A quick bit of business to start off this week: we’re bringing
back the old Aisle Seat Mailbag, so if you’ve got a question or
comment, feel free to email me at our new address:
mailbag@theaisleseat.com
I’ll do my best to answer your emails about any of the movies or
series we reference here each week, so fire away. I look forward to
hearing from you!
You know that we’re beginning to enter into the nitty gritty of
the home video calendar when you hit September and all kinds of major
titles begin to arrive at a rapid-fire clip. In fact, looking at the
titles we’ve received in the last week, it’s tough to pick
out one “major” release to single out, since there are so
many of them hitting store shelves this Tuesday as well as next.
One of the big releases about to hit Blu Ray (as well as regular DVD) is a new Collector’s Edition of
BRAM STOKER’S DRACULA (***, 1992, 127 mins., R; Sony),
a film could’ve easily been titled “Francis Ford
Coppola’s Dracula” for as much as this 1992 adaptation
utilizes elements from the Stoker book that other cinematic versions
omitted, it also takes numerous liberties with the original text --
including turning the beloved vampire tale into a love story, a
conscious artistic decision the filmmaker made partially to capitalize
on a younger audience (which he, in turn, accomplished by casting more
youthful leads than your traditional Dracula rendition).
It’s a movie that’s simultaneously stunning and frustrating
at the same time, showing Coppola at the top of his game in terms of
implementing optical effects, sumptuous production design, evocative
costumes, and other “old fashioned” filmmaking devices (all
shot on sound stages, the result of Columbia wanting to hold costs
down).
At the same time, some of the picture’s
“contemporary” casting felt odd at the time, and now
positively dates the picture as a product of its period: Keanu
Reeves’ stilted performance as Harker is dead on arrival (to see
how it could’ve been even worse, check out some of Keanu’s
putrid unused takes in the Criterion laserdisc’s editing
workshop), while Winona Ryder’s turn as Mina feels like a young
girl playing “dress up” more than a believable period
heroine (perhaps he owed her a favor after she bowed out of
“Godfather Part III”). At the least, Ryder fails to
generate any of the heat that Sadie Frost does in her memorable
supporting role as the doomed Lucy, while Gary Oldman tries valiantly
to ground his romantic Dracula against an over-indulgent succession of
guises (from the world’s creepiest senior citizen to a John
Lennon-esque chap) that ultimately get in the way of his central
performance.
Supporting performances from Anthony Hopkins’ scenery-chewing Van
Helsing to quirky but mainly disposable, minor turns from the
likes of Bill Campbell, Richard E. Grant, Cary Elwes and Tom Waits (a
surprisingly dull Renfield) lend some support, but when it’s all
said and done “Bram Stoker’s Dracula” is entirely
Coppola’s show, and admittedly there are some nifty moments along
the way. Most impressive is Harker’s journey through the
Count’s Transylvanian castle -- marked by a memorable meeting
with Dracula’s succulent brides (including Monica Bellucci) --
all the while Eiko Ishioka’s extravagant costumes and the
cinematography of Michael Ballhaus make for a film that’s always
been pleasing to the eyes.
Long
overdue for a proper Special Edition DVD, “Bram Stoker’s
Dracula” has been given the deluxe treatment courtesy of Sony and
Coppola’s Zoetrope Studios, with both the Blu Ray and regular DVD
versions offering a new commentary from Coppola, roughly 30 minutes of
unused workprint sequences (including a superior ending), and a new,
four-part documentary culled from extensive documentary footage shot
during pre-production and filming. Coppola’s commentary is a good
deal more enlightening than the tedious Criterion commentary track from
way back when, discussing the project’s genesis (Ryder brought
him James V. Hart’s script when it was supposed to be a Michael
Apted-directed TV film), while the documentary materials offer a
thorough examination of the picture’s production. Two trailers
are also on-hand, including the film’s memorable teaser, which
features footage not used in the finished film.
The Blu Ray release even offers these extras in HD, though the
movie’s eagerly-awaited high-definition 1080p transfer for the
film itself proves to be something of a disappointment. Though encoded
in AVC/MPEG-4 video, the Blu Ray release falls well short of the better
catalog releases we’ve seen in both formats: the picture quality
is superior to the standard-definition Superbit DVD, no question, but
it’s surprisingly flat, lacking in three-dimensional detail and
often downright grainy in places. One might have anticipated Coppola
and Ballhaus’ visual design making for an aesthetic feast in
high-definition, but more often than not the Blu Ray transfer is
surprisingly limp: an upgrade on traditional DVD but nowhere near the
eye-popping experience I was hoping for.
What’s also odd is that there seemed to be several instances
on-hand here where the colors had been seemingly “tweaked.”
