Fall Premiere Edition STAR CRASH, Criterions, Peanuts &
More Plus: TV on DVD Wrap Up
Two gorgeous new Blu-Ray presentations highlight Criterion’s list of
late September releases.
Upon first viewing in 1998, I originally wasn't quite sure what to make
of THE THIN
RED LINE (***, 171 mins., 1998, R), the beautifully filmed but
eclectic WWII Guadacanal recounting by filmmaker Terrence Malick,
making his first movie since “Days of Heaven” graced screens over
twenty years prior.
In my 1998 review, I wrote “there's a semblance of a plot, but it isn't
fleshed out. There are characters who come and go, and disappear into
the twilight, after making a brief but memorable impression. There is
also magnificent cinematography from “Braveheart”’s John Toll, and a
fine score by Hans Zimmer that's fortunately as relatively subdued
(especially by Media Ventures standards) and dramatically effective as
you would hope it would be. And there's also the ultimate feeling that
what you are watching is a film that is trying to convey something far
more than a linear, cohesive storyline--something about the nature of
warfare and how our emotions are suppressed and/or heightened by the
inevitability of death. Or something like that.”
Now, when viewed against Malick’s recent (and not quite as satisfying)
“The New World,” it’s a bit easier to figure out where the filmmaker is
coming from, as his poetic style, his filmic “vocabulary” if you will,
was basically reprieved in the latter. “The Thin Red Line” isn’t the
“greatest war movie ever made” as its booklet notes suggest, but at
least its ambitions are higher than most and I think the film has aged
well, whereas Spielberg’s “Saving Private Ryan” seems more rooted in
the ‘90s in terms of its visuals and performances. Even if you find
Malick’s incessant questioning to be more aggravating than insightful,
and the cameo bit parts by various stars distracting (though Sean Penn
turns in an excellent performance), the visuals are spellbinding and
spectacular, and enough to recommend a viewing by themselves.
Criterion’s Blu-Ray edition enhances Malick’s film by presenting a
beautiful new AVC-encoded 1080p transfer. The film looks brilliant,
backed by a nicely layered DTS Master Audio soundtrack and exemplary
supplements including a new commentary from Toll, production designer
Jack Fisk and producer Grant Hill. There are also numerous actor
interviews, plus a conversation with Hans Zimmer, who discusses the
challenge in working with Malick; a new interview with casting director
Dianne Crittenden, boasting archival audition footage (speaking of
casting, stay tuned to the end credits where Malick thanks all the
actors cut out of the film, with big names like Bill Pullman, Gary
Oldman, Mickey Rourke, Lukas Haas, and Martin Sheen among them); 14
minutes of discarded material; WWII vintage newsreels; the trailer; and
extensive booklet notes.
Also new from Criterion this month is Nagisa Oshima’s acclaimed 1983
film MERRY
CHRISTMAS, MR. LAWRENCE (***, 123 mins., R), a “revisionist”
WWII POW drama with David Bowie essaying a British officer interred at
a Japanese prison camp overseen by Captain Ryuichi Sakamoto and Sgt.
Takeshi ‘Beat’ Kitano (who ends up being more than a little interested
in Bowie); Tom Conti portrays the British colonel who attempts to
intermediate between the two cultures in Oshima’s probing, intriguing
work, which feels awkward at times with performances from the two leads
that don’t always seem in sync.
Criterion’s Blu-Ray is again rich with extras. New interviews with
producer Jeremy Thomas, Conti, writer Paul Mayersberg, and Sakamoto are
on-hand, along with a vintage 1983 Making Of featurette, a 1996
documentary on author Laurens van der Post (whose autobiographical book
formed the basis for the picture), the trailer, and insightful liner
notes. The AVC encoded 1080p transfer is spot-on, as is the DTS Master
Audio soundtrack, sporting an occasionally overbearing score from
Sakamoto.
Wes Anderson remains one of the strongest voices in filmmaking today,
with his idiosyncratic pictures running the gamut from the charming and
funny (“Rushmore,” “Bottle Rocket”) to the uneven (“Royal Tenenbaums”)
and downright baffling (“The Life Aquatic with Steve Zissou”).
THE DARJEELING
LIMITED (***, 91 mins., 2007, R), Anderson’s most recent
live-action work, is thankfully not as obtuse as “Life Aquatic” and
doesn’t ramble as much as “Tenenbaums” as it follows three brothers
(Adrien Brody, Owen Wilson, Jason Schwartzman) who head to India for a
journey of personal discovery after the death of their father, and find
more than a few bumps in the road en route with the elements as well as
each other.
Anderson, who wrote the script with Schwartzman and the actor’s cousin,
Roman Coppola, has fashioned another of his quirky works with mild
humor, poignant touches and a wonderful soundtrack primarily comprised
of music written for Satyajit Ray and Merchant-Ivory
pictures. Unlike some of Anderson’s more recent films “Darjeeling”
doesn’t overstay its welcome and while it still comes most strongly
recommended for the director’s aficionados, its sense of time and
place, vivid scope cinematography and performances make it another
offbeat cinematic journey well worth taking.
Criterion’s Blu-Ray edition of “Darjeeling” joins their prior Anderson
packages, boasting original illustrations from Eric Chase Anderson;
commentary with Anderson along with Schwartzman and Coppola; a
behind-the-scenes doc shot by Barry Braverman; an interesting
conversation between Anderson and James Ivory about the music utilized
in the film; on-set footage; audition tapes; deleted and alternate
scenes; still galleries; the trailer; and a beautiful AVC encoded 1080p
transfer with DTS Master Audio sound. Also on-hand are Anderson’s
American Express commercial plus the short “Hotel Chevalier,” a prequel
to the film with Schwartzman and Natalie Portman.
Also out on October 12th from Criterion is Ingmar Bergman’s vividly
filmed THE
MAGICIAN (***½, 101 mins., 1958), offering Max von Sydow
as Albert Vogler, a magician whose trickery and would-be supernatural
abilities are tested by Stockholm police and its chief medical adviser
(Gunnar Björnstrand), who pit science and reason against mysticism
and the unknown in this offbeat Bergman film which works on a number of
levels.
