DavidBanner wrote:I'm avoiding the plot discussion here, but in looking at the other descriptions, it sounds like my fears about this franchise were well founded.
If anything, this sounds like they dashed off the script pretty quickly and assumed that it would all hang together on the action beats. Does this sound accurate to people who have seen the movie?
I would say this sounds very accurate. It almost seems to be integrated into their ticket-sales strategy. If we make a film that appeals to the Trekkers/ies that leverages all of the elements that gave Star Trek its cult identity and allowed it to rise from the ashes in 1970's, then we'd only be attracting a small minority compared to what we could attract by emphasizing big action, loud attention grabbing sound design, and a blonde chick in a bikini. Yes, I said it correctly - a blonde chick wearing what amounts to a futuristic bikini (Not that Alice Eve didn't look good in that).
But hey, we can really seal (no offense to seals) the deal on the modernistic sensibility and have Kirk briefly waking up with two chicks in his bed - one of them with an incredible tail (was that scene meant as a double-entente?). But that's not all. If you act now, just give us $12.75 (May be less in your area) and we'll throw7n in the following bonus items: Spock and Uhura's brooding relationship, Starfleet dress uniforms with Starship-Troopers looking military caps, some bad rap music in a futuristic bar, The Needs of the Many Outweigh the Needs of the Few version 1.5, Benedict Cumberbach proclaiming that he is not John Harrison but "...KHAAAAANNNNNN..." quite awkwardly, Spock screaming "...KKKKKKHHHHHAAAAAAANNNNNN...." later on, Poor Peter Weller looking confused as if nobody told him that Star Trek: Enterprise was canceled 8 years ago or so.
I kept thinking to myself an observation that Andy made with IRON MAN 3. "...IRON MAN 3 was a smart script." Bingo! Star Trek: Into Darkness was a dumb script which tried to be everything they wanted it to be for the goal of ticket sales, but nothing in the form of coherently smart film-making.