When you take the critics out of the equation, it comes down to the resonance of the material to the audience - or individual. I don't give two sh**ts what the critic says or, sad to say, Lukas says..

Eric W. wrote: ↑Sat Aug 20, 2022 10:02 am Bear McCreary turned in a nice score for this dumpster fire at least.

Funny how they don't mention the 2001 Tim Burton movie.

Cat People got, no reason........

AndyDursin wrote: ↑Sun Aug 14, 2022 12:43 pm Can only guess they have the sales numbers. Not half the movie (maybe not even that) Manhunter was but no Hopkins so whatever.

BTW, I forgot to send back my RED DRAGON Promo CD from that FYC fan campaign 20 years ago.

Do you think anybody will care at this point?

Maybe a more coherent BLADE RUNNER?

Just for the Space Leia thing it might be worth watching once (for free) if you are able to do so...I laughed out loud when I saw it and will never forget how ludicrous that scene is. Complete with the overwrought, GONE WITH THE WIND-like Princess Leia's Theme arrangement. The moment STAR WARS -- a...

He has a good run I guess.

Such a wealth of contributions to the Bond franchise after "Dr. No."

I guess one could make a case that Natalie Holt was also attached for the "girl power" woke element of the production. I have nothing against her personally - and I did like the quirkiness of the Loki score. But she was WAY out of her depth on Obi-Wan. So much so, that this is a snippet of...

I find it interesting that Andrew Stanton of JOHN CARTER was credited as writer and story on the finale. Honestly, I didn't notice if he had a hand in the prior episodes, so I guess I'll have to go back and look. Overall, I think this final episode may have been the strongest and best of this series...

So I guess in the last episode, they kill off Obi-Wan.

I have to admit that if I didn't know about the controversy involving the new character, I wouldn't have thought there was anything to get worked up about. She seems fine to me although I can't remember her name other than she's the "third sister." That other villain who seems to be secon...

I don't know how to say it but this theme sounds like it has "too many notes". It's a lot of huffing and puffing, and a flourish here or there that sounds like some kind of elegaic Force theme variant or a little motif from The Phantom Menace. But like a lot of his scoring for the Disney ...

I only have two words for these moronic, woke, and racially-focused frauds:

Lando Calrissian.

A much better performance by a much more likeable character.

It doesn't really have a counterpoint, which is odd. There was some thought into it, as it sounds like a somewhat solemn version of his original "force theme." But without his sensibilities for scoring the series, it is hard to get a feel for its ability to set the overall tone. Not too ma...