Criterion’s Blu-Ray edition of the picture is gorgeous, offering deep
blacks, perfectly-pitched contrast levels and lots of fine detail. The
mono sound is also fine, while extras include a “visual essay” by Peter
Cowie; a short 1967 conversation with Bergman about the film; a 1990
English-language interview with Bergman; improved subtitles; and a
booklet with copious liner notes. Recommended! New From Shout! Factory
Banished to bootlegs and infrequent, fuzzy VHS releases since the early
‘80s, Luigi Cozzi’s goofball sci-fi fantasy STAR CRASH (92
mins., 1978, PG) not only receives a long-overdue remastered
release courtesy of Shout! Factory, but in a bona-fide deluxe, two-disc
edition packed with supplements that pay (more than) proper respect to
a silly movie that’s a lot more fun when viewed in eye-popping
high-definition.
“Star Crash” has a rep of being an awful movie, and while it’s “bad,”
it’s not nearly as horrible as other post-“Star Wars” ripoffs. Cozzi,
whose marching orders were to produce a “Star Wars”-like adventure even
though he had yet to see the film when he wrote it (he had, however,
read the “George Lucas” [i.e. Alan Dean Foster] authored paperback
novelization which was in stores in 1976), created a tongue-in-cheek
affair with homages to Flash Gordon, Ray Harryhausen, “Barbarella” and
even “Invaders From Mars,” with ultra-sexy Caroline Munro essaying
“space spy” Stella Star and Marjoe Gortner as her “alien”
sidekick Akton, who team up to stop dastardly Joe Spinell (looking a
lot like Ming the Merciless) from destroying the galaxy while trying to
find the son (David Hasselhoff) of the “Emperor of the Galaxy”
(Christopher Plummer) at the same time.
Backed by some special effects that are a mix of not-bad and laughably
terrible, “Starcrash” is outlandish and proves to be perfect eye candy
for Blu-Ray. An early adopter of the Dolby Stereo format, the picture
was scored by none other than John Barry, who reportedly was shown only
a black-and-white workprint of the “special” effects so he wouldn’t
know how terrible the picture was. Barry’s romantic score is a gem, and
it sounds terrific on Blu-Ray in Shout’s DTS Master Audio soundtrack –
so much that while the film itself may be completely absurd (and knows
it), Barry’s music gives it a certain grandeur it would’ve totally
lacked otherwise.
Visually, Shout’s AVC-encoded 1080p transfer is equally marvelous,
restoring the picture’s positive assets (namely, Munro and its primary
colors) to a level no prior video release in this country ever
approximated; in fact, with fans having to track down old bootleg tapes
or Region 2 DVD releases of the picture, it stands to reason this
beautiful new print may cause fans to re-assess their opinions on the
picture. It’s not great cinema, but it’s certainly fun.
Shout! rounds out the Blu-Ray disc with all kinds of great extras,
housed on both the BD and a standard-DVD second platter. There are not
one but two commentaries from “Starcrash” fan Stephen Romano (who also
pays tribute to the film in his booklet notes), along with a lengthy
interview with Cozzi, an hour-plus conversation with the still lovely
Munro (whose last name is regrettably spelled incorrectly in the
segment’s title cards), extensive still galleries (including Drew
Struzan artwork commissioned when the film was going to be released by
American-International, before Roger Corman ended up with it),
behind-the-scenes footage with commentary from Romano, deleted/extended
scenes from the longer Italian version, trailers with commentary from
Joe Dante (who cut the trailer for New World) and fan Eli Roth, DVD-ROM
material, a look at the film’s effects with FX supervisor Armando
Valcuada and, finally, a segment on Barry’s score with “Mars” of
“Deadhouse Music.” While it’s always great to see film music
spotlighted in disc supplements, “Mars” doesn’t seem to be heavily
informed about this particular score, believing that Barry, “pressed
for time,” scored the picture in four days at the tail end of the
“Moonraker” sessions at Abbey Road (“Moonraker” would’ve been recorded
later; it was also recorded in Paris!).
Also due out shortly from Shout! is THE SLUMBER PARTY
MASSACRE COLLECTION, a nostalgic trio of ‘80s exploitation
favorites offering Amy (Holden) Jones’ original 1982 “Slumber Party
Massacre,” the 1987 sequel “Slumber Party Massacre II” (with Crystal
Bernard), and 1990's “Slumber Party Massacre III.”
The box-set boasts new 16:9 transfers for parts one and two (Part III
is presented
full-screen in its Unrated form), commentaries on each film, a
poster/stills gallery, trailers, and the riveting three-part
documentary “Sleepless Nights: Revisiting the Slumber Party Massacre,”
all perfect for Halloween viewing consumption this year. Pre-Halloween Treats & Terrors
ALIEN AUTOPSY
DVD (95 mins., 2006, PG-13; Warner): The Ealing Studios brand
name first resurfaced in this 2006 British comedy that’s just now being
released stateside via a fairly low-cost Warner DVD.
Designed as a vehicle for British TV stars Ant McPartlin and Declan
Donnelly, “Alien Autopsy” attempts to put a comedic riff on the
supposedly “real” Roswell autopsy footage that surfaced in the ‘90s.
McPartlin and Donnelly play British hustlers who have to re-create the
“top secret” footage after the actual negative decomposes in their
hands; a series of mostly unfunny comic shenanigans follow, including
run-ins with a documentary filmmaker (Bill Pullman), a German drug lord
(Gotz Otto), and a small-town sheriff (Harry Dean Stanton).
“Alien Autopsy” failed to muster much business in its native UK, and
was generally dismissed by critics overseas. Warner has tried here to
sell the DVD in more of a straightforward manner, with packaging that
suggests this is one of their “Raw Feed” direct-to-video genre
offerings. Don’t be mislead: this is silliness all the way, and your
tolerance for McPartlin and Donnelly’s antics will dictate how much
mileage you get out of it.
