14th Season Premiere SCARFACE on Blu-Ray Reviewed Plus: HANNA, CAPTAIN AMERICA '90
and THE EXTERMINATOR
Irvin Kershner’s THE FLIM-FLAM
MAN (***½, 104 mins., 1967)is a terrific movie:
a
homespun slice of rural Americana from writer William Rose that, for
some inexplicable reason, never received a proper release on DVD.
Thankfully that omission has been rectified with the release of
Twilight Time’s limited-edition disc, now available through Screen
Archives, which sports a crisp 16:9 enhanced new transfer, preserving
Charles Lang’s marvelous use of the Panavision frame.
George C. Scott stars as con man Mordecai Jones, who runs into and out
of trouble along with a young man (Michael Sarrazin) who’s AWOL from
the military. Sarrazin becomes Scott’s protégé as they
travel into the American south, pulling off various cons while being
pursued by local police including Harry Morgan. Meanwhile, Sue Lyon
(Kubrick’s “Lolita”) appears as a girl who falls for Sarrazin and helps
Mordecai and “Curly” escape, while other roles are filled by many
recognizable, great character actors of the silver age (Slim Pickens,
Jack Albertson, Alice Ghostley, and Strother Martin among them).
Buoyed by a Jerry Goldsmith score that’s tuneful and infectious, “The
Flim-Flam Man” ranks with a select group of “rural” movies made in the
late ‘60s that offered scenic photography and gorgeous soundtracks to
match. While “The Reivers” is a different type of piece (more nostalgic
and period-set), its charms are matched by Kershner’s comedic-drama in
terms of its use of widescreen, authentic locations and music. As Julie
Kirgo points out in her booklet notes, the South has never looked so
dreamy as it does here, and the Panavision frame is key in conveying
the picture’s surroundings. It’s unfortunate, then, that fans of the
movie have long had to make do with widescreen tapes of “Flim-Flam Man”
widescreen airings on AMC and the Fox Movie Channel, seeing that the
movie never generated a DVD release until now.
Twilight Time’s 16:9 transfer of the movie looks terrific – detailed
and ideally framed. Lang’s photography is essential to the picture’s
effectiveness and the print utilized is in good shape throughout. The
mono audio is clear and well delivered, while an isolated score track
of Goldsmith’s brilliant musical contribution and the trailer complete
the package.
One of my favorite late ‘60s films that’s at last been given the DVD
treatment it’s always deserved, “The Flim-Flam Man” comes
unquestionably recommended! New From Universal
Dated, excessive, overlong, yet intermittently powerful and always
watchable, Brian DePalma remake of SCARFACE
(**½, 170 mins., R, 1983) arrives on Blu-Ray in a
limited-edition Steelbook release courtesy of Universal on September
6th.
The Al Pacino-Michelle Pfeiffer crime thriller starts off like a house
on fire but peters out in its final hour, and was previously issued
during the early days of the DVD format in a single-disc edition that
reprised all of the contents from the deluxe "Signature Collection"
laserdisc – itself once a prized possession amongst owners of that
pre-DVD format. Along with the supplements, though, came a dreary, weak
transfer, which wasn't optimized to take advantage of the superior DVD
format (it actually rehashed the laserdisc's transfer, which actually
wasn't up to the standards of the LD medium, either).
Universal withdrew the disc and issued an Anniversary DVD edition in
2003 and a “Platinum” version in 2006, which improved upon its
predecessors. Needless to say the Blu-Ray trumps all prior editions
with an even more impressive, VC-1 encoded 1080p transfer. For a
Universal catalog release, this HD master is extremely satisfying,
presenting a natural, film-like appearance with little obvious use of
DNR and strong, vivid colors. Having never seen the film theatrically,
I can only say that the DePalma and cinematographer John A. Alonzo’s
visuals are improved substantially here over its prior video versions,
enhancing its overall entertainment value. The sound, meanwhile, has
been remixed for 5.1 DTS MA, giving the various effects and Giorgio
Moroder's score a bass-heavy boost.
Even better is that (almost) all of the supplements from the earlier
DVD releases have been reprieved, along with some brand new content.
“The Scarface Phenomenon” is a brand new, 38-minute documentary,
presented in HD and featuring fresh interviews with DePalma, producer
Louis Stroller, co-star Steven Bauer, other critics and various
celebrity devotees. Laurent Bouzereau's vintage laserdisc documentary
is complimented by deleted scenes and a montage of clips from the
movie's censored TV prints, while there’s a look at the “Scarface”
video game. It's a great package with one major omission: none of the
original trailers or marketing materials have been included.