The sequence in which Winona Ryder meets Sadie Frost for the first time
in the courtyard seems to have been digitally altered in a way that the
backdrop now appears completely monochrome, with the few colors in the
sequence (a couple of flowers, Frost’s red hair) standing out
strikingly against it. When I compared the Blu Ray to the Superbit DVD
release the differences were striking in certain sequences (even though
the Blu Ray has less contrast, its colors also seemed less natural),
indicating that some intentional, new artistic choices might’ve
been in Coppola’s mind when this new HD transfer was struck.
Either way, fans of “Bram Stoker’s Dracula” will
nevertheless want to add the Blu Ray release to their libraries for the
deleted scenes, fine documentary materials and Coppola’s new
commentary if nothing else. The transfer isn’t a total disaster
but since the bar has been raised so high by countless superb new HD
releases this year, it’s not an exaggeration to say the
movie’s Blu Ray transfer is, if nothing else, a small
disappointment.
More
satisfying for horror fans will be Anchor Bay’s very first wave
of Blu Ray releases, which arrive in stores next week and boast
MPEG-4/AVC 1080p transfers and uncompressed PCM 5.1 sound.
At the top of the list is the HD debut of John Carpenter’s
HALLOWEEN (****, 91 mins., 1978, R)
in a wholly satisfying Blu Ray transfer that’s as crystal clear
and spotless as you could possibly hope for. Dean Cundey’s
outstanding cinematography has been preserved here in such a pristine
manner that watching the Blu Ray disc truly felt like the first time
I’ve really laid eyes on it -- while there have been some superb
DVDs of Carpenter’s seminal 1978 film over the years, none
compare to how fresh and vibrant this new master looks.
For extras, Anchor Bay has done a nice job porting over some of the
best extras from prior DVDs: the mid ‘90s Criterion laserdisc
commentary with Carpenter, producer Debra Hill and star Jamie Lee
Curtis has been reprieved, while the 90-minute “A Cut Above the
Rest” documentary has been retained from Anchor Bay’s later
Divimax release. The original red-banded theatrical trailer, radio and
TV spots, and various on-screen trivia factoids complete the must-have
package.
Sam Raimi’s fan favorite
EVIL DEAD II (***, 1987, 84 mins., Unrated)
also hits Blu Ray on October 2nd in a similarly satisfying presentation
from Anchor Bay. The HD transfer is crisper and better detailed than
any prior video release of the film that I’ve seen, while two
featurettes (culled from past Anchor Bay discs), the trailer, a jovial
group audio commentary with Raimi, star Bruce Campbell and others, and
another on-screen trivia track round out the package.
Also joining the Anchor Bay Blu Ray roster are George Romero’s
second and third entries in his still on-going zombie saga: 1978's
DAWN OF THE DEAD (***½, 127 mins., Unrated) as well as its disappointing 1985 follow-up,
DAY OF THE DEAD (**, 101 mins., Unrated).
Since both movies weren’t as elaborately photographed as, say,
“Halloween,” neither title shows off the benefits of
high-definition the way Dean Cundey’s work does, though fans will
be happy that both transfers nevertheless look as crisp as one could
anticipate, while ample extras are also on-hand (numerous commentaries,
trailers, and documentary materials).
Fans should also note that both “Dead” films offer the
original mono soundtracks in addition to their stereophonic 5.1 PCM and
Dolby Digital remixes, which ought to please purists.
Due out later in October from Anchor Bay are the first two Blu Ray volumes in their
MASTERS OF HORROR: Season 1
series. Volume One contains John Carpentger’s “Cigarette
Burns,” Stuart Gordon’s “Dreams in the Witch
House,” and William Malone’s “The Fair-Haired
Child,” while Volume 2 includes Dario Argento’s
“Jenifer,” Lucky McKee’s “Sick Girl” and
John Landis’ nutty “Deer Woman.”
Commentaries are carried over their standard-edition DVD releases,
while PCM and 5.1 Dolby Digital soundtracks compliment the superb 1080p
AVC/MPEG-4 transfers.
More Thrills And Chills For Halloween
WARNER’S TWISTED TERROR COLLECTION (Six Film Box Set, Warner, available this week):
Appealing grouping of terror titles, mainly from the ‘70s and
‘80s, all new (or at least newly re-available) on DVD. Though all
the films are available individually, the low, sub-$40 price tag for
the set makes it an attractive, economical pick-up for horror fans.
Included in the anthology are:
-THE HAND (**, 1981, 105 mins., R):
Demented, unintentionally funny hoot offers Michael Caine in his Irwin
Allen-era “I’M SHOUTING EVERY LINE!” mode, portraying
a cartoonist who loses his hand in an accident and....let’s just
say numerous horrific (or are they comedic?) shenanigans ensue. James
Horner’s decent score is one of the film’s primary assets,
but writer-director Oliver Stone’s effort is easily one of the
filmmaker’s weakest, albeit an amusing one (for all the wrong
reasons). Warner’s DVD includes a sincere commentary by Stone
plus the trailer and a new 16:9 (1.85) transfer with 2.0 Dolby Digital
stereo sound.