Warner’s DVD, in addition to a 16:9 (1.78) transfer and 5.1 Dolby
Digital soundtrack, also includes a Making Of that aired on British TV,
plus additional scenes, outtakes, and commentary from director Jonny
Campbell.
BEAUTY AND THE
BEAST Diamond Edition DVD/Blu-Ray (****, 90 mins., G, 1991): One
of the fall’s most anticipated video releases, this gorgeous Disney
package (a double Blu-Ray/single-DVD set) sports a brand-new, digital
restoration of the 1991 classic.
While Alan Menken and Howard Ashman's tuneful score for 1989's "The
Little Mermaid" launched the revitalization of Disney feature
animation, it was "Beauty" that truly marked the resurrection of the
studio's artistic legacy.
An enchanting retelling of the fairy tale, "Beauty" was initially shown
at the New York Film Festival in a rough "Work in Progress” form, some
two months prior to its national release. Critical kudos -- even for
the unfinished version -- started the word-of-mouth vibe rolling, and
once the film itself was released in time for the holidays, “Beauty”
had established a widespread base of positive reviews that would be
matched by an equally enthusiastic response from viewers of all ages.
In the end, the film was nominated for a handful of Oscars (including
Best Picture, back when there wasn't any separate category for an
animated feature), rightly sweeping the Original Score and Song awards
for Ashman and Menken in the process.
Disney’s new Diamond Edition boasts a spectacularly vivid presentation
of the picture, having been meticulously remastered for high-def, along
with a number of great supplements. Surprisingly, this is only the
second DVD edition of the film -- the 2002 Platinum Release was the
movie’s first Special Edition package, and even laserdisc fans for
years had to settle for the "Work In Progress" version, which was the
only print available until a widescreen laserdisc (sans extras) was
released and withdrawn after a short period of time.
Clearly the most satisfying feature of the Diamond Edition is that it
contains no less than three separate versions of the film: the original
theatrical cut, the 2001 Special Edition that was released in IMAX
theaters, and even the complete "Work In Progress" version are all
on-hand. All three contain beautiful, crisp AVC encoded 1080p transfers
and DTS Master Audio soundtracks on Blu-Ray, or 16:9 (1.78) and 5.1
soundtracks on DVD; the picture also contains an older audio commentary
with the filmmakers (including producer Don Hahn), with the Special
Edition also offering the fully animated song "Human Again," which was
cut from the original version and added to 2001's re-release (it was
also included in the Broadway musical adaptation).
For supplements, Disney has put together a nice assortment of extras,
with new goodies including “Composing a Classic: A Musical
Conversation” with Alan Menken, producer Don Hahn and “Disney
historian” Richard Kraft, discussing the songs and their lasting
legacy; “Beyond Beauty: The Untold Stories” behind the making of the
picture; a new music video of the title song by Jordin Sparks;
previously unreleased deleted scenes, including the original opening of
the picture, along with Belle meeting four “new, enchanted objects” in
the library; several Disney interactive games and a sing-along mode.
Other extras are carried over from the prior release, including older
documentaries, the movie’s early presentation reel with alternate
scoring and storyboarding, and the original Celine Dion-Peabo Bryson
music video. Unquestionably recommended!
IT’S THE GREAT
PUMPKIN, CHARLIE BROWN Blu-Ray/DVD (25 mins., 1966; Warner): This
classic
Peanuts
special
--
the third produced for CBS by creator
Charles M. Schulz and producers Lee Mendelson and Bill Melendez -- is
synonymous with October 31st, having lost little of its charm and humor
since its original 1966 airing.
While Linus might still be waiting in the pumpkin patch for the Great
Pumpkin’s arrival, fans don’t have to wait any longer for Warner’s
remastered Blu-Ray disc, which improves upon Warner’s 2008 DVD (also
included in the package) and offers a crisp, colorful and clean visual
presentation with the addition of a new DTS Master Audio 5.1
soundtrack. Though hampered by the limitations of its source material,
this is nevertheless a terrific presentation that HD enthusiasts are
sure to appreciate.
Extras, ported over from the 2008 DVD, aren’t extravagant, but there’s
a nice, if brief, retrospective featurette on the production of the
show, “We Need a Blockbuster, Charlie Brown!” Featuring interviews with
Lee Mendelson and other crew members, this is a pleasant look at the
story’s genesis and is complimented on the DVD by the 1981 Peanuts
special “It’s Magic, Charlie Brown.”
A
CHARLIE BROWN THANKSGIVING Blu-Ray/DVD (25 mins., 1973; Warner):Popcorn, toast and jelly beans comprise the perfect Peanuts
Thanksgiving dinner in this perennial favorite, which also hits Blu-Ray
this month.
Previously available in a Warner deluxe DVD edition released in 2008,
“A Charlie Brown Thanksgiving” likewise receives a strong upgrade in
both visuals (VC-1 ended 1080p) and audio (5.1 DTS Master Audio) from
its standard-def predecessor (also included in the package). Extras
include the wonderful “Mayflower Voyagers” segment from the still
out-of-print “This is America, Charlie Brown” (presented in HD), along
with “Popcorn & Jellybeans: Making a Thanksgiving Classic.”
INVASION OF THE
BODY SNATCHERS Blu-Ray (***, 119 mins., 1978, PG; MGM/Fox):
Philip Kaufman’s acclaimed remake of the ‘50s Don Siegel sci-fi classic
hasn’t aged as well as its predecessor: between the “shock” ‘70s downer
ending and commentary on the “Me” generation, you also get Leonard
Nimoy as a Bay Area shrink who succumbs to the latest invasion of the
Pod People. Still, while I feel there’s a tendency to over-rate
Kaufman’s version, it’s nevertheless a compelling, intelligently
presented version of the Jack Finney tale, with Donald Sutherland
starring as a health inspector who begins to wonder what’s going on
with the body-switching paranoia overcoming the region.