Overall, though, if you're a big fan of the movie and were disappointed
by the presentation on the earlier DVD and laserdisc editions,
"Scarface" is well worth the upgrade.
Also new from Universal is HANNA (**, 111
mins., 2011, PG-13), director Joe Wright’s visually impressive
but off-putting, vapid Euro-thriller about a young girl (Saorise
Ronan), raised by her government-op father (Eric Bana) in a secluded
winter wonderland, who finally leaves her lifelong hiding spot to
combat Bana’s former nemesis: a gum-chewing, Texas-accented CIA agent
(Cate Blanchett), who abducts “Hanna” but quickly gets more than she
bargained for.
Seth Lochhead and David Farr’s script plays heavy on the fairy-tale
metaphors but isn’t remotely believable at any stretch; Hanna goes from
being a completely isolated, almost robotic young girl to wanting to
flirt with boys at parties once she meets a family traveling through
Europe (this in spite of the fact that her social skills aren’t exactly
refined, having never actually seen teenage boys in person before!).
Tom Hollander’s bleached-blonde bad guy is ridiculous and Blanchett’s
villain likewise feels “off,” but then again, so does the whole movie:
this is a mean thriller heavy on graphic violence with some disturbing
elements and concepts that’s positively shocking for a PG-13 rated
film. In fact, this is without a doubt the singular most graphic PG-13
film I’ve ever watched – and after sitting through “Hanna” and “The
King’s Speech” (rated R for a few f-bombs whereas the PG-13 “Hanna”
includes explicit torture and killings), there’s no longer any shred of
doubt that the ratings system is broken in this country.
Where the movie works, to a degree, is in its visual style: Wright’s
direction and Alwin Kuchler’s cinematography are both spectacular, and
Ronan’s performance is unusual and compelling. While certainly not
suitable for children (in spite of its rating), ‘Hanna” may be worth a
viewing simply for its artistic elements – though I wouldn’t count the
Chemical Brothers’ obnoxious, grating soundtrack as one of them.
Universal’s Blu-Ray includes a dynamite AVC encoded 1080p transfer and
DTS MA soundtrack. Extra features include Wright’s commentary, deleted
scenes, a featurette and an alternate ending that would’ve ended the
film on a more redemptive note than the finished film. A digital copy
is also included.
Also new from Universal is Season 7 of THE OFFICE (aprx. 10
hours, 2010-11), the final season for Steve Carell’s Michael
Scott, better known as the boss on NBC’s hit comedy.
After a very erratic sixth season, “The Office” sends Carell off with
one of its more inspired campaigns in recent years, though the show’s
guest-star packed finale (which includes all kinds of “surprise” cameos
that were spoiled in every commercial that aired before the show ran)
isn’t all that funny as it tries and establish the new boss of
Dunder-Miflin’s Scranton branch.
Regardless, “Office” fans will find much to enjoy in Carell’s swan
song, and Universal’s multi-disc set includes all 24 episodes of “The
Office”’s seventh season in 1080p transfers, DTS MA soundtracks and
with extras including over 100 (!) minutes of deleted scenes, a blooper
reel, extended episodes, commentaries, webisodes, and the entire
“Threat Level Midnight” – Michael Scott’s fake movie which ends up
making for one of the series’ all-time worst episodes. INCENDIES
Blu-Ray/DVD (***, 130 mins., 2010, R; Sony): Superb Canadian
thriller (in French) from director-writer Denis Villeneuve follows
twins (Lubna Azabal, Mélissa Désormeaux-Poulin) who,
following the death of their mother, travel to the Middle East to
uncover the father and brother they never knew. Somewhat leisurely
paced, “Incendies” is absorbing and extremely well-made, and Sony’s
Blu-Ray adds to the film’s allure courtesy of a superb AVC encoded
1080p transfer with DTS MA audio and extras including commentary with
the director and one Making Of featurette.
WIN WIN Blu-Ray
(**½, 106 mins., 2011, R; Fox): Paul Giamatti plays a
down-on-his-luck, small-town lawyer and high school wrestling coach who
opts to become the guardian of one of his elderly clients (Burt Young).
Along with this decision comes a $1500 monthly stipend and the arrival
of Young’s grandson (Alex Shaffer), a tough high school kid who has run
away from his mother and her abusive boyfriend, and who quickly
displays a knack for wrestling.
