I finally got around to watching Quantum of Solace last night. While I found it entertaining, it was overly frenetic and difficult to follow some of the time. The action sequences are well-staged but so frenetically edited that I lost sight of what was happening.AndyDursin wrote:I like CASINO a great deal, though I do think it's a little bit overrated. Certainly as MJ mentioned the mixture there is a lot more satisfying than QUANTUM OF SOLACE.
I saw Casino Royal but it was two years ago. Its not exactly fresh in my mind, and QOS could have used a few flashbacks to jog our memories about the details of Vesper and Bond's relationship.
I also found it hard to understand what some of the actors (including Craig) were saying much of the time, as they mumbled a lot of their dialog. Plotwise things were generally unclear, not only in terms of dialog, but visually. I thought Bond was tossing a can of Gatorade to Green; it wasn't until Judy Dench made mention of him drinking oil (at the end) that I realized what it was. Why was that hotel (or whatever it was) exploding? That was never made clear. We never found out exactly what the "secret organization" was or why its members were able to infiltrate MI6 for so long. What was point of Bond mistakenly killing another British agent at the opera?
I was also a little put off by the recycling of images/sequences from previous Bond films -- the dead girl lying on the bed drenched in oil was right out of Goldfinger, Bond's freefall without a parachute was right out of Moonraker, the car chase along the cliffside highway reminded me of The Spy Who Loved Me.
Overall, was style of the film was kind of "generic". In the 60s, everyone was imitating the Bond films. Today, the Bond films are coming to imitate other action films, and seem to lack a stylistic identity of their own. I do think Craig is one of the best Bonds, but I agree with Andy that injecting a little more humor into the mix will help get things back on track.
And lets get the "gunbarrel" logo back at the beginning of the films where it belongs.