is colorful while over 70 minutes of supplements include a
documentary (“Requiem and Rebirth”) on the storyline,
commentary from Timm, Capizzi, and other production staff, and other
goodies. Mildly recommended in spite of its flaws, though I’d
advise fans to dial down their expectations before firing up the DVD
player.
Also Newly Released on DVD
BROTHERS AND SISTERS: Complete First Season (2006-07, Six Discs; Buena Vista):
ABC Sunday night soap opera did well in its first season, charting the
lives and loves of the Walker family and their various offspring
(including Sally Field, Calista Flockhart, Rachel Griffiths and
Patricia Wettig). The cast is terrific and “Brothers and
Sisters” fans are sure to enjoy this six-disc compilation of the
series’ freshman season, presented in excellent 16:9 (1.85)
transfers with 5.1 Dolby Digital sound and a number of extras:
bloopers, deleted scenes, commentaries, several featurettes and a
“bonus” episode. Recommended for fans, or anyone who got
into the show late in its first season and needs to catch up.
GRIFFIN & PHOENIX (2006, 102 mins., PG-13; MGM/Fox):
Tearjerking romantic-drama with Amanda Peet and Dermot Mulroney as a
pair of lovers hiding a common pair of secrets. Ed Stone’s
watchable drama is a remake of a 1976 made-for-TV film with Peter Falk
and Jill Clayburgh, and even utilizes John Hill’s original
script. Fox’s DVD includes a 16:9 (1.85) transfer with 5.1 Dolby
Digital sound.
AWAY FROM HER (2006, 110 mins., PG-13; Lionsgate):
Moving drama written and directed by actress Sarah Polley stars Julie
Christie as a devoted wife who gradually succumbs to memory loss;
Gordon Pinsent is her loving husband in this low-key, well-made and
sincerely performed tale. Lionsgate’s DVD includes a commentary
from Julie Christie, deleted scenes (with optional commentary from
Polley), a 16:9 (1.78) widescreen transfer with 5.1 Dolby Digital sound.
ALLIGATOR (***, 90 mins., 1980; Lionsgate): Top-notch
creature feature with a smart script by John Sayles and a fine
performance from Robert Forster finally hits DVD in the U.S. after
having been available overseas in an Anchor Bay special edition.
Lionsgate’s domestic disc offers the same commentary with Forster
and director Lewis Teague found on the Anchor Bay disc, plus a new
interview with Sayles. The 5.1 Dolby Digital sound and 16:9 (1.85)
transfer are both excellent.
NEXT
TIME:THE LAST STARFIGHTER in HD, Ken Burns' THE WAR, and More! Until
then, don't
forget
to drop in
on the official Aisle Seat Message
Boards, check
out the new Aisle
Seat Blog, and
direct
any emails to the
link
above. Cheers everyone!