Tom McCarthy wrote and directed “Win Win,” a very likeable yet uneven
character-dramaedy that offers Giamatti a sympathetic role and fine
supporting turns for Amy Ryan (as Giamatti’s wife), Bobby Canavale and
Jeffrey Tambor. The movie has some very funny and poignant moments, yet
the story’s focus never feels consistent, veering from Giamatti’s
perspective to a “high school wrestling movie” (shades of “Vision
Quest,” however briefly) and then back again. In the process the movie
loses some of its momentum, which is regrettable since there are a lot
of good things in “Win Win.”
Fox’s Blu-Ray boasts a satisfying 1080p AVC encoded transfer, 5.1 DTS
MA soundtrack, and a number of extras including deleted scenes,
interviews with McCarthy and others, a featurette and music video.
Also New From Fox this month:
BLOOD SIMPLE
Blu-Ray (***, 95 mins., 1985, R; MGM/Fox): The Coen Brothers'
first film doesn't offer nearly as much dark humor of their later
pictures – something that's either good or bad, depending on your point
of view.
Either way, “Blood Simple”
is still a suspenseful and quirky film noir variant, with small-town
Texas wife Frances McDormand having an affair with John Getz, while
spurned husband Dan Hedaya hires detective M. Emmet Walsh (in one of
the character actor's best roles) to investigate the couple. From
there, it's a complicated web of double-crosses with occasional touches
of the Coens' off-kilter sense of humor giving just enough distinction
to the material.
It’s their sense of humor that gets the bigger boost in their 96-minute
alternate cut of “Blood Simple,” which first saw a limited theatrical
release a decade ago and has now arrived on Blu-Ray. An audio
commentary track is provided by "Kenneth Loring of Forever Young Films"
-- quite obviously a joke perpetrated likely by one of the Coens
themselves, pretending to be a snobby British member of the crew! MGM’s
oft-delayed Blu-Ray edition of the picture includes a respectable AVC
encoded 1080p transfer with 2.0 DTS MA audio, that faux-commentary
track and the trailer.
“Blood Simple” isn't one of my personal favorite Coen films, but it's
nevertheless essential viewing for film buffs, newly available on
Blu-Ray separately or as part of Fox’s new COEN BROTHERS COLLECTION,
which also includes “Fargo,” “Raising Arizona,” and “Miller’s Crossing.”
After the "Vertigo"-like variant that was "Obsession," DePalma did
Hitchcock again -- more or less -- in DRESSED TO KILL
(**½, 105 mins., 1980, Unrated), his tale of a
psychiatrist (Michael Caine) investigating a series of brutal murders
with patient Angie Dickinson and call girl Nancy Allen involved with a
stalker. This 1980 thriller generated a great deal of controversy in
its day, and MGM’s Blu-Ray here includes a more explicit, unrated
version with added sex and violence. With or without the uncensored
footage, you get DePalma's persistent homages to Hitch, trademark use
of anamorphic widescreen cinematography, and a story that seems quite
familiar, no matter how good it looks. “Dressed to Kill” isn't my
favorite DePalma film for a number of reasons, one of them being that
the filmmaker repeats himself even more blatantly here than in any of
his early work (the coda is a homage to “Carrie,” of all things!), but
is still worth a look if you're a fan of the director or Angie
Dickinson (who was, however, body-doubled in the soft-lit nude scenes).
Now on Blu-Ray, “Dressed to Kill” boasts a pleasing AVC encoded 1080p
transfer. Its remixed 5.1 DTS MA soundtrack is fine, while extras
reprieved from the earlier DVD include a 40-minute documentary which
provides a solid overview of the film's production, a comprehensive
look at different edits of the film (from the R to the unrated and even
the bastardized TV version!), an interview with co-star Keith Gordon,
and the original trailer.