-SOMEONE’S WATCHING ME (***, 1978, 97 mins.): Excellent
John Carpenter-directed TV movie makes its long-awaited debut on video.
Lauren Hutton plays a woman being victimized by a peeping tom in this
taut suspense thriller, co-starring David Birney and Adrienne Barbeau,
and boasting a solid score from Harry Sukman. Warner’s DVD
includes a 16:9 (1.85) matted presentation that’s a bit
surprising since the film was produced for television, but at least
there’s a neat featurette profiling the director and his early
work on this network “Movie of the Week.”
-EYES OF A STRANGER (**, 90 mins., 1981, R):
Crude, if watchable, early ‘80s slasher film finds newswoman
Lauren Tewes (your “Love Boat” cruise director) trying to
track down a Florida serial killer and Jennifer Jason Leigh (in her
first role) as her blind younger sister. Tewes is appealing (yeah, I
admit it, I’ve always had thing for Julie on the “Love
Boat”) and director Ken Wiederhorn achieves his finest hour with
this standard but effective enough chiller, sporting make-up effects
from Tom Savini and a few excessively graphic attack sequences.
Warner’s no-frills DVD includes a 16:9 (1.85) transfer with mono
sound.
-DR. GIGGLES (***, 95 mins., 1992, R):
Under-rated, over-the-top horror outing -- in many ways a spoof --
stars Larry Drake as a crazed surgeon who still practices his own brand
of medicine in a small rural town. Loads of hilarious one-liners (in
the Manny Coto-Graeme Whifler script) punctuate this free-wheeling
vehicle -- directed by Coto and co-starring a pre-“Charmed”
Holly Marie Combs -- that’s been long out of print on DVD. Warner
(inheriting the film from Universal as part of a distribution deal with
Intermedia, which purchased Largo Entertainment’s library) has
produced a nifty new (albeit no-frills) DVD offering a fine 16:9 (2.35)
transfer with 2.0 Dolby Digital sound. Plenty of fun, just in time for
Halloween.
-FROM BEYOND THE GRAVE (**½, 98 mins., 1973, PG):
Decent Amicus anthology film (in the same vein as “Vault of
Terror” and “Tales from the Crypt”) offers a number
of horrific tales with a solid cast (Ian Bannen, Peter Cushing, Donald
Pleasance, David Warner and Lesley-Anne Down among them).Warner’s
DVD includes the trailer and a new 16:9 (1.85) transfer with mono sound.
-DEADLY FRIEND (**, 90 mins., 1986, R):
Wes Craven-directed studio effort with Matthew “Whiz Kids”
Laborteaux as a nerdy teen who befriends troubled neighbor Kristy
Swanson, only to see her suffer a terrible fate that young Matthew has
a hard time getting over -- so much that he tries to pull a Doc
Frankenstein and bring her back to life! “Ghost” writer
Bruce Joel Rubin’s script works well enough in establishing the
likeable characters and their surroundings, but the movie goes downhill
once it turns into a standard-issue horror flick. Warner’s DVD
includes the trailer and a 16:9 (1.85) transfer with 2.0 mono sound.
CUJO: 25th Anniversary Edition (**½, 1983, 95 mins., R; Republic/Lionsgate):
Decent adaptation of Stephen King’s dark novel from director
Lewis Teague overcomes its relatively modest budget through strong
performances (including Dee Wallace), Jan DeBont’s cinematography
and Neil Travis’ effective editing. This tale of a couple
(Wallace, Daniel Hugh-Kelly) trying to repair their marriage at the
same time their son (Danny Pintauro of later “Who’s the
Boss” fame) takes to a St. Bernard who turns into one mean puppy
offers a decent number of shocks and an ending thankfully not as
unflinching as the book (and was changed with King’s own
consent). Lionsgate’s new 25th Anniversary DVD includes
commentary with Teague and a three-part Making Of from DVD producer
Laurent Bouzereau, which recounts the film’s troubled production
history (Teague replaced Peter Medak after the project switched
studios; Travis was brought onboard to re-cut the film during shooting)
and status as one of the better Stephen King cinematic adaptations of
its era. The 16:9 (1.85) transfer is fine, while the mono sound is also
okay.
BUG (*, 2007, 101 mins., R; Lionsgate): Repulsive
William Friedkin adaptation of Tracy Letts’ acclaimed stage play
paints an uncompromising portrait of a troubled, abused woman (Ashley
Judd) and her relationship with an equally disturbed man (Michael
Shannon) who believes her dusty motel room has been
“compromised” by bugs. Though well-performed by Judd and
Shannon (a veteran of the stage version), “Bug” is a
twisted, unrelentingly grim story whose horrific elements are only
magnified in Friedkin’s misfired film, which moves along at an
often painfully slow pace and ranks as one of the year’s worst.