MGM’s Blu-Ray edition of the ‘78 “Snatchers” looks perfectly acceptable
in its AVC encoded 1080p transfer, while DTS Master Audio sound gives
as much punch to the original soundtrack as possible. Curiously, MGM
ported over all the extras from their 2007 double-disc DVD release for
the BD, but left off Kaufman’s commentary (which IS on the standard DVD
also packaged within). Among the extras are a half-hour documentary on
the production (featuring interviews with Kaufman, writer W.D. Richter,
Sutherland and others), featurettes on sound design and cinematography,
plus the original trailer.
THE RETURN OF THE
LIVING DEAD Blu-Ray (**, 1985, 91 mins., R; MGM/Fox): Blu- Ray
presentation of writer-director Dan O’Bannon’s 1985 half-spoof of the
George A. Romero classic departs from most of MGM’s Blu-Ray catalog
discs and actually offers the full run of supplements from its 2007
DVD: two commentaries, three featurettes, retrospective interviews and
more. Both the AVC encoded transfer and DTS Master Audio soundtrack are
perfectly acceptable, but the movie is still best left for fans:
despite a few laughs and the presence of veterans Clu Gulager and James
Karen, the movie feels dated, and the light mood turns sour with an
unsatisfying “serious” ending (which the cast even laments in their
commentary). Not nearly as much fun as it sounds.
THE AMITYVILLE
HORROR Blu-Ray (**, 89 mins., 2005, R; MGM/Fox): MGM and
Dimension Films teamed up with Michael Bay to produce this slick,
competent, but surprisingly bland re-do of the 1979
American-International box-office hit. Based on the supposed true story
of the Lutz family (whose tale inspired Jay Anson’s book and various
reports of a hoax in recent years), Ryan Reynolds and Melissa George
play the recently married couple who pack up -- along with George’s
children -- for the quaint Long Island community of Amityville and that
infamous house where evil dwells.
Slickly
shot in scope and adequately packaged by director Andrew Douglas, the
2005 “Amityville Horror” presents a more potent visual package than its
blandly-directed -- though more effectively low-key -- predecessor.
Reynolds and George both manage to give good performances despite a
thinly-drawn script (the film ends around the 80 minute mark), and even
the young actors playing their children aren’t overly affected. There’s
even one especially effective set piece set on top of the Amityville
home, where the Lutz daughter attempts to jump off the roof.
Unfortunately, “Amityville” ‘05 suffers from some of the same ailments
as the original movie: namely, the direct influence that can be felt
from other, better genre films. Here, you’ve got not only the sense of
deja vu provided by the original and “The Exorcist,” but also “The
Ring” (the dead little girl who causes all sorts of trouble), “What
Lies Beneath” (look out for the bathtub!), “The Shining” (dad goes more
ballistic in this rendition), “Poltergeist” (an angelic young blonde
girl flirting with the supernatural), and even “Jeepers Creepers” (a
mysteriously clad, shadowy figure wearing a fedora who may be at the
center of the haunting).
That latter aspect also ties in with the movie’s most regrettable
element: the addition of a “cause” for the haunting that’s ridiculously
P.C. As described by Dr. Hans Holzer in his original investigation, the
Amityville house in question was built on an Indian burial ground, and
the haunting itself was allegedly caused by an angry Indian Chief
simply mad at those living in the abode above him. Apparently it’s not
Politically Correct to have that as the center of the problem, so the
producers here have pulled a “Poltergeist II” and concocted the tale of
a Christian missionary who tortured Native Americans, and how HIS anger
is the root of all the evil (chalk it up as yet another blow against
organized religion in movies). Predictably, though, none of this is
really developed, though a brief appearance by the Creeper-looking like
bad guy could leave the door open for future sequels (which have
thankfully yet to materialize).
MGM’s Blu-Ray edition sports a vivid 1080p transfer of “The Amityville
Horror” with DTS Master Audio sound on a 50gb platter. Extras from the
prior DVD edition are contained on a standard-def second disc (a
reprise of that earlier release), including deleted scenes, Making Of
docs, commentary and a photo gallery.
Though not a complete misfire, “The Amityville Horror” fails to take
advantage of a great opportunity to make an effective modern haunted
house tale. More often than not the movie is simply dull, regurgitating
cliches and scenes from other movies, and stumbling when it tries to
differentiate itself from the pack.
VIGILIANTE Blu-Ray
(**, 89 mins., 1983, R; Blue Underground):
Nasty, unpleasant and surprisingly dull exploitation affair from
director William Lustig reworks the “Death Wish” formula so prevalent
in the ‘70s and ‘80s, as factory worker/family man Robert Forster
watches the justice system fail him after thugs brutally attack his
family and murder his young son.
Forster opts to take on the gangs himself with the help of Fred
Williamson in “Vigilante,” one of those movies that sounds a lot more
entertaining (and looks it with its “Warriors”-influenced poster art)
than it really is. Shockingly tedious for a film that clocks in just
under 90 minutes, Lustig, working from Richard Vetere’s screenplay,
gets good performances out of the always-dependable Forster and
Williamson, yet there’s not enough action and too much violence, most
of it directed towards women, that’s dwelled upon in a movie that
ultimately leaves you with a sour taste.
Blue Underground’s gorgeous HD 1080p transfer of “Vigilante” is hands
down one of their best: brilliantly detailed, this is a sensational
transfer that’s easily one of the finest looking catalog discs of the
year to date. The DTS Master Audio sound isn’t always well balanced
between dialogue, music and effects (with an engaging Jay Chattaway
score that’s definitely of the era), while extras include a pair of
commentaries (both with Lustig and cast/crew members), plus trailers,
TV spots, a radio spot, promo reel and stills gallery.