Also new from MGM is Sam Peckinpah's controversial STRAW DOGS (***, 118
mins., 1971, Unrated), the memorable, tough early ‘70s thriller
with Dustin Hoffman as a meek college professor who
runs afoul of some British hooligans after moving to his wife's home
village in England. How entertaining you find the picture is strictly a
matter of taste, but the movie remains powerful despite some of its
shortcomings, and the violence still potent after all these years. For
technical quality, MGM’s Blu-Ray is a massive step-up from prior video
releases and looks surprisingly good considering its age, and Jerry
Fielding's score sounds adequate in the DTS-MA 5.1 track. SONS OF ANARCHY
Season 3 Blu-Ray (588 mins., 2010; Fox): Creator Kurt
Sutter’s (“The Shield”) effectively cast, violent FX series about
a gang of outlaw bikers who take justice (and injustice) into their own
hands is back in HD for its third go-round. Katey Sagal and Ron Perlman
are tremendous as the married leaders of the “Sons of Anarchy,” with
Charlie Hunnam as their conflicted son, and the third season offers 13
more episodes of action-packed night-time soap-opera entertainment
that’s solidly performed and written. Fox’s Blu-Ray is a three-disc
platter including a number of extras (including Season 4 bridge scenes,
featurettes, deleted scenes, extended episodes and a gag reel), AVC
encoded 1080p transfers and DTS MA soundtracks....Keanu Reeves plays a
downtrodden Buffalo toll gate worker who gets wrapped up in a robbery
that changes his life – for the better – in Malcolm Venville’s HENRY’S CRIME
(**½, 108 mins., 2011, R), a not-bad character dramedy
co-starring Vera Farmiga and James Caan. Fox’s BD of this Mimran Schur
release includes an AVC encoded 1080p transfer and DTS MA soundtrack,
but no extras...also new from Fox on
Blu-Ray are SKATELAND
(98
mins.,
2009,
PG-13),
an indie drama set in the ‘70s with
Ashley Greene and Shiloh Fernandez (AVC encoded 1080p transfer, 5.1 DTS
MA soundtrack and deleted scenes), plus the “inspirational” sports
movie THE 5TH
QUARTER (89 mins., 2009, PG) with Aidan Quinn and Andie
MacDowell (1080p transfer, 5.1 DTS MA soundtrack and Making Of
featurette). New on Blu-Ray From
Anchor Bay
CAMELOT: Season
1 Blu-Ray (515 mins., 2011; Anchor Bay) SPARTACUS: GODS
OF THE ARENA Blu-Ray (347 mins., 2011; Anchor Bay): Starz’s
lavish cable hit “Spartacus” was cut down by star Andy Whitfield’s bout
with cancer, leading to the production of a lengthy prequel series
“Gods of the Arena,” which arrives on Blu-Ray in an extremely
impressive BD package with loads of extras (extended episodes,
commentaries on all episodes, individual featurettes, bloopers and
more) and top-notch 1080p transfers with Dolby TrueHD audio.
“Spartacus”’ success, meanwhile, lead to the creation of “Camelot,” a
moody “reimagining” of the days of Lancelot, Arthur and Merlin that
premiered earlier this year. Unfortunately for Starz, “Camelot” failed
to capture the same audience as “Spartacus,” and was canceled a few
weeks ago after its one season on cable.
Thus, Anchor Bay’s Blu-Ray box of “Camelot”’s first season is also its
last, with the multi-disc set including a number of featurettes that
are mostly promotional in nature. The 1080p transfers and TrueHD
soundtracks are all just fine, but despite a fine cast (Joseph Fiennes,
Eva Green, Claire Forlani) and technical credits (including a Mychael
and Jeff Danna score), the show – of what I sampled – is overly
brooding and dull.
A HORRIBLE WAY TO
DIE Blu-Ray (87 mins., 2011, R; Anchor Bay): A
serial killer (AJ Boween) escapes and tries to find his ex-girlfriend
(Amy Seimetz) in a particularly disturbing thriller from
writer-director Adam Wingard that’s a cut above the norm for this type
of thing. “A Horrible Way to Die” doesn’t try and exploit its scenario
for easy scares, but instead uses a flashback/present-day narrative
set-up to show how Seimetz couldn’t realize Boween’s true nature due to
her alcoholism, which she’s now dealing with in the present with a new
boyfriend. This is a better-than-average indie horror effort made with
some sensitivity and effective performances. Anchor Bay’s Blu-Ray
includes commentary and a featurette, plus an AVC encoded 1080p
transfer and Dolby TrueHD audio.