Lionsgate’s DVD includes commentary from Friedkin, a lengthy
interview with the filmmaker, a 16:9 (1.85) widescreen transfer and 5.1
Dolby Digital sound. It’s possible that the story’s
ambiguity and shocking elements were more palatable on stage, but the
film version of “Bug” is hard to watch and impossible to
classify as a form of entertainment. You’ve been warned.
MISERY: Collector’s Edition (***½, 107 mins., 1990, R; MGM/Fox): Long
overdue Special Edition package of Rob Reiner’s terrific 1990
filming of the Stephen King book boasts an Oscar-winning performance
from Kathy Bates as a crazed “fan” who takes crippled
author James Caan’s recovery after a car accident under her wing.
Available overseas for some time, MGM/Fox’s new DVD includes
commentary from Rob Reiner, another talk with William Goldman, three
featurettes on the production of the movie (including a profile of
composer Marc Shaiman), and several other, new exclusive featurettes
about celebrity stalkers and anti-stalking laws. The 16:9 (1.85)
transfer and 5.1 Dolby Digital sound are both excellent, and the
film’s original trailers are also on-hand. Highly recommended!
RISE: BLOOD HUNTER: Unrated Cut (**, 122 mins., Unrated; Sony):
Overlong, direct-to-video effort from Sam Raimi’s Ghost House
Pictures stars Lucy Liu as a reporter who unknowingly becomes a vampire
and later seeks revenge against the evil bloodsuckers who
“turned” her (including James D’Arcy and Carla
Gugino). Michael Chiklis, meanwhile, is wasted in a thankless role as
the cop on her trail. Writer-director Sebastian Gutierrez’s film
boasts a solid cast and cinematography from Oscar-winner John Toll
(“Braveheart”), but the movie is so static, lengthy and
toothless (for a vampire romp) that the mere fact that it’s
watchable isn’t nearly good enough. Sony’s Unrated DVD runs
nearly 30 minutes longer than the R-rated version (available
separately), sporting a fine 16:9 (1.85) transfer with 5.1 Dolby
Digital sound and several Making Of featurettes. (Available Oct. 9)
New and Coming Soon From Paramount
THE WAR (2007, aprx. 15 hours, PBS/Paramount):
Ken Burns’ new series is a moving, leisurely-told examination of
WWII as seen primarily through the eyes of four American communities:
Mobile, Alabama; Waterbury, Connecticut; Sacramento, California; and
Luverne, Minnesota.
Using interviews, vintage photographs, letters, newsreel footage, and
original music by Wynton Marsalis, “The War” presents a
historical account of the U.S.’ involvement in the conflict at
the same time it enriches the personal perspective of the men and women
who both fought and simply lived through it, from the battlegrounds of
Europe and the Pacific to how the war impacted day-to-day life in
America.
Though it starts somewhat slowly, “The War” is a typical
Burns work, unfolding like you’re reading a good book and filled
with unforgettable imagery and anecdotes. Keith David’s narration
is eloquent while recognizable celebrity voices (including Tom Hanks)
infrequently appear when reciting journals and letters -- yet
it’s the interviews with real WWII veterans that will provide the
most impact for the majority of viewers.
“The War” is being broadcast on PBS stations nationally
this week, but for those who’d prefer to savor the production at
their own pace, Paramount and PBS’ DVD box-set will be available
on October 2nd, offering a good array of supplements as well.
Commentary from Burns and co-director Lynn Novick sheds light on their
efforts, while deleted scenes, biographies, additional interviews, and
a Making Of segment showcase how this ambitious production was mounted.
The 16:9 transfer and 5.1 Dolby Digital sound are both fine, the
visuals understandably dependant on the quality of the source materials
being shown.
Although it requires something of a commitment to watch all of its 15
hours, viewers (especially younger ones) ought to take the time to
savor “The War”’s meaningful, emotionally wrenching
passages and tribute to Americans who endured “The Great
War.” Recommended!
JONATHAN LIVINGSTON SEAGULL (**½, 1973, 99 mins., G; Paramount):
Hal Barlett’s disappointing cinematic adaptation of Richard
Bach’s early ‘70s best-seller (a religious and social
allegory about a seagull wanting to break free from his flock and
search for self-enlightenment) was one of the biggest flops of the
decade, yet the passage of time has actually strengthened the
movie’s strong points.
Thanks to Paramount’s new DVD edition (available next week),
viewers can now revel in the movie’s outstanding Panavision
cinematography, preserved in widescreen for the first time outside of
the film’s original theatrical release. The aerial photography is
superb, and Neil Diamond’s marvelous score -- with a strong
assist from Lee Holdridge -- compliments the visuals. If it’s
possible for a movie to simulate what MTV might’ve been like in
the “Brady Bunch” days of the early ‘70s,
“Jonathan Livingston Seagull” is it.