THE ORDER
Blu-Ray (*½, 102 mins., 2003, PG-13; Fox): Dreary
reteaming of the stars and director of “A Knight’s Tale” failed to
recapture the magic of that 2001 viewer favorite. In “The Order” (shot
as “The Soul Eater”), Heath Ledger stars as an outlaw priest sent to
investigate a series of deaths amongst his brethren in Rome. Shannyn
Sossamon and Mark Addy, who played opposite Ledger in writer-director
Brian Helgeland’s “Knight’s Tale,” fail to spruce up this dismal,
slow-moving supernatural mystery which, for some odd reason, Fox has
chosen to bring to Blu-Ray this month in a 25gb single layer
presentation. The AVC encoded 1080p transfer and DTS Master Audio
soundtrack are acceptable, and extras include commentary from
Helgeland, deleted scenes/dialies and the original trailer. TV on Blu-Ray and DVD
THE BIG BANG
THEORY Season 3 Blu-Ray (472 mins., 2009-10; Warner): Leonard’s
(Johnny Galecki) love affair with Penny (Kaley Cuoco) has tripped up
his nerd-world existence with pal Sheldon (Jim Parsons) and friends,
setting the stage for the third season of CBS’ top-rated sitcom.
Warner brings Season 3 of “The Big Bang Theory” to Blu-Ray this month
for the first time, the two-disc set including nicely-rendered VC-1
encoded 1080p transfers and 5.1 Dolby Digital soundtracks.
The 23 third-season episodes include “The Electric Can Opener
Fluctuation,” “The Jimmy Conjecture,” “The Gothowitz Deviation,” “The
Pirate Solution,” “The Creepy Candy Coating Corollary,” “The Cornhusker
Vortex,” “The Guitarist Amplification,” “The Adhesive Duck Deficiency,”
“The Vengeance Formulation,” “The Gorilla Experiment,” “The Maternal
Congruence,” “The Psychic Vortex,” “The Bozenman Reaction,” “The
Einstein Approximation,” “The Lage Hadron Collision,” “The Excelsior
Acquisition,” “The Precious Fragmentation,” “The Pants Alternative,”
“The Wheaton Recurrence,” “The Spaghetti Catalyst,” “The Plimpton
Stimulation,” and “The Lunar Extinction.”
GLEE: Season 1
Blu-Ray (974 mins., 2009-10; Fox): Fox’s breakout hit series,
created by “Nip/Tuck” and “Popular” producer Ryan Murphy, is one of
those eccentric, unique shows that I still can’t quite get a handle on.
There are times when I find the program brilliantly inspired and funny
(with Jane Lynch’s terrific performance as adversarial Sue Sylvester
leading the way), and others when it’s caustic and pretentious – often
times in the same episode. Perhaps that’s just a byproduct of Murphy’s
vision, but whatever the case may be, as much as I respect “Glee” I
don’t find it entirely satisfying (and I’ve grown tired of the
over-produced songs, which are closer in spirit and sound to “High
School Musical” arrangements than, well, an actual glee club), though
there’s no disputing the enormous commercial success the series has
enjoyed so far.
Season 1 of “Glee” hits Blu-Ray this month from Fox, sporting its
entire 22-episode freshman campaign in good-looking AVC encoded
transfers and DTS Master Audio soundtracks. Over two hours of extras
are on tap, including a BD-exclusive “visual commentary” on the pilot,
plus karaoke segments, full-length audition pieces and numerous
behind-the-scenes featurettes.
THE LEAGUE -
Season 1 Blu-Ray and DVD (148 mins., 2009; Fox): Short-run FX
series about a group of eclectic characters involved in a fantasy
football league has just started its second season. Those who might’ve
missed Season 1 would do well to check out Fox’s first season DVD set
from “The League,” offering extended cuts of its six episodes in 1.78
(16:9) transfers and 5.1 soundtracks (DVD) or 1080p AVC transfers and
DTS Master Audio sound (Blu-Ray). Ample extras include extended scenes
and behind-the-scenes content on both platforms.
IT’S ALWAYS
SUNNY IN PHILADELPHIA Season 5 Blu-Ray (254 mins., 2009; Fox): The
gang
at
Paddy’s
Irish
Pub is back in the fifth season of the acclaimed,
over-the-top F/X comedy. Debuting on Blu-Ray for the first time (other
than a Christmas special which was released last year), Fox brings
Season 5 of “It’s Always Sunny...” to BD with the two-disc set offering
its 12 episodes in AVC encoded (1.78) 1080p transfers and DTS Master
Audio soundtracks. Good array of extras includes commentary on selected
episodes, deleted/extended scenes, a blooper reel, and a couple of
featurettes.
COMMUNITY
Season 1 DVD (535 mins., 2009-10; Sony): Viewer-deprived NBC
didn’t have a lot to celebrate last year, with its biggest successes
being only moderately viewed new series like “Community.”
A Thursday night lead-in to “Parks and Recreation” and “The Office”
(read my review of Season 6 below), “Community” offers a strong comedic
ensemble with E!’s “Talk Soup” host Joel McHale starring as a sarcastic
new student at Greendale Community College. Along with a motley
assortment of classmates, including Ken Jeong and Chevy Chase, Joel
attempts to patch a study group together and navigate the crazy world
of adult education.
Good-natured and well-cast, “Community” regrettably does not boast
writing as strong as its performers. Early episodes in the program’s
first season try too hard to please, with frantic storylines and jokes
that just aren’t funny. Viewers, though, tuned in enough to generate a
second season for the series, but hopefully the comedy will be more
consistent when “Community” enters its sophomore year.
Season 1 of the series hits DVD in a fine four-disc box-set from Sony,
offering all 25 episodes of “Community” in 16:9 transfers and 5.1
soundtracks. Top-notch extras include a few extended episodes,
outtakes, behind-the-scenes footage and commentaries on every
episode.
THE OFFICE
Season 6 Blu-Ray (10 hrs., 2009-10; Universal): Michael Scott
and company may still be presiding over the Dunder-Mifflin paper
company in Scranton, Pennsylvania, but the best days of NBC’s
long-running comedy seem to be well behind “The Office.”
Season six for the series is high on “event episodes” like Jim &
Pam’s wedding and the birth of their baby, yet these storylines were
ultimately blown opportunities for the show, with no comedic momentum
being established by their presence and both ending up as one-shot
ratings grabs for the network. It might’ve helped NBC in the short-term
in the Nielsens but from a creative standpoint, it shows how far “The
Office” has fallen off in the last two seasons. There are only so many
times Dwight can sabotage his co-workers, so many sarcastic barbs for
Jim to quip, and blown romantic opportunities for Michael Scott for
viewers to endure before you start feeling that you’ve seen it all
before – and it was funnier the first dozen times.