THE ENTITLED
Blu-Ray (91 mins., 2011, R; Anchor Bay):
Kevin Zegers plays a young man who decides to abduct the children (one
of them the lovely Laura Vandervoort from “Smallville” and “V”) of
three socialites (Ray Liotta, Victor Garber and Stephen McHattie) in
this Aaron Woodley film shot in 2009. Anchor Bay’s Blu-Ray includes an
alternate ending and a featurette, plus an AVC encoded 1080p transfer
and Dolby TrueHD soundtrack. NEW FROM LIONSGATE: 40 DAYS AND 40 NIGHTS (**½, 95
mins., R) was a predictable 2002 comedy that took a
simple premise (Hartnett swears off sex for 40 days in order to better
connect with women) and turned it into an uneven, yet highly watchable,
vehicle for the actor. The first half stresses the comedic potential of
the material with "American Pie"-like gags (plus the presence of "Road
Trip" co-star Paulo Costanzo), while the second half settles into a
typical, but cute, romance with Harnett discovering true love with
Shannyn Sossamon (thankfully much better here than she was in "A
Knight's Tale"). Director Michael Lehmann directs Robert Perez's uneven
script with a sure hand, and it all goes down nice and easy -- a slight
but entertaining movie that should be perfectly satisfying for its
intended audience. Lionsgate’s Blu-Ray includes a 1080p AVC encoded
transfer, commentary from Lehmann, and the teaser trailer...More Tyler
Perry madness is on-hand in the latest theatrical release TERRY PERRY’S
MADEA’S BIG HAPPY FAMILY (107 mins., PG-13, 2011), which hits
Blu-Ray in a digital-copy combo pack offering a 1080p transfer, 7.1 DTS
MA audio, and four featurettes. A Perry feature-turned-cable-sitcom, MEET THE BROWNS,
arrives on DVD in a three-disc set including its first 20 episodes in
16:9 (1.78) transfers and 5.1/2.0 Dolby Digital soundtracks. Finally,
there’s LAUGH
TO KEEP FROM CRYING (140 mins., 2010), a taped edition of his
play of the same name about a family in an urban neighborhood, with
ample songs included. Lionsgate’s DVD boasts cast/audience interviews,
a 16:9 transfer and 5.1 audio...Will Ferrell decides that EVERYTHING MUST GO
(**½, 97 mins., 2011, R), a quirky indie comedic-drama
about a salesman who loses his wife and job and subsequently opts to
put everything up for sale on his front lawn. Dan Rush’s little-seen
film boasts a fine supporting cast (Laura Dern, Rebecca Hall, Stephen
Root) but doesn’t entirely click. Lionsgate has brought the picture to
both DVD and Blu-Ray; the former including a 16:9 transfer, 5.1 audio,
commentary with Rush and co-star Michael Pena, two featurettes and
deleted scenes. The Blu-Ray includes the same configuration with an AVC
encoded 1080p transfer, DTS MA audio and an identical supplemental
package...Rainn Wilson, Joseph Gordon-Levitt and Natalie Portman star
in Spencer Susser’s little-seen indie film HESHER (106 mins., 2011, R),
which Lionsgate brings to DVD this month in a Special Edition offering
deleted scenes, outtakes, featurettes, a 16:9 (2.44) transfer and 5.1
audio...Finally, the “Care Bears” are back in CARE BEARS: SHARE
BEAR SHINES MOVIE (70 mins., 2011), an hour-plus feature for the
little ones, that includes a 16:9 transfer, 5.1 audio and an
interactive game that should keep young kids preoccupied for a little
while at least.
Other new bargain-priced Miramax Blu-Rays coming out from Lionsgate
this September include SCARY MOVIE 2
(*½, 82 mins., 2001, R), the Wayans’ limp follow-up to
their earlier smash, plus SCARY MOVIE 3 (**,
85 mins., 2003, Unrated), which brought onboard “Airplane!”
co-helmer David Zucker in an effort to inject more life into the comedy
franchise. Both of these (dated) comedies look good with their AVC
encoded 1080p transfers and DTS MA soundtracks, with loads of extras
ported over from their prior DVD editions (commentaries, deleted
scenes, bloopers, etc.)...Nicole Kidman scored a box-office success
with THE
OTHERS (**½, 104 mins., 2001, PG-13), Alejandro
Amenabar’s well-mounted yet predictable ghost chiller that likewise
joins the growing list of Miramax-Lionsgate titles. Javier
Aguirresarobe’s cinematography gains the most from the AVC encoded
transfer, while once again DTS MA audio and extras carried over from
the earlier DVD edition (documentary and featurettes, the trailer) top
off the package. Cult Wrap-Up
Mill Creek is known for their bargain-priced box-set collections of
B-movies, and this month brings two new releases from the label for
cult movie aficionados.