As for the rest of the picture -- and its then-new agey plot about
Jonathan’s quest with voice-overs “performed” by
James Franciscus, Hal Holbrook and Juliet Mills -- the film is less
than satisfying. Yet when it sticks to the cinematography and music,
it’s certainly a pleasant enough affair that’s soothing to
the ears and the eyes.
Paramount’s no-frills DVD boasts a surprisingly good 16:9 (2.35)
transfer with a bland mono audio track. While it’s unfortunate
the music couldn’t have been cleaned up and remixed for 5.1,
it’s surprising “Jonathan” is even reaching DVD to
begin with, so kudos to the studio for their efforts here (and while
they’re at it, how about a DVD for one of my unreleased
‘70s favorites,
SERIAL, with Martin Mull and Tuesday Weld....please??).
FUNNY FACE: 50th Anniversary Edition (1957, 103 mins., Paramount):
New Special Edition of Stanley Donen’s memorable 1957 teaming of
Audrey Hepburn and Fred Astaire sports what appears to be a new 16:9
(1.85, Vistavision) transfer with 5.1 stereo and mono soundtracks,
along with some fresh supplemental material (two new featurettes) to
compliment material from the prior DVD release (a “Paramount in
the ‘50s” retrospective and the trailer). (available Oct. 2)
FAMILY TIES: Season 2 (1983-84, aprx. 9 hours, Paramount):
Gary David Goldberg’s classic ‘80s sitcom is back on DVD in
a strong package from Paramount, preserving the series’ more
tightly-honed sophomore season (22 episodes) in a four disc package.
Even better are the new supplements, including a “Making
Of” offering fresh comments from Goldberg and stars Michael J.
Fox, Michael Gross, Marc Price and Tina Yothers. In many ways this is
the package fans hoped to see with the release of the first season, so
a major thumbs up to Paramount and CBS for their superior effort here.
(Available Oct. 9)
JERICHO: Season 1 (2006-07, aprx. 16 hours., Paramount):
Cult-favorite CBS series was cancelled after its first season concluded
last spring, only to find itself resurrected when a Trek-like fan
campaign saved “Jericho”’s bacon. While those loyal
viewers wait for the show’s return later this year,
Paramount’s six-disc DVD box set preserves the series’
first season in excellent 16:9 (1.85) transfers with 5.1 audio and a
number of special features, including commentaries, deleted scenes and
Making Of featurettes. (Available Oct. 2)
CSI: NY: Season 3 (2006-07, aprx. 17 hours, Paramount): Despite
tepid critical reviews, this first spin-off from CBS’ hugely
popular police procedural series is still performing well for the
network as it follows the Big Apple-set adventures of detectives Gary
Sinise and Melina Melina Kanakaredes. Paramount’s DVD set
preserves the complete third season of “CSI: NY” on six
discs with fine 16:9 transfers, four commentary tracks and four
featurettes. (available Oct. 9)
GIRLFRIENDS: Season 2 (2006-07, aprx. 8 hours, Paramount):
CW series charts the lives of four African-American women in a romantic
sitcom that’s attracted a loyal enough following on Monday
nights. Paramount’s box-set offers the series’ second
season in full-screen transfers with 2.0 stereo surround tracks and a
number of featurettes. (available Oct. 9)
REEKER (2005, 91 mins., Paramount):
Not-bad direct-to-video horror flick from writer/producer/director Dave
Payne, profiling a group of students who begin to have premonitions of
death and a crazed psycho on their trail. A few decent make-up effects
and shocks make this predictable outing not a terrible choice for
hard-core horror fans. Paramount’s no-frills DVD contains a 16:9
(1.85) transfer with 5.1 Dolby Digital sound.
New From Criterion
One of the most beloved Criterion laserdiscs at last reaches DVD with the release of
ROBINSON CRUSOE ON MARS (***½, 110 mins., Paramount; Aisle Seat Pick of the Week).
For this Paramount picture, “War of the Worlds” helmer
Byron Haskin inherited a script from Ib Melchior and toned down his
creature-laden story, resulting in not just one of the more
“realistic” sci-fi films of the 1960s but also one of the
finest.
Paul Mantee stars as Commander Kit Draper, a stranded U.S. astronaut
who, along with his adorable monkey-companion Mona, tries to survive on
the harsh surface of Mars after his ship crash lands. Victor Lundin is
his Friday, here a slave who befriends Draper, forming an unlikely
alliance as the duo try and find a way off the planet.