Universal’s Blu-Ray box-set of “The Office” Season 6 includes nicely
detailed AVC encoded 1080p transfers and DTS Master Audio soundtracks.
Extras include a blooper reel, nearly two hours of deleted scenes, and
plenty of comedic featurettes, along with a BD-Live function for
viewers to stream new Season 7 episodes after they’ve aired.
GREY’S ANATOMY
Season 6 DVD (1032 mins., 2009-10; Buena Vista) PRIVATE
PRACTICE Season 3 DVD (989 mins., 2009-10; Buena Vista): ABC’s
previously top-rated medical dramas have faded a bit over the last few
years, but still pack potent fanbases who’ll want to check out Buena
Vista’s new DVD box-sets of their most recent seasons.
In season six of the “mothership,” “Grey’s Anatomy,” another year at
Seattle Grace hospital finds McSteamy and company engaging in more
melodramatic shenanigans, with Kim Raver added to the cast and
Katherine Heigl (reportedly quite problematic behind the scenes)
bidding adieu.
Buena Vista’s six-disc DVD box-set offers the entire sixth season of
“Grey’s Anatomy” in 16:9 (1.78) transfers with 5.1 soundtracks and
several extras, including an extended finale episode (with over 20
minutes of additional footage), outtakes, deleted scenes, a profile of
star Chandra Wilson, and six “webisodes.”
Meanwhile, “Grey’s” spin-off “Private Practice” – following Dr. Addison
Montgomery (Kate Walsh) and company at the Oceanside Wellness Group --
has faded faster than its counterpart, suffering major losses in
viewership during this past season.
Buena Vista’s 23-episode, five-disc DVD edition of “Private Practice”’s
third season (which still boasts a terrific supporting cast including
Taye Diggs, Audra McDonald, Amy Brenneman, Tim Daly and KaDee
Strickland among them) hits stores this month with excellent 16:9
transfers and 5.1 soundtracks on-hand.
Extras include bloopers, deleted scenes, and Kate Walsh’s “Top Eight”
scenes from Season three.
SPARTACUS -
BLOOD AND SAND Season 1 Blu-Ray (692 mins., 2010; Anchor Bay/Starz): Robert
Tapert
and
Sam
Raimi
are among the producers of this bombastic Starz
series, a more graphic and shlocky rendition of the Spartacus legend.
Here, Andy Whitfield essays the slave-turned-gladiator, with John
Hannah, Lucy Lawless (Tapert’s wife) and Manu Bennett among the
supporting cast in Steven S. DeKnight’s “adrenaline-infused”
revisionist take that evokes more comparisons with the likes of “300"
than Kirk Douglas’ sword-and-sandal classic.
I haven’t watched the entire first season of “Spartacus: Blood and
Sand” but I confess to being disappointed with what I sampled, with
copious amounts of nudity and violence used in such extremes that they
might as well be flashing a “hey, this is cable, look what we can do!”
disclaimer on-screen. The visual style is reminiscent of Zack Snyder’s
“300" and Frank Miller’s “Sin City,” and it’s flashy enough to keep you
watching – yet dramatically, I can’t say I was emotionally engaged in
what I saw. Nevertheless, the show fared well in the ratings, and is
slated to come back in January with a prequel mini-series designed to
tide fans over until star Whitfield recovers from non-Hodgkins lymphoma.
Anchor Bay’s Blu-Ray edition of “Spartacus: Blood and Sand” looks
great. The AVC encoded 1080p transfers are superb, the Dolby TrueHD
audio satisfying, and extensive extras include all kinds of
behind-the-scenes vignettes, commentary, a pop-up trivia track, and
BD-exclusive extended episodes.
SCRUBS - The
Final Season DVD (390 mins., 2009-10; Buena Vista): It’s hard to
believe Bill Lawrence’s comic series, initially designed as a spoof of
“E/R,” managed to survive nine seasons across a pair of networks, but
“Scrubs” bucked cancellation several times and surely turned a nice
profit for its creator and studio – especially now that it’s been in
syndication for some time. The ninth and final season of the show hits
DVD from Buena Vista this month with 1:33 full-screen transfers,
deleted scenes, bloopers, a “Live from the Golf Cart” featuerette, and
a look back at the series’ run with cast and crew members on-hand.
SATURDAY NIGHT
LIVE - BEST OF EDDIE MURPHY DVD (101 mins., 2010; Lionsgate) SATURDAY NIGHT
LIVE - BEST OF ADAM SANDLER DVD (97 mins.., 2010; Lionsgate): A
pair of new SNL compilations from Lionsgate spotlight the talents of
Eddie Murphy (with classic bits “Mr. Robinson’s Neighborhood,” “James
Brown’s Hot Tub,” “White Like Me,” and “Buckwheat is Dead”) and Adam
Sandler (“Hanukkah Song,” “Canteen Boy,” “Opera Man,” “Cajun Man”),
respectively. Additional sketches and outtakes adorn both single-disc
releases. New From Lionsgate
THE THIRD MAN
Studio Canal Collection Blu-Ray (****, 105 mins., 1949; Lionsgate) DELICATESSEN
Studio Canal Collection Blu-Ray (***, 96 mins., 1991, R; Lionsgate):
Two more Blu-Ray offerings from the “Studio Canal Collection” hit
stores this month from Lionsgate.
Carol Reed’s “The Third Man” doesn’t require much of an introduction
for any serious film buff.
This crackling noir remains one of the all-time great cinematic
achievements, with Graham Greene’s story following American novelist
Holly Martins (Joseph Cotten), who ventures to “old Vienna” to help out
a friend named Harry Lime (Orson Welles). However, when Holly arrives,
he finds out that Harry is dead, leading the novelist into a tangled
web of racketeers, stuffy British government officials, and one of
Harry’s old flames (Alida Valli) en route to deciphering the mystery of
his death.