SCI-FI INVASION
is a 50-movie pack that offers a few interesting titles in addition to
some grade-Z fare that has been released elsewhere (and often). All the
titles are housed on dual-layer discs, but since the discs cram 4-5
movies on each, there’s an obvious amount of compression involved. That
said, you’re not paying big money for this release, and the quality on
a few of the movies isn’t bad. Among the more interesting inclusions in
this package:
-SLIPSTREAM, the 1988 Steven
Lisberger sci-fi bomb that never got a release on this side of the
Atlantic. Mark Hamill, Bill Paxton, Bob Peck and F. Murray Abraham star
in a well-mounted production with a ramshackle script and a seriously
outstanding Elmer Bernstein score. Though presented in full-screen, the
print shown here is the same as the one used for the European DVD, and
at least the sound is in full stereo.
-HYPER SAPIEN: PEOPLE FROM ANOTHER STAR
was a 1986 sci-fi fantasy from Talia Shire’s producer-husband Jack
Schwartzman. Unlike “Never Say Never Again,” “Hyper Sapien” was
basically ignored by distributor Warner Bros. (who knows how it ended
up in this compilation) and never saw a major release. It’s certainly
an odd “E.T.” rip-off with Sydney Penny as one of several aliens
(wearing bad white wigs) who end up in the wilds of the U.S.A. (really
Canada, but who cares?). Arthur B. Rubinstein scored the movie, which
looks extremely rough in a poor pan-and-scan transfer.
-STAR KNIGHT is an embarrassing
1986 Spanish production with Harvey Keitel (!), Klaus Kinski and
Fernando Rey slumming in a perfectly awful hybrid of medieval period
adventure and a sci-fi/fantasy. Must be seen (or at least partially
seen, since it’s so interminably bad) to be believed.
-THE BROTHER FROM ANOTHER PLANET
starred Joe Morton in an acclaimed 1984 film from John Sayles.
Also on-hand in this
package: 984 Prisoner of the Future; Abraxas Guardian of the Universe;
The Alien Factor; Alien Prey; Amazing Transparent Man; Assassin; The
Bat; Battle Beyond the Sun; Beyond the Moon; Brian Twisters; Crater
Lake Monster; Creeping Terror; Day Time Ended; Death Machines; Escape
From Galaxy 3; Eyes Behind the Stars; The Brain From Outer Space;
Extraterrestrial Visitors; Fugitive Alien; Future Hunters; Future
Woman; Galaxina;: Giant of Metropolis; Hands of Steel; The Head; Horror
High; Hundra; Invaders From Space; It’s Alive (1968); Life Returns; The
Manster; Mission Stardust; Morons From Outer Space; Night Fright; Night
of the Blood Beast; Primal Impulse; R.O.T.O.R.; Raiders of Atlantis;
Robo Vampire; Rocket Attack USA; Star Pilot; Top Line; Trapped by
Television; War of the Robots; Wasp Woman; and Welcome to Blood City.
Also available from Mill Creek is the 12-film collection DANGEROUS BABES,
a
satisfying
assortment
of
Crown
International
titles including the
hilariously awful Mae West 1978 swan song SEXTETTE with Timothy Dalton,
Dom DeLuise, George Hamilton, Ringo Starr, Tony Curtis, Regis Philbin
and Rona Barrett; the 1972 release BLUE MONEY; Troy Donahue in 1990's
CLICK: THE CALENDAR GIRL KILLER; Virginia Mayo and Bruce Davidson in
1978's FRENCH QUARTER; HOT TARGET; NIGHT CLUB; NOON SUNDAY with Mark
Lenard and Keye Luke (the first feature shot on Guam); Karen Black in
1981's SEPARATE WAYS; THE SISTER-IN-LAW with John Savage; THE VIRGIN
QUEEN OF ST. FRANCIS HIGH; WEEKEND WITH THE BABYSITTER and YELLOW HAIR
AND THE FORTRESS OF GOLD.
From MGM’s Limited Edition Collection comes CAPTAIN AMERICA (97
mins., 1990, PG-13) – no, not the exciting recent Marvel movie,
of course, but rather Albert Pyun’s watchable yet intermittently
embarrassing comic-book production that was shot for Menahem Golan’s
post-Cannon Group 21st Century Film Corporation.