Beautifully photographed in widescreen by Winton C. Hoch (“The
Searchers”) and effectively scored by Nathan Van Cleave,
“Robinson Crusoe On Mars” has long been a genre favorite,
even though its scant circulation on video has limited its circulation
over the years. The movie’s prescient view of technology is
fascinating, while the performances of Mantee and Lundin heighten the
drama, making it more than just a standard ‘60s Saturday Matinee
adventure. But perhaps the most kudos ought to be bestowed upon Haskin
for crafting a fairly mature (but still family-friendly) film
that’s as fresh and spirited as it was upon its original,
mostly-ignored theatrical run.
I’ve always been a huge fan of “Robinson Crusoe” and
now a whole new generation of viewers can enjoy Haskin’s efforts
thanks to the long-awaited Criterion DVD, which boasts a nifty new 16:9
(2.35) transfer with mono sound and a number of supplements, mostly
recycled from the original LD. The latter include commentary from
Lundin, Mantee, historian/FX designer Robert Skotak and others;
excerpts from Ib Melchior’s original script; a new featurette by
Michael Lennick examining the movie’s science; still galleries;
the trailer; a memorabilia archive; and a music video for a song Lundin
composed about the film.
One additional note: it’s been written over the years how similar
Wolfgang Petersen’s 1985 effort “Enemy Mine” is to
“Robinson Crusoe On Mars,” with the atmosphere and plot of
the former bearing more than a few favorable comparisons to the latter.
If nothing else, it’d be interesting to compare the two on a DVD
double-bill.
Also new from Criterion this month:
THE THREEPENNY OPERA (1931, 110 mins., Criterion): Kurt
Weill and Bertolt Brecht’s stage production came to the screen in
this memorable early-sound film from German filmmaker G.W. Pabst.
Criterion’s double-disc set preserves both the German and
rarely-screened French versions of this 1931 production and offers a
number of special features, including commentary from scholars David
Bathrick and Eric Rentschler, archival interviews, a comparison of the
two versions and more.
MARTHA GRAHAM: DANCE ON FILM (1956-61, aprx. 90 minutes; Criterion):
Two-disc set offers two complete Graham ballets along with a 1957
profile of the performer/choreographer and master dancer. Other extras
include a 1994 American Masters PBS documentary and copious interviews,
all discussing Graham’s legacy.
MALA NOCHE (1985, 78 mins., Criterion): Gus
Van Sant’s renegade 1985 indie hits DVD with a new transfer, a
video interview with the filmmaker; storyboards, a remastered
full-screen transfer and mono sound. (Available Oct.)
New & Coming Soon From Buena Vista
THE JUNGLE BOOK: 40th ANNIVERSARY EDITION (***½, 78 mins., 1967, Disney):
Disney’s latest “Platinum Edition” DVD is a
marvelous, two-disc set offering a brand-new restored transfer of this
1967 classic (in 1.75, 16:9 widescreen too!). Fans will enjoy this
limited-time only set for that reason alone, with loads of extras
include deleted songs (over 21 minutes of audio), extensive
documentaries, and numerous games for kids. Highly recommended!
WHAT ABOUT BRIAN: Complete Series (2006-07, 1024 mins., Buena Vista):
Short-lived ABC comic-drama starred former “Seventh Heaven”
front man Barry Watson as a young man in L.A. trying to navigate the
singles scene. Fans will love this compilation of episodes from the
series’ first and second seasons, along with an unaired episode,
commentaries, and a glimpse into what a prospective third season
might’ve been like...had ABC not given “Brian” the
axe. 16:9 (1.78) transfers and 5.1 soundtracks adorn this cute
prime-time drama.
THE INTRUDER: Special Edition (83 mins., Buena Vista)
EAT MY DUST: Special Edition (89 mins., Buena Vista):
Buena Vista’s latest series of Roger Corman Special Editions seem
to be more like repackagings of their earlier DVD versions than
anything truly “new.” Both “The Intruder” (an
early ‘60s Corman quickie starring William Shatner as a racial
inciter) and “Eat My Dust” (one of several ‘70s Ron
Howard vehicles with fast cars and hot women like Christopher Norris)
offer featurettes and full-screen transfers, but don’t appear to
be worth it if you’ve already purchased their older, out-of-print
DVD counterparts.
HD Rundown: New on HD-DVD from Universal
THE LAST STARFIGHTER: HD-DVD (***½, 1984, 101 mins., PG; Universal): Back when sci-fi movies were about more than just special effects, along came this sleeper hit in the summer of 1984.
Lance Guest plays a high school student and college hopeful who finds
out his high score on the video game “Starfighter” is worth
more than a few bonus tokens. Guest is soon whisked away to another
galaxy by a Harold Hill-like hustler (Robert Preston, utterly charming
here) to save the universe with the help of an extraterrestrial
co-pilot (Dan O’Herilhy). Will Guest save the day, or will his
heart forever belong to his loving girlfriend (Catherine Mary Stewart)
back on Earth?
