It's a puzzling disconnect seemingly:Mike Skerritt wrote: Agreed 100%, Andy. I'm glad I'm not the only one who feels that way, since Giacchino is building such a loyal following. I feel guilty about it for the very reasons you mentioned, but at the end of the day I'm just not engaged much by his music. It's competent and pleasant, but there's nothing particularly compelling about it.
Super cool guy and he's smart and when you listen to what he says you get the idea that he "gets it." I WANT to like his music and support him.
And then, shy of an ape job of one of the greats, I hear the results and I simply can't seal the deal and that's a shame. I've tried. Hard!
I don't have to go further back than his score to Abrams Trek 1 to prove my point. How do you get an opportunity like THAT and come out with something as lame, flat, and forgettable as that score was and with an orchestra no less? He really would have been better off by leagues aping Williams, Goldsmith, Horner and/or combinations thereof and I wish he had vs. what he put out instead.
It's a real shame.