Matt Salinger (nephew of J.D.) plays Steve Rogers as he fights the Red
Skull both in the ‘40s and again after he’s frozen in time; Scott
Paulin essays his arch-nemesis while a better-than-the-movie-deserves
supporting cast includes Ronny Cox, Ned Beatty, Darren McGavin, Michael
Nouri and Melinda Dillon. “Captain America” does move along briskly and
has a few fun moments but is basically let down by threadbare
production values and a hokey script credited to Stephen Tolkin. Pyun
claims his film was ruined by Golan in post-production, but this charge
isn’t supported by his recent so-called “Director’s Cut” which the
director is selling himself on his website. (Whatever you do, don’t
bother spending money on the Blu-Ray version, which looks atrocious and
isn’t worth your time or cash).
MGM’s DVD of “Captain America” is in stereo (the good news) but has
been mastered from an old 4:3 presentation (the bad news) no better
than its VHS/laserdisc releases from the early ‘90s. Since the movie
wasn’t shot in widescreen the framing doesn’t seem to be a big loss,
but the picture – even with its abundant shortcomings – is due a
superior package than this barebones, manufactured-on-demand release
(Shout!, meanwhile, has Universal’s superior Reb Brown TV movies due
out on a double-feature DVD platter this fall).
Our friends at Synapse Films, meanwhile, are ready to unleash a
Blu-Ray/DVD edition of THE EXTERMINATOR
(102 mins., 1981, Unrated), James Glickenhaus’ nasty
exploitation movie about a Vietnam vet (Robert Ginty) who decides to
clean up the mean streets of NYC after thugs beat up, and paralyze, his
best friend.
There are some exploitation films I enjoy (particularly Mark L.
Lester’s “Class of 1984"), but “The Exterminator” falls short of the
better pictures in its genre, even though it does have a few inspired
moments (including a Vietnam prologue that’s more exciting than the
rest of the film). More often then than not, though, “The Exterminator”
plods along when it ought to be crackling with action, spending too
much time on cop Christopher George’s pursuit of Ginty and his
relationship with Samantha Eggar (scenes which all could’ve easily hit
the cutting room floor).
Synapse’s Blu-Ray of this Avco-Embassy release looks as strong as the
source material allows – the AVC encoded 1080p transfer is most
impressive during the movie’s aerial shots of the Big Apple, while both
a mono soundtrack and 2.0 restored DTS MA stereo mix do justice to the
film’s not-entirely-primitive sound design. Extras include a commentary
with Glickenhaus, the trailer and a TV spot. Also New and Recently
Released
A CINDERELLA
STORY: ONCE UPON A SONG DVD (88 mins., 2011; Warner): Lucy Hale
stars in this latest direct-to-video follow-up to the Hilary Duff
“Cinderella Story” as a teen who wants to be a recording artist.
Unfortunately her wicked stepmother (Missi Pyle) and stepsister (Megan
Park) thwart her attempts at stardom, going so far as to steal her
singing voice and her would-be boyfriend.
This ABC Family movie is passable for what it is, and Warner brings the
cable-film to DVD this month in a fine 16:9 transfer with 5.1 audio.
Ample extras include a number of featurettes aimed at the “tween”
market.
THE VAMPIRE
DIARIES Season 2 DVD (927 mins., 2010-11; Warner): Former
“Degrassi: The Next Generation” cast member Nina Dobrev’s fetching
appearance is the highlight of this glossy, prime-time teen series
which generated terrific ratings for the CW Network during its freshman
season and returned for another strong campaign in Season 2.
Based on the popular books by L.J. Smith and co-developed by “Dawson’s
Creek” creator Kevin Williamson, “Vampire Diaries” follows Dobrev’s
heroine, Elena Gilbert, as she falls for a “Tiger Beat” worthy
vampire-hero in Paul Wesley, only to encounter resistance from his more
villainous, older brother played by “Lost”’s Ian Somerhalder – and this
year, a vampire queen named Katherine who returns from a lengthy
slumber in the crypt (also played, interestingly enough, by Dobrev).
Warner’s DVD box-set of “Vampire Diaries”’ second season includes 16:9
(1.85) transfers, 5.1 soundtracks and a number of extras including
unaired scenes, a gag reel, three featurettes and cast interviews.
TWO AND A HALF
MEN Season 8 DVD (337 mins., 2010-11; Warner): Charlie Sheen’s
off-screen antics and much-publicized battles with producer Chuck Lorre
ultimately cost him his day job as leading man on CBS’ top-rated sitcom
“Two and a Half Men.” This, in effect, made Season 8 of the series its
final one with Sheen, since Ashton Kutcher has since been added to the
cast of the comedy which returns to CBS next month.