From the striking (and then quite-atypical) zither score by Anton Karas
to the cinematography of Robert Krasker (undoubtedly influenced by
Welles’ “Citizen Kane” and “Lady From Shanghai” triumphs), “The Third
Man” is a pure cinematic feast that has lost none of its appeal over
the years.
Criterion previously produced a Blu-Ray of “The Third Man” a couple of
years ago that, like all their other Studio Canal-licensed titles, is
now out of print. The Studio Canal Blu-Ray that Lionsgate has released
domestically is similar to the Blu-Ray they’ve already released
overseas, offering a different (slightly less detailed) 1080p transfer
with DTS Master Audio mono sound. Visually I’d go with the Criterion
over the SC print, though the differences are not major between them.
There are also some unique supplements to the Studio Canal package,
including an excellent commentary featuring assistant director Guy
Hamilton, plus 2nd unit script supervisor Angela Allen and Simon Callow
that’s heavy on production anecdotes; an interactive Vienna tour; “The
Third Man” on the radio; an interview and Zither performance by
Cornelia Mayer; archival audio interviews with Cotten and Greene;
Cotten’s alternate voice-over from the U.S. release version; booklet
notes and other goodies. If you missed the Criterion release this
package is highly recommended in its own right.
Also newly available is Jean-Peirre Jeunet and Marc Caro’s offbeat
“Delicatessen,” with Dominique Pinon living in a post-apocalyptic world
with scarce amounts of food on-hand. In addition to a good-looking
AVC-encoded 1080p transfer with 2.0 French DTS Master Audio sound, the
Blu-Ray also boasts commentary from Jeunet, a retrospective
documentary, trailers, and a Making Of from Diane Bertrand. New From IFC
THE KILLER
INSIDE ME Blu-Ray (**, 109 mins., R, 2010; IFC): A couple of
weeks ago I rewatched the grizzly Tony Scott adaptation of Jim
Thompson’s “Revenge,” an unpleasant Kevin Costner-Madeline Stowe
box-office underperformer from 1990. After sitting through Michael
Winterbottom’s cinematic rendering of another Thompson “pulp noir,”
“The Killer Inside Me,” I was left feeling much the same way as I did
while viewing “Revenge”: watching women being abused and mutilated
on-screen isn’t a whole lot of fun, as Jessica Alba receives much the
same fate as Stowe did in that earlier picture.
Outside of the shock factor, there’s little else to discuss in “The
Killer Inside Me,” a period adaptation of Thompson’s book about a small
Texas town sheriff who’s a sociopath and preys on Alba and Kate Hudson.
Casey Affleck projects little more than surface creepiness in the lead,
while scenery-chewing support is turned in by Elias Koteas, Ned Beatty,
Simon Baker and Bill Pullman. It’s a good looking film, with scope
cinematography from Marcel Zyskinoi, but the cold, detached story
leaves you wondering “who cares?” since the script by John Curran fails
to develop its steely-eyed anti-hero. Ultimately, “The Killer Inside
Me” is another of those supposedly “unfilmable” novels that was
probably best left on the printed page.
IFC’s Blu-Ray disc of the picture offers an overly-bright 1080p
transfer and 5.1 Dolby Digital soundtrack; extras include interviews
with the stars and the trailer.
BOOGIE WOOGIE
Blu-Ray (**½, 94 mins., 2009, R; IFC): Lightweight but
watchable ensemble comedy intercuts a group of episodic tales centered
around a piece of art owned by none other than Christopher Lee. Heather
Graham, Gillian Anderson, Alan Cumming, Joanna Lumley, Charlotte
Rampling, Amanda Seyfried and Stellan Skarsgard essay a group of
characters whose professional and (mostly) personal lives insect in
Duncan Ward’s 2009 film, which Danny Moynihan scripted and which comes
to Blu-Ray from IFC this month. The 1080p (1.85) transfer is fine, as
is the 5.1 Dolby Digital audio, while slim extras include a trailer and
TV spot.
MERCY DVD
(**½, 87 mins., 2009, R; IFC): Scott Caan wrote,
produced and stars in this vehicle that’s certainly a bit of a vanity
project (father James shows up in a cameo), with Caan essaying an
obnoxious novelist who meets a lovely young woman (Wendy Glenn) whom he
falls for – and who also trashed his most recent book. Well-acted but a
bit pretentious, with solid performances. IFC’s DVD edition of “Mercy”
includes a 16:9 transfer, 5.1 audio, one deleted scene, commentary, the
trailer, and behind-the-scenes photos. Also on Blu-Ray
TINKER BELL AND
THE GREAT FAIRY RESCUE Blu-Ray/DVD (**½, 77 mins., 2010, G;
Disney):Another
colorfully designed Disney direct-to-video animated feature for the
little ones, “The Great Fairy Rescue” finds everyone’s favorite fairy
joining her friends on vacation in England when she comes across a
young human girl named Lizzy and her father (voiced by Michael Sheen),
whose scientific exploits have created a bit of a split between the
two. Lizzy ends up (kind of) kidnapping Tink, but the two form a
friendship even as Tinkerbell’s friends get together to rescue her.
Colorful, vivid CGI animation is the main selling point of this
small-screen affair, and the visuals really sing in Disney’s AVC
encoded 1080p Blu-Ray transfer. Graced with DTS Master Audio sound and
a tuneful soundtrack, this is basically a Grade-A technical
presentation with a limp, saccharine story that only kids are likely to
enjoy.
Extras on Disney’s two-disc combo pack include deleted scenes, a Brigit
Mendler music video, pair of featurettes, and a standard DVD edition in
the package.