The combination of Jonathan Betuel’s script with Nick
Castle’s on-target direction results in a marvelously
entertaining movie that mixes sci-fi with comedy and a charming romance
between Guest and Stewart. The performances are all terrific, from the
appealing young leads to old pros Preston and O’Herilhy, while
Craig Safan’s outstanding score -- one of the finest of the 1980s
-- graces the drama and enhances the movie at every turn.
While the movie’s effects were cutting edge for their time (and
have, obviously, dated a little bit), “The Last
Starfighter” wasn’t just another “Tron.” The
film’s enormous amount of heart and warm characterizations
continue to sustain the film some 23 years after its original release,
making it one of the best of the so-called “‘Star
Wars’ clones” that appeared in the years following the
release of George Lucas’ original classic.
Universal’s HD-DVD edition proves to be satisfying overall, if just a
bit disappointing. Still, even though it’s a little soft in some sequences,
the VC-1 encoded 1080p transfer is generally good for a catalog title.
Even better is the robust Dolby TrueHD soundtrack, which rousingly
supports Safan’s score.
Extras carried over from the earlier Special Edition DVD include
commentary with Castle and production designer Ron Cobb, plus a
30-minute look at the the production of the movie (and primarily its
visual effects). The original trailer rounds out the disc.
FOR THE LOVE OF THE GAME: HD-DVD (***, 1999, 138 mins., PG-13; Universal):
Under-rated, Sam Raimi-directed baseball drama with Kevin Costner
starring as an aging Detroit pitcher who contemplates his relationship
with editor Kelly Preston while pitching one memorable afternoon in the
Bronx.
A solid (if not spectacular) baseball movie and a so-so romance,
“For the Love of the Game” is a good-looking,
well-performed character drama sporting fine work from Costner, superb
lensing by John Bailey and an excellent score from Basil Poledouris. It
may not be “Field of Dreams” or “Bull Durham,”
but this is still a satisfying yarn that looks great in high-definition
courtesy of the new HD-DVD release.
Universal’s VC-1 encoded transfer is highly satisfying, the Dolby
TrueHD sound does justice to Poledouris’ score, while extras
include deleted scenes and featurettes culled from the prior Special
Edition DVD release.
KNOCKED UP: HD-DVD (**½, 2007, 133 mins., Unrated; Universal):
Perhaps most telling of how poor this past summer’s theatrical
offerings were was evidenced by the almost Oscar- worthy reviews
bestowed upon director Judd Apatow's “Knocked Up.”
Apatow struck box-office gold with his hit "The 40 Year Old Virgin" in
2005, and "Knocked Up" continues on with the same sort of raunchy yet
"heartfelt" comedy, here showing what happens when broke slacker (and
Apatow regular) Seth Rogen gets aspiring E! anchorwoman Katherine Heigl
pregnant.
Numerous alumni from past Apatow projects like "Virgin" and his
fantastic, short-lived NBC series "Freaks and Geeks" pop up in
supporting roles, but "Knocked Up" isn't nearly as funny or focused as
some of the reviews would lead one to believe. Rogen and Heigl fail to
ignite sparks as the unlikely expecting couple, while the overlong
story is ultimately hijacked by Leslie Mann (as Heigl's sister) and
Paul Rudd (Mann’s husband) in supporting roles that are more
interesting than the lead characters.
"Knocked Up" is, admittedly, pleasant and intermittently funny, but its
over-rated praise from critics far and wide seems to confirm that, in
the Summer of '07, mediocrity seemed to be the most audiences
could’ve hope for. (I won’t discuss “Superbad,”
the Apatow-produced, Rogen-written teen sex comedy that was even more
over-praised!).
Universal’s HD-DVD edition is a keeper though. The 1080p, VC-1
encoded transfer and 5.1 Dolby Digital Plus sound are both top-notch
while a good array of extras include loads of deleted and extended
scenes, short comedic featurettes, and a group commentary alongside
various “U Control” picture-in-picture featurettes. (Fans
should note that not all of the 2-disc regular DVD release’s
extras have been retained, however). The release also includes the
standard-definition version on the disc’s flip side.
ELIZABETH: HD-DVD (***, 124 mins., 1998, R; Universal): Shekhar
Kapur’s marvelous biopic hits HD-DVD in a solid, VC-1 encoded
1080p transfer that showcases the film’s sumptuous visuals and
razor-sharp performances, while a Dolby TrueHD soundtrack makes for a
pleasing audio presentation as well. Extras include two featurettes,
Kapur’s commentary, and a brief preview of the upcoming sequel
“Elizabeth: The Golden Age.”
TOP GUN: HD-DVD (***, 109 mins., 1986, PG; Paramount):
The blockbuster Tom Cruise smash contains some of the most memorable
imagery of any '80s film, with Cruise's Maverick trying to fly his way
to the top of the Navy's elite fighter pilot program, backed to a
rockin' Harold Faltermeyer/Kenny Loggins/Berlin soundtrack and
performances from the likes of Kelly McGillis, Val Kilmer and Anthony
Edwards among others.