Because of the problems, Season 8 of “Two and a Half Men” only ran for
16 episodes before production was shut down, and Warner’s DVD box set
includes its entire run in 16:9 transfers and 5.1 soundtracks. Fans of
the show may be disappointed that its lead cast member was dumped from
the series without any kind of goodbye, but it’s not the first time in
the annals of TV that it’s happened (remember Valerie Harper’s
contractual feud which turned “Valerie” into “Valerie’s Family” and,
later, “The Hogan Family”?).
BASEBALL’S
GREATEST GAMES DVD (A&E/NewVideo): Three new DVDs in
A&E’s retrospective of classic MLB games includes the Mets’
victorious win over the Red Sox in Game 6 of the 1986 World Series
(boooooo); the Red Sox’ miraculous comeback over the Yankees in Game 4
of the 2004 ALCS (yay!), which ignited their run to the World Series;
and the supremely memorable 7th game of the 1991 World Series where the
Twins conquered the Braves 1-0. Stereo soundtracks are included on all
three DVDs, which look as good as the material allows.
MICKEY
SPILLANE’S MIKE HAMMER DVD (Aprx. 34 hours; A&E): Mickey
Spillane’s private eye first hit the small screen in this 1958 NBC
series with Darren McGavin as the iconic pulp detective. A&E’s
12-disc box-set preserves the entire run of “Mike Hammer,” offering
some 78 episodes in their original black-and-white, half-hour formats
with crisp mono soundtracks.
BAD
DREAMS/VISITING HOURS Double Feature DVD (Shout): A pair of
‘80s horrors from the Fox vaults -- previously available on
out-of-print Anchor Bay packages -- make for an appealing
double-feature for genre buffs.
“Visiting Hours” is a 1982 Canadian thriller with Lee Grant as a TV
journalist attacked by a loon (Michael Ironside) enraged by her report
about domestic violence. She ends up surviving but is stalked in the
hospital by Ironside in a film from director Jean Claude Lord from a
Brian Taggert screenplay. Linda Purl and William Shatner co-star in
what amounts to a slower-paced, less exciting rendition of “Halloween
II,” with Shout’s DVD offering a 16:9 (1.78) transfer and trailers.
Jennifer Rubin, meanwhile, starred in “Bad Dreams,” a 1988 box-office
flop from director Andrew Fleming (“The Craft”) about a woman plagued
by – well, you can figure it out – who finds out that she’s daughter of
a couple involved in a Jim Jones-like sect whose members mostly all
died in a horrific mass-suicide. Naturally the sect’s leader (Richard
Lynch) is still haunting her. Fleming and ‘80s script guru Steven E.
DeSouza penned this routine but watchable horror outing which includes
a 16:9 transfer and extras carted over from the out-of-print Anchor Bay
release including commentary by Fleming, the alternate ending,
interviews, featurettes, and a new 5.1 Dolby Digital soundtrack.
DEAD CERT
Blu-Ray and DVD (82 mins., 2010; Shout): Craig Fairbrass opts to
build his nightclub on top of sacred land belonging to a 500-year-old
vampire in this Black and Blue Films production which hits both Blu-Ray
and DVD this month from Shout. The label’s DVD edition includes a 16:9
transfer, 5.1 soundtrack, and extras including commentary by
producer-director Steve Lawson, a Making Of featurette, and the
trailer; the Blu-Ray offers the same extras with 7.1 audio and a 1080p
transfer.
THOR AND LOKI:
BLOOD BROTHERS DVD (72 mins., 2011; Shout): Marvel and Shout’s
latest adaptation of a Marvel graphic novel, “Loki,” by Robert Rodi and
Esad Ribic, makes for a compelling 72-minute DVD production, faithfully
rendered from its source material, which recounts Thor’s brother’s rise
to lead Asgard. Rodi and Ribic are interviewed in the supplemental
section, which also includes a Making Of featurette and the trailer.
NEW FROM E ONE: Mandy Moore
plays a marriage counselor with a “perfect” husband (Kellan Lutz) whose
world is turned upside down when she finds out her folks (Jane Seynour,
James Brolin) are getting a divorce in LOVE WEDDING
MARRIAGE (90 mins., 2011, PG-13), a rom-com that marks the
directorial debut of actor Dermot Mulroney. IFC’s Blu-Ray disc includes
a 1080p transfer, 5.1 soundtrack and the original trailer. NEXT
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