MacGRUBER
Blu-Ray (**½, 91 mins/95 mins., Unrated/R, 2010; Universal):
I haven’t found “Saturday Night Live” funny in years, so the fact that
“MacGruber” – a box-office flop based on a skit that wasn’t
particularly amusing to begin with – actually provides a few occasional
yucks was something of a pleasant surprise. Will Forte essays the
MacGyver-like hero called in to stop a nuclear warhead stolen by vile
(and pretty funny) Val Kilmer; most of the bigger laughs come courtesy
of Kristen Wiig, who for some odd reason manages to be much funnier
on-screen than she is in a weekly sketch comedy format. “MacGruber”
might’ve tanked in theaters but it makes for a decent rental – it’s
certainly no “Blues Brothers,” but at least it’s better than “Stuart
Saves His Family” and “It’s Pat.” Universal’s Blu-Ray includes both
R-rated and Unrated versions of the film in AVC-encoded 1080p transfers
and DTS Master Audio soundtracks, with extras including one deleted
scene, a gag reel and commentary with cast/crew members.
JUST WRIGHT
Blu-Ray (**½, 101 mins., 2010, PG-13; Fox): Likeable
enough formula romantic comedy about a physical therapist (Queen
Latifah) entrusted with getting an injured NBA star (Common) back on
the right track, falling for him personally while battling one of his
girl-pals (Paula Patton) for his affections. “Just Wright” is pretty
much standard-issue stuff all the way, but the performances manage to
sell Michael Elliot’s script, while Sanaa Hamri’s direction is a bit
more sensitive than you might anticipate. It’s certainly a decent
candidate for a date-night type of rental. Fox’s Blu-Ray disc of “Just
Wright” is a combo pack also sporting a digital copy, along with a gag
reel and numerous featurettes. The AVC encoded 1080p transfer is superb
and the set is rounded out with DTS Master Audio sound, the latter
offering a decent score by Wendy & Lisa.
LETTERS TO
JULIET Blu-Ray (***, 105 mins., 2010, PG; Summit): Contrived
and yet fully watchable romantic comedy, a moderate hit at last
spring’s box-office, works as a vehicle for Amanda Seyfried as an
American girl living in Verona who comes across a 50-year old “Letter
to Juliet” – romantic queries that are answered by “secretaries”
pretending to be Shakespeare’s heroine. Seyfried, hesitant about her
own upcoming marriage, tracks down the author of the letter (Vanessa
Redgrave) and soon begins a trip across Italy along with her grandson
(Christopher Egan) in order to find Redgrave’s long-lost love (Franco
Nero).
Gary Winick’s film boasts some lovely location shooting, which looks
great on Blu-Ray in Summit’s 1080p transfer, while DTS Master Audio
sound is laid back, offering a fine Andrea Guerra score. Extras in
Summit’s BD/DVD combo disc include deleted/extended scenes, commentary
from Seyfried and Winick, featurettes, a DTS Master Audio soundtrack,
and a standard DVD edition on the disc’s flip side.
JANEANE
GAROFALO: IF YOU WILL Blu-Ray (65 mins., 2010; Image): Janeane
Garofalo’s first stand-up special is a bit of a bittersweet affair;
Garofalo had a brief window of time where she was something of a
leading lady (“Truth About Cats and Dogs,” “The Matchmaker”), but after
failing to find consistent work on the big screen, she’s become
something of a crank, appearing on the likes of “24" in supporting
roles and then offering her narcissistic political comments on MSNBC
and elsewhere. “If You Will” isn’t nearly as amusing, either, as some
of her prior concert work, with Garofalo again seeming...well...just
angrier than she used to be. Die-hard fans may still want to give the
Blu-Ray a watch, with Image’s disc looking fine in its 1080i transfer
and DTS Master Audio sound. Bonus comedy videos in HD round out the
presentation. New On DVD
THE BLACK
CAULDRON 25th Anniversary DVD (**½, 80 mins., 1985, G; Disney): Passed
over
on
laserdisc
and
then issued as a non-anamorphic DVD a decade ago,
"The Black Cauldron” finally arrives in a 16:9 transfer in North
America courtesy of Disney’s standard-def only 25th Anniversary DVD.
An expensive, long-in-production Disney effort, this 1985 PG-rated
feature is a mostly disappointing adaptation of one of Lloyd
Alexander's "Chronicles of Prydain" books, which are truly magical and
charming in a way that this rather formulaic animated effort --
visually impressive as it is -- fails to capture on-screen.
Still, what the picture is best remembered for comes across well here:
the animation, shot in the anamorphic Super Technirama 70 process, is
given a lovely 16:9 (2.35) rendering, while the soundtrack is presented
in a pungent Dolby Digital 5.1 mix. The print is thankfully remastered
from its prior DVD presentation (and is on-par with superior European
Disney DVD editions that have surfaced over the last few years), and
even offers a few new special features, including one 10-minute
alternate scene (“The Fairfolk”) that’s presented in rough cut form
with a mix of storyboards and unfinished animation, as well as a trivia
game, stills gallery and the classic Donald Duck short “Trick or
Treat.”
In spite of the story’s deficiencies, for its animation alone, the
movie comes recommended, as it is most certainly is for Elmer
Bernstein's wonderful score -- the movie's other chief asset. “The
Black Cauldron” might have been an expensive disappointment for the
Mouse, but it does succeed on a visceral level, and can be looked at as
the impetus that lead to the successful overhaul of the company's
animated features just a few years later.
WALL STREET -
INSIDER TRADING EDITION DVD (***, 126 mins., 1987, R; Fox):
Oliver Stone's morality play is best viewed now as a showcase for
Michael Douglas' Oscar-winning, powerhouse performance as Wall Street
mogul Gordon Gekko, who tutors young broker Charlie Sheen in the ways
of '80s greed and power. Scripted by Stone and Stanley Weiser, "Wall
Street" is an at-times slow-moving drama bogged down by a surplus of
supporting characters (some of whom, like Sean Young and even
third-billed Daryl Hannah, may have been left on the cutting room
floor), but stays on course whenever Douglas takes the fore in a
scenery-chewing but highly entertaining performance that remains one of
his best.
This two-disc Special Edition of Stone’s film, which has been issued to
coincide with the release of his sequel “Wall Street: Money Never
Sleeps,” boasts a few new special features, including a trivia track,
recent Stone interview, and Fox Movie Channel special hosted by Tom
Rothman. The film itself, with commentary from Stone (carried over from
the previous DVD release), looks fine in its 16:9 transfer with 5.1
Dolby Digital audio.
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