Paramount’s no-frills HD-DVD edition sans the superb extras from
the film’s last DVD release, freeing up the studio to use every
last bit of space on the picture’s transfer and impressive sound
design.
And indeed, the HD-DVD looks brilliant, presented here in the full 2.35
Super 35 aspect ratio of its theatrical exhibition (most previous DVD
releases offered a 1.85 frame that exposed the entire picture area that
was shot). Even better is the wonderfully layered 6.1 DTS-ES soundtrack
(Dolby TrueHD and standard 5.1 Dolby Digital tracks are also on-hand),
which brilliantly captures the sonic oomph of the movie's original
sound design.
For “Top Gun” fans this is an easily recommended purchase, with top-flight picture and sound.
Short Takes: Also New On DVD
SURF’S UP: Blu Ray (***, 85 mins., PG, Sony): Ribald
animated feature from Sony Pictures Animation follows a little penguin
from Antarctica who tries to become the world’s reigning surfing
champ. Outstanding animation, appealing characters, and loads of humor
(which adults ought to find sufficiently amusing as well as kids) make
this one of the best “family” films to come down the road
in some time. Sony’s Blu Ray disc is a keeper, even though the
1080p AVC-encoded transfer shows some occasional MPEG-artifacting here
and there. The Dolby Digital TrueHD and 5.1 PCM sound options are
strong, and ample extras include the Oscar-winning
“Chubbchubbs” (as well as a new “Chubbchubbs Save
Xmas” short), commentaries, deleted scenes, music videos,
progression reels and photo galleries, a music video, and more.
(Available Oct. 2)
COMMANDO: Director’s Cut (**½, 90 mins., R; Fox):
Arnie fans will enjoy this Special Edition package of one of
Schwarzenegger’s earliest action romps, sporting a new
“Director’s Cut” with a few minutes of new/alternate
footage and commentary from director Mark L. Lester. Additional deleted
scenes, two featurettes, and extensive still galleries round out the
special features, while the movie’s 16:9 (1.85) transfer and 5.1
Dolby Digital sound make for a top-notch technical package.
WALL STREET: 20th Anniversary Edition (***, 126 mins., 1987, R; Fox):
Solid Special Edition, double-disc set of Oliver Stone’s 1987
film offers a new 16:9 (1.85) transfer with 4.0 and 5.1 Dolby Digital
sound options, plus a new documentary, never-before-seen deleted
scenes, and extra featurettes. Recommended!
FAMILY GUY, Volume 5 (2006-07, 146 mins., Fox):
Fans may not be happy that the latest “Family Guy” box set
only offers the first 13 episodes of last season, but the material
included here is nevertheless extremely funny. Best episodes in the lot
include “Chick Cancer” (with Peter discovering “chick
flicks”) and “Airport ‘07,” offering ample
quotes from Elmer Bernstein’s “Airplane!” score and a
hysterical end credits sequence that had me rolling on the floor.
Fox’s three-disc set also offers commentaries, deleted scenes,
and two featurettes, plus full-screen transfers and 5.1 Dolby Digital
soundtracks.
TV on DVD From Universal
Last but not least this week are two tremendously entertaining TV on
DVD box sets from Universal, showcasing a pair of the finest series
currently airing on network television.
The hilarious American version of
THE OFFICE has, by this point, fully grown into its own, and
Season 3 (2006-07, aprx. 10 hrs., Universal) illustrates why the Steve Carrell-lead ensemble comedy is as good as it gets in terms of laughs on TV.
Smart writing (including episodes directed by Joss Whedon and Harold
Ramis among others), appealing performances and quotable dialogue are
all on-hand in these 22 third-season episodes, presented by Universal
in a four-disc set sporting extensive extras. Included in the latter
are deleted scenes, episode commentaries, an interview with Whedon, a
blooper reel, additional featurettes, interviews and more. The 1.78
(16:9) transfers are nearly on-par with their HD counterparts and make
for an irresistible package all around.
Finally there’s the Complete First Season of the acclaimed, albeit little-seen, small-screen version of
FRIDAY NIGHT LIGHTS (2006-07, aprx. 16 hours), which continues the small-town story of a Texas high school football team and its struggles on and off the playing field.
Universal’s five-disc DVD set offers 16:9 (1.78) transfers with
5.1 Dolby Digital sound, deleted scenes, and one Making Of featurette.
Thankfully renewed for a second year despite tepid ratings, hopefully
“Friday Night Lights” will find the audience that it
deserves when it debuts for its new season shortly.
NEXT
TIME: Lionsgate's latest Blu Ray releases, including KING OF NEW YORK